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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 153 113 it is the complementary color RGB 6 102 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 153 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 153 113 shade: RGB 254 153 108, RGB 255 171 127, RGB 255 189 146, RGB 255 207 165 and RGB 255 225 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 153 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 232 135 94, RGB 215 117 75, RGB 198 99 56 and RGB 181 81 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 249 116 113 and RGB 249 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 249 189 113, RGB 249 226 113, RGB 235 249 113 and RGB 198 249 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 153 113 shade matches the following richer shades: RGB 249 153 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 237 157 124, RGB 225 162 136, RGB 213 167 148 and RGB 201 172 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 153 113 shade: RGB 249 113 147, RGB 249 115 113, RGB 249 151 113, RGB 249 187 113 and RGB 249 224 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 153 113 shade: RGB 245 96 33, RGB 247 124 73, RGB 249 153 113, RGB 250 181 152 and RGB 252 209 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 183 249 113 and RGB 113 128 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 113 249 151 and RGB 151 113 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 183 249 113, RGB 113 210 249 and RGB 178 113 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 153 113 shade: RGB 249 153 113, RGB 142 249 113, RGB 113 210 249 and RGB 219 113 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

Complementary color

CMYK 96 / 28 / 0 / 44

HEX #06668E

RGB 6 102 142

HSL 197.65, 0.92%, 0.29%

LAB 40.4, -9.38, -28.87

 

CMYK 0 / 40 / 57 / 0

HEX #FE996C

RGB 254 153 108

HSL 18.49, 0.99%, 0.71%

LAB 72.85, 33.61, 39.57

 

CMYK 0 / 33 / 50 / 0

HEX #FFAB7F

RGB 255 171 127

HSL 20.63, 1%, 0.75%

LAB 77.23, 26.18, 35.16

 

CMYK 0 / 26 / 43 / 0

HEX #FFBD92

RGB 255 189 146

HSL 23.67, 1%, 0.79%

LAB 81.69, 18.59, 31.02

 

CMYK 0 / 19 / 35 / 0

HEX #FFCFA5

RGB 255 207 165

HSL 28, 1%, 0.82%

LAB 86.31, 11.3, 27.27

 

CMYK 0 / 12 / 28 / 0

HEX #FFE1B8

RGB 255 225 184

HSL 34.65, 1%, 0.86%

LAB 91.04, 4.36, 23.87

RGB 255 225 184

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 42 / 59 / 9

HEX #E8875E

RGB 232 135 94

HSL 17.83, 0.75%, 0.64%

LAB 65.98, 33.34, 37.85

 

CMYK 0 / 46 / 65 / 16

HEX #D7754B

RGB 215 117 75

HSL 18, 0.64%, 0.57%

LAB 59.6, 34.76, 39.74

 

CMYK 0 / 50 / 72 / 22

HEX #C66338

RGB 198 99 56

HSL 18.17, 0.56%, 0.5%

LAB 53.18, 36.31, 41.78

 

CMYK 0 / 55 / 80 / 29

HEX #B55125

RGB 181 81 37

HSL 18.33, 0.66%, 0.43%

LAB 46.77, 37.99, 43.84

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 53 / 55 / 2

HEX #F97471

RGB 249 116 113

HSL 1.32, 0.92%, 0.71%

LAB 64.82, 50.61, 26.41

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 24 / 55 / 2

HEX #F9BD71

RGB 249 189 113

HSL 33.53, 0.92%, 0.71%

LAB 80.59, 13.18, 46.41

 

CMYK 0 / 9 / 55 / 2

HEX #F9E271

RGB 249 226 113

HSL 49.85, 0.92%, 0.71%

LAB 89.73, -5.84, 57.28

 

CMYK 6 / 0 / 55 / 2

HEX #EBF971

RGB 235 249 113

HSL 66.18, 0.92%, 0.71%

LAB 94.57, -22.68, 62.57

 

CMYK 20 / 0 / 55 / 2

HEX #C6F971

RGB 198 249 113

HSL 82.5, 0.92%, 0.71%

LAB 92.11, -36.72, 59.09

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 34 / 48 / 7

HEX #ED9D7C

RGB 237 157 124

HSL 17.52, 0.76%, 0.71%

LAB 71.94, 26.23, 29.47

 

CMYK 0 / 28 / 40 / 12

HEX #E1A288

RGB 225 162 136

HSL 17.53, 0.6%, 0.71%

LAB 71.98, 20.1, 22.77

 

CMYK 0 / 22 / 31 / 16

HEX #D5A794

RGB 213 167 148

HSL 17.54, 0.44%, 0.71%

LAB 72.18, 14.21, 16.29

 

CMYK 0 / 14 / 20 / 21

HEX #C9ACA0

RGB 201 172 160

HSL 17.56, 0.28%, 0.71%

LAB 72.54, 8.61, 10.06

 

CMYK 0 / 55 / 41 / 2

HEX #F97193

RGB 249 113 147

HSL 345, 0.92%, 0.71%

LAB 65.01, 55.1, 7.35

 

CMYK 0 / 54 / 55 / 2

HEX #F97371

RGB 249 115 113

HSL 0.88, 0.92%, 0.71%

LAB 64.64, 51.08, 26.17

 

CMYK 0 / 39 / 55 / 2

HEX #F99771

RGB 249 151 113

HSL 16.76, 0.92%, 0.71%

LAB 71.87, 33.09, 35.56

 

CMYK 0 / 25 / 55 / 2

HEX #F9BB71

RGB 249 187 113

HSL 32.65, 0.92%, 0.71%

LAB 80.11, 14.23, 45.82

 

CMYK 0 / 10 / 55 / 2

HEX #F9E071

RGB 249 224 113

HSL 48.97, 0.92%, 0.71%

LAB 89.23, -4.83, 56.7

 

CMYK 0 / 61 / 87 / 4

HEX #F56021

RGB 245 96 33

HSL 17.83, 0.91%, 0.55%

LAB 59.79, 54.51, 61

 

CMYK 0 / 50 / 70 / 3

HEX #F77C49

RGB 247 124 73

HSL 17.59, 0.92%, 0.63%

LAB 65.49, 43.48, 48.7

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 0 / 28 / 39 / 2

HEX #FAB598

RGB 250 181 152

HSL 17.76, 0.91%, 0.79%

LAB 79.41, 21.49, 24.68

 

CMYK 0 / 17 / 24 / 1

HEX #FCD1C0

RGB 252 209 192

HSL 17, 0.91%, 0.87%

LAB 87.05, 12.59, 14.08

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 27 / 0 / 55 / 2

HEX #B7F971

RGB 183 249 113

HSL 89.12, 0.92%, 0.71%

LAB 91.24, -42.11, 57.86

 

CMYK 55 / 49 / 0 / 2

HEX #7180F9

RGB 113 128 249

HSL 233.38, 0.92%, 0.71%

LAB 57.84, 28.22, -62.41

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 55 / 0 / 39 / 2

HEX #71F997

RGB 113 249 151

HSL 136.76, 0.92%, 0.71%

LAB 88.68, -57.89, 36.04

 

CMYK 39 / 55 / 0 / 2

HEX #9771F9

RGB 151 113 249

HSL 256.76, 0.92%, 0.71%

LAB 57.3, 45.04, -63.12

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 27 / 0 / 55 / 2

HEX #B7F971

RGB 183 249 113

HSL 89.12, 0.92%, 0.71%

LAB 91.24, -42.11, 57.86

 

CMYK 55 / 16 / 0 / 2

HEX #71D2F9

RGB 113 210 249

HSL 197.21, 0.92%, 0.71%

LAB 79.87, -17.95, -27.84

 

CMYK 29 / 55 / 0 / 2

HEX #B271F9

RGB 178 113 249

HSL 268.68, 0.92%, 0.71%

LAB 59.99, 51.35, -58.65

 

CMYK 0 / 39 / 55 / 2

HEX #F99971

RGB 249 153 113

HSL 17.65, 0.92%, 0.71%

LAB 72.3, 32.05, 36.11

 

CMYK 43 / 0 / 55 / 2

HEX #8EF971

RGB 142 249 113

HSL 107.21, 0.92%, 0.71%

LAB 89.25, -55.46, 55.03

 

CMYK 55 / 16 / 0 / 2

HEX #71D2F9

RGB 113 210 249

HSL 197.21, 0.92%, 0.71%

LAB 79.87, -17.95, -27.84

 

CMYK 12 / 55 / 0 / 2

HEX #DB71F9

RGB 219 113 249

HSL 286.76, 0.92%, 0.71%

LAB 64.73, 61.53, -50.82

 

Description

Color code: RGB 249 153 113 | qconv.com Color code: RGB 249 153 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 153 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 153 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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