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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 83 212 it is the complementary color RGB 7 172 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 83 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 83 212 shade: RGB 253 83 207, RGB 255 101 226, RGB 255 119 245, RGB 255 137 255 and RGB 255 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 83 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 83 212 shade: RGB 248 83 212, RGB 231 65 193, RGB 214 47 174, RGB 197 29 155 and RGB 180 11 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 83 212 shade: RGB 247 83 212, RGB 247 83 167, RGB 247 83 123 and RGB 247 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 83 212 shade: RGB 247 83 212, RGB 239 83 247, RGB 195 83 247, RGB 150 83 247 and RGB 106 83 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 83 212 shade matches the following richer shades: RGB 247 83 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 83 212 shade: RGB 247 83 212, RGB 233 98 203, RGB 218 112 195, RGB 204 126 187 and RGB 190 141 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 83 212 shade: RGB 195 83 247, RGB 239 83 247, RGB 247 83 212, RGB 247 83 168 and RGB 247 83 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 83 212 shade: RGB 239 9 189, RGB 246 44 202, RGB 247 83 212, RGB 249 123 221 and RGB 251 162 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 83 212 shade: RGB 248 83 212, RGB 247 152 83 and RGB 83 247 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 83 212 shade: RGB 248 83 212, RGB 212 247 83 and RGB 83 212 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 83 212 shade: RGB 248 83 212, RGB 247 152 83, RGB 83 247 119 and RGB 83 179 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 83 212 shade: RGB 248 83 212, RGB 247 201 83, RGB 83 247 119 and RGB 83 130 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

Complementary color

CMYK 96 / 0 / 75 / 33

HEX #07AC2B

RGB 7 172 43

HSL 133.09, 0.92%, 0.35%

LAB 61.42, -61.84, 52.53

 

CMYK 0 / 67 / 18 / 1

HEX #FD53CF

RGB 253 83 207

HSL 316.24, 0.98%, 0.66%

LAB 62.99, 75.84, -29.79

 

CMYK 0 / 60 / 11 / 0

HEX #FF65E2

RGB 255 101 226

HSL 311.3, 1%, 0.7%

LAB 66.56, 72.13, -34.88

 

CMYK 0 / 53 / 4 / 0

HEX #FF77F5

RGB 255 119 245

HSL 304.41, 1%, 0.73%

LAB 70.21, 67.38, -39.7

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

CMYK 0 / 72 / 16 / 9

HEX #E741C1

RGB 231 65 193

HSL 313.73, 0.78%, 0.58%

LAB 56.7, 74.79, -31.84

 

CMYK 0 / 78 / 19 / 16

HEX #D62FAE

RGB 214 47 174

HSL 314.37, 0.67%, 0.51%

LAB 51.13, 73.68, -29.69

 

CMYK 0 / 85 / 21 / 23

HEX #C51D9B

RGB 197 29 155

HSL 315, 0.74%, 0.44%

LAB 45.79, 71.73, -26.96

 

CMYK 0 / 94 / 24 / 29

HEX #B40B88

RGB 180 11 136

HSL 315.62, 0.88%, 0.37%

LAB 40.77, 68.62, -23.48

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 0 / 66 / 32 / 3

HEX #F753A7

RGB 247 83 167

HSL 329.27, 0.91%, 0.65%

LAB 60.56, 69.34, -10.71

 

CMYK 0 / 66 / 50 / 3

HEX #F7537B

RGB 247 83 123

HSL 345.37, 0.91%, 0.65%

LAB 59.33, 65.06, 13.15

 

CMYK 0 / 66 / 66 / 3

HEX #F75353

RGB 247 83 83

HSL 0, 0.91%, 0.65%

LAB 58.59, 62.37, 35.32

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 3 / 66 / 0 / 3

HEX #EF53F7

RGB 239 83 247

HSL 297.07, 0.91%, 0.65%

LAB 62.72, 78.55, -52.74

 

CMYK 21 / 66 / 0 / 3

HEX #C353F7

RGB 195 83 247

HSL 280.98, 0.91%, 0.65%

LAB 56.59, 69.12, -62.88

 

CMYK 39 / 66 / 0 / 3

HEX #9653F7

RGB 150 83 247

HSL 264.51, 0.91%, 0.65%

LAB 51.14, 60.11, -71.96

 

CMYK 57 / 66 / 0 / 3

HEX #6A53F7

RGB 106 83 247

HSL 248.41, 0.91%, 0.65%

LAB 46.93, 52.6, -79

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 0 / 58 / 13 / 9

HEX #E962CB

RGB 233 98 203

HSL 313.33, 0.75%, 0.65%

LAB 61.97, 64.15, -29.34

 

CMYK 0 / 49 / 11 / 15

HEX #DA70C3

RGB 218 112 195

HSL 313.02, 0.59%, 0.65%

LAB 62.03, 52.1, -24.9

 

CMYK 0 / 38 / 8 / 20

HEX #CC7EBB

RGB 204 126 187

HSL 313.08, 0.43%, 0.65%

LAB 62.8, 39.16, -19.35

 

CMYK 0 / 26 / 6 / 25

HEX #BE8DB3

RGB 190 141 179

HSL 313.47, 0.27%, 0.65%

LAB 64.36, 24.82, -12.61

 

CMYK 21 / 66 / 0 / 3

HEX #C353F7

RGB 195 83 247

HSL 280.98, 0.91%, 0.65%

LAB 56.59, 69.12, -62.88

 

CMYK 3 / 66 / 0 / 3

HEX #EF53F7

RGB 239 83 247

HSL 297.07, 0.91%, 0.65%

LAB 62.72, 78.55, -52.74

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 0 / 66 / 32 / 3

HEX #F753A8

RGB 247 83 168

HSL 328.9, 0.91%, 0.65%

LAB 60.59, 69.46, -11.24

 

CMYK 0 / 66 / 50 / 3

HEX #F7537C

RGB 247 83 124

HSL 345, 0.91%, 0.65%

LAB 59.36, 65.14, 12.6

 

CMYK 0 / 96 / 21 / 6

HEX #EF09BD

RGB 239 9 189

HSL 313.04, 0.93%, 0.49%

LAB 54.26, 86.51, -33.23

 

CMYK 0 / 82 / 18 / 4

HEX #F62CCA

RGB 246 44 202

HSL 313.07, 0.92%, 0.57%

LAB 57.71, 84.74, -35.24

 

CMYK 0 / 66 / 14 / 3

HEX #F753D4

RGB 247 83 212

HSL 312.8, 0.91%, 0.65%

LAB 62.27, 75.06, -33.81

 

CMYK 0 / 51 / 11 / 2

HEX #F97BDD

RGB 249 123 221

HSL 313.33, 0.91%, 0.73%

LAB 69.13, 60.06, -28.2

 

CMYK 0 / 35 / 8 / 2

HEX #FBA2E7

RGB 251 162 231

HSL 313.48, 0.92%, 0.81%

LAB 77.35, 42.89, -21.1

 

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

CMYK 0 / 38 / 66 / 3

HEX #F79853

RGB 247 152 83

HSL 25.24, 0.91%, 0.65%

LAB 71.46, 29.72, 50.42

 

CMYK 66 / 0 / 12 / 3

HEX #53F7D9

RGB 83 247 217

HSL 169.02, 0.91%, 0.65%

LAB 88.62, -49.09, 2.04

 

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

CMYK 14 / 0 / 66 / 3

HEX #D4F753

RGB 212 247 83

HSL 72.8, 0.91%, 0.65%

LAB 92.2, -32.79, 71.77

 

CMYK 66 / 14 / 0 / 3

HEX #53D4F7

RGB 83 212 247

HSL 192.8, 0.91%, 0.65%

LAB 79.41, -24.75, -27.56

 

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

CMYK 0 / 38 / 66 / 3

HEX #F79853

RGB 247 152 83

HSL 25.24, 0.91%, 0.65%

LAB 71.46, 29.72, 50.42

 

CMYK 66 / 0 / 52 / 3

HEX #53F777

RGB 83 247 119

HSL 133.17, 0.91%, 0.65%

LAB 86.85, -68.11, 48.95

 

CMYK 66 / 28 / 0 / 3

HEX #53B3F7

RGB 83 179 247

HSL 204.88, 0.91%, 0.65%

LAB 70.03, -7.48, -42.07

 

CMYK 0 / 67 / 15 / 3

HEX #F853D4

RGB 248 83 212

HSL 313.09, 0.92%, 0.65%

LAB 62.42, 75.3, -33.56

 

CMYK 0 / 19 / 66 / 3

HEX #F7C953

RGB 247 201 83

HSL 43.17, 0.91%, 0.65%

LAB 83, 4.08, 63.05

 

CMYK 66 / 0 / 52 / 3

HEX #53F777

RGB 83 247 119

HSL 133.17, 0.91%, 0.65%

LAB 86.85, -68.11, 48.95

 

CMYK 66 / 47 / 0 / 3

HEX #5382F7

RGB 83 130 247

HSL 222.8, 0.91%, 0.65%

LAB 56.6, 21.08, -63.37

 

Description

Color code: RGB 248 83 212 | qconv.com Color code: RGB 248 83 212 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 83 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 83 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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