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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 82 120 it is the complementary color RGB 7 173 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 82 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 82 120 shade: RGB 253 82 115, RGB 255 100 134, RGB 255 118 153, RGB 255 136 172 and RGB 255 154 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 82 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 82 120 shade: RGB 248 82 120, RGB 231 64 101, RGB 214 46 82, RGB 197 28 63 and RGB 180 10 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 82 120 shade: RGB 247 83 121 and RGB 247 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 82 120 shade: RGB 247 83 121, RGB 247 83 165, RGB 247 83 209, RGB 241 83 247 and RGB 197 83 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 82 120 shade matches the following richer shades: RGB 247 83 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 82 120 shade: RGB 247 83 121, RGB 233 98 129, RGB 218 112 136, RGB 204 126 144 and RGB 190 141 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 82 120 shade: RGB 247 83 209, RGB 247 83 165, RGB 247 83 121, RGB 247 89 83 and RGB 247 132 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 82 120 shade: RGB 239 9 62, RGB 246 44 90, RGB 247 83 121, RGB 249 123 152 and RGB 251 162 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 82 120 shade: RGB 248 82 120, RGB 247 242 83 and RGB 83 187 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 82 120 shade: RGB 248 82 120, RGB 121 247 83 and RGB 83 121 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 82 120 shade: RGB 248 82 120, RGB 247 242 83, RGB 83 247 209 and RGB 83 89 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 82 120 shade: RGB 248 82 120, RGB 204 247 83, RGB 83 247 209 and RGB 127 83 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

Complementary color

CMYK 96 / 0 / 22 / 32

HEX #07AD87

RGB 7 173 135

HSL 166.27, 0.92%, 0.35%

LAB 63.08, -46.44, 9.14

 

CMYK 0 / 68 / 55 / 1

HEX #FD5273

RGB 253 82 115

HSL 348.42, 0.98%, 0.66%

LAB 60.03, 66.61, 18.94

 

CMYK 0 / 61 / 47 / 0

HEX #FF6486

RGB 255 100 134

HSL 346.84, 1%, 0.7%

LAB 63.42, 61.56, 12.68

 

CMYK 0 / 54 / 40 / 0

HEX #FF7699

RGB 255 118 153

HSL 344.67, 1%, 0.73%

LAB 66.91, 55.37, 6.78

 

CMYK 0 / 47 / 33 / 0

HEX #FF88AC

RGB 255 136 172

HSL 341.85, 1%, 0.77%

LAB 70.77, 48.86, 1.65

 

CMYK 0 / 40 / 25 / 0

HEX #FF9ABF

RGB 255 154 191

HSL 338.02, 1%, 0.8%

LAB 74.91, 42.25, -2.83

 

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

CMYK 0 / 72 / 56 / 9

HEX #E74065

RGB 231 64 101

HSL 346.71, 0.78%, 0.58%

LAB 53.59, 65.56, 17.8

 

CMYK 0 / 79 / 62 / 16

HEX #D62E52

RGB 214 46 82

HSL 347.14, 0.67%, 0.51%

LAB 48.08, 65.09, 21.34

 

CMYK 0 / 86 / 68 / 23

HEX #C51C3F

RGB 197 28 63

HSL 347.57, 0.75%, 0.44%

LAB 42.85, 63.83, 25.62

 

CMYK 0 / 94 / 76 / 29

HEX #B40A2C

RGB 180 10 44

HSL 348, 0.89%, 0.37%

LAB 38.03, 61.45, 30.72

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 66 / 66 / 3

HEX #F75353

RGB 247 83 83

HSL 0, 0.91%, 0.65%

LAB 58.59, 62.37, 35.32

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 66 / 33 / 3

HEX #F753A5

RGB 247 83 165

HSL 330, 0.91%, 0.65%

LAB 60.5, 69.12, -9.65

 

CMYK 0 / 66 / 15 / 3

HEX #F753D1

RGB 247 83 209

HSL 313.9, 0.91%, 0.65%

LAB 62.14, 74.64, -32.31

 

CMYK 2 / 66 / 0 / 3

HEX #F153F7

RGB 241 83 247

HSL 297.8, 0.91%, 0.65%

LAB 63.01, 78.98, -52.25

 

CMYK 20 / 66 / 0 / 3

HEX #C553F7

RGB 197 83 247

HSL 281.71, 0.91%, 0.65%

LAB 56.85, 69.54, -62.45

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 58 / 45 / 9

HEX #E96281

RGB 233 98 129

HSL 346.22, 0.75%, 0.65%

LAB 59.57, 54.93, 9.65

 

CMYK 0 / 49 / 38 / 15

HEX #DA7088

RGB 218 112 136

HSL 346.42, 0.59%, 0.65%

LAB 60.13, 43.87, 6.1

 

CMYK 0 / 38 / 29 / 20

HEX #CC7E90

RGB 204 126 144

HSL 346.15, 0.43%, 0.65%

LAB 61.46, 32.51, 3.17

 

CMYK 0 / 26 / 20 / 25

HEX #BE8D98

RGB 190 141 152

HSL 346.53, 0.27%, 0.65%

LAB 63.56, 20.26, 1.47

 

CMYK 0 / 66 / 15 / 3

HEX #F753D1

RGB 247 83 209

HSL 313.9, 0.91%, 0.65%

LAB 62.14, 74.64, -32.31

 

CMYK 0 / 66 / 33 / 3

HEX #F753A5

RGB 247 83 165

HSL 330, 0.91%, 0.65%

LAB 60.5, 69.12, -9.65

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 64 / 66 / 3

HEX #F75953

RGB 247 89 83

HSL 2.2, 0.91%, 0.65%

LAB 59.47, 59.97, 36.4

 

CMYK 0 / 47 / 66 / 3

HEX #F78453

RGB 247 132 83

HSL 17.93, 0.91%, 0.65%

LAB 67.2, 40.01, 45.56

 

CMYK 0 / 96 / 74 / 6

HEX #EF093E

RGB 239 9 62

HSL 346.17, 0.93%, 0.49%

LAB 50.56, 76.73, 37.5

 

CMYK 0 / 82 / 63 / 4

HEX #F62C5A

RGB 246 44 90

HSL 346.34, 0.92%, 0.57%

LAB 54.17, 74.58, 25.63

 

CMYK 0 / 66 / 51 / 3

HEX #F75379

RGB 247 83 121

HSL 346.1, 0.91%, 0.65%

LAB 59.29, 64.89, 14.25

 

CMYK 0 / 51 / 39 / 2

HEX #F97B98

RGB 249 123 152

HSL 346.19, 0.91%, 0.73%

LAB 66.96, 50.89, 7.29

 

CMYK 0 / 35 / 27 / 2

HEX #FBA2B7

RGB 251 162 183

HSL 345.84, 0.92%, 0.81%

LAB 75.93, 35.64, 2.99

 

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

CMYK 0 / 2 / 66 / 3

HEX #F7F253

RGB 247 242 83

HSL 58.17, 0.91%, 0.65%

LAB 93.41, -16.49, 73.82

 

CMYK 66 / 24 / 0 / 3

HEX #53BBF7

RGB 83 187 247

HSL 201.95, 0.91%, 0.65%

LAB 72.29, -11.82, -38.55

 

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

CMYK 51 / 0 / 66 / 3

HEX #79F753

RGB 121 247 83

HSL 106.1, 0.91%, 0.65%

LAB 87.59, -63.53, 65.52

 

CMYK 66 / 51 / 0 / 3

HEX #5379F7

RGB 83 121 247

HSL 226.1, 0.91%, 0.65%

LAB 54.27, 26.58, -67.13

 

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

CMYK 0 / 2 / 66 / 3

HEX #F7F253

RGB 247 242 83

HSL 58.17, 0.91%, 0.65%

LAB 93.41, -16.49, 73.82

 

CMYK 66 / 0 / 15 / 3

HEX #53F7D1

RGB 83 247 209

HSL 166.1, 0.91%, 0.65%

LAB 88.43, -51.03, 5.93

 

CMYK 66 / 64 / 0 / 3

HEX #5359F7

RGB 83 89 247

HSL 237.8, 0.91%, 0.65%

LAB 46.58, 45.98, -79.64

 

CMYK 0 / 67 / 52 / 3

HEX #F85278

RGB 248 82 120

HSL 346.27, 0.92%, 0.65%

LAB 59.29, 65.5, 14.87

 

CMYK 17 / 0 / 66 / 3

HEX #CCF753

RGB 204 247 83

HSL 75.73, 0.91%, 0.65%

LAB 91.68, -35.87, 71.07

 

CMYK 66 / 0 / 15 / 3

HEX #53F7D1

RGB 83 247 209

HSL 166.1, 0.91%, 0.65%

LAB 88.43, -51.03, 5.93

 

CMYK 49 / 66 / 0 / 3

HEX #7F53F7

RGB 127 83 247

HSL 256.1, 0.91%, 0.65%

LAB 48.78, 55.97, -75.91

 

Description

Color code: RGB 248 82 120 | qconv.com Color code: RGB 248 82 120 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 82 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 82 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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