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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 54 197 it is the complementary color RGB 7 201 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 54 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 54 197 shade: RGB 253 54 192, RGB 255 72 211, RGB 255 90 230, RGB 255 108 249 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 54 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 54 197 shade: RGB 248 54 197, RGB 231 36 178, RGB 214 18 159, RGB 197 0 140 and RGB 180 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 54 197 shade: RGB 247 53 196, RGB 247 53 144, RGB 247 53 91 and RGB 247 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 54 197 shade: RGB 247 53 196, RGB 246 53 247, RGB 193 53 247, RGB 141 53 247 and RGB 89 53 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 54 197 shade matches the following richer shades: RGB 247 53 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 54 197 shade: RGB 247 53 196, RGB 230 70 188, RGB 213 87 180, RGB 196 103 172 and RGB 180 120 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 54 197 shade: RGB 192 53 247, RGB 244 53 247, RGB 247 53 199, RGB 247 53 147 and RGB 247 53 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 54 197 shade: RGB 210 7 157, RGB 246 13 185, RGB 247 53 196, RGB 249 93 208 and RGB 250 132 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 54 197 shade: RGB 248 54 197, RGB 247 140 53 and RGB 53 247 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 54 197 shade: RGB 248 54 197, RGB 199 247 53 and RGB 53 199 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 54 197 shade: RGB 248 54 197, RGB 247 140 53, RGB 53 247 101 and RGB 53 160 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 54 197 shade: RGB 248 54 197, RGB 247 199 53, RGB 53 247 101 and RGB 53 101 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

Complementary color

CMYK 97 / 0 / 71 / 21

HEX #07C93A

RGB 7 201 58

HSL 135.77, 0.93%, 0.41%

LAB 70.96, -69.04, 56.81

 

CMYK 0 / 79 / 24 / 1

HEX #FD36C0

RGB 253 54 192

HSL 318.39, 0.98%, 0.6%

LAB 59.28, 82.74, -26.98

 

CMYK 0 / 72 / 17 / 0

HEX #FF48D3

RGB 255 72 211

HSL 314.43, 1%, 0.64%

LAB 62.17, 80.53, -33.3

 

CMYK 0 / 65 / 10 / 0

HEX #FF5AE6

RGB 255 90 230

HSL 309.09, 1%, 0.68%

LAB 65.19, 77, -39.25

 

CMYK 0 / 58 / 2 / 0

HEX #FF6CF9

RGB 255 108 249

HSL 302.45, 1%, 0.71%

LAB 68.62, 72.8, -44.37

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

CMYK 0 / 84 / 23 / 9

HEX #E724B2

RGB 231 36 178

HSL 316.31, 0.8%, 0.52%

LAB 53.45, 80.32, -28.19

 

CMYK 0 / 92 / 26 / 16

HEX #D6129F

RGB 214 18 159

HSL 316.84, 0.84%, 0.45%

LAB 48.55, 77.41, -24.82

 

CMYK 0 / 100 / 29 / 23

HEX #C5008C

RGB 197 0 140

HSL 317.36, 1%, 0.39%

LAB 43.89, 73.58, -20.82

 

CMYK 0 / 100 / 33 / 29

HEX #B40079

RGB 180 0 121

HSL 319.67, 1%, 0.35%

LAB 39.72, 68.08, -15.8

 

CMYK 0 / 79 / 21 / 3

HEX #F735C4

RGB 247 53 196

HSL 315.77, 0.92%, 0.59%

LAB 58.33, 82.16, -30.83

 

CMYK 0 / 79 / 42 / 3

HEX #F73590

RGB 247 53 144

HSL 331.86, 0.92%, 0.59%

LAB 56.42, 76.57, -3.41

 

CMYK 0 / 79 / 63 / 3

HEX #F7355B

RGB 247 53 91

HSL 348.25, 0.92%, 0.59%

LAB 55.15, 72.7, 26.35

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 79 / 21 / 3

HEX #F735C4

RGB 247 53 196

HSL 315.77, 0.92%, 0.59%

LAB 58.33, 82.16, -30.83

 

CMYK 0 / 79 / 0 / 3

HEX #F635F7

RGB 246 53 247

HSL 299.69, 0.92%, 0.59%

LAB 60.65, 88.93, -55.96

 

CMYK 22 / 79 / 0 / 3

HEX #C135F7

RGB 193 53 247

HSL 283.3, 0.92%, 0.59%

LAB 52.51, 79.57, -69.48

 

CMYK 43 / 79 / 0 / 3

HEX #8D35F7

RGB 141 53 247

HSL 267.22, 0.92%, 0.59%

LAB 45.53, 71.57, -81.15

 

CMYK 64 / 79 / 0 / 3

HEX #5935F7

RGB 89 53 247

HSL 251.13, 0.92%, 0.59%

LAB 40.22, 65.5, -90.08

 

CMYK 0 / 79 / 21 / 3

HEX #F735C4

RGB 247 53 196

HSL 315.77, 0.92%, 0.59%

LAB 58.33, 82.16, -30.83

 

CMYK 0 / 79 / 21 / 3

HEX #F735C4

RGB 247 53 196

HSL 315.77, 0.92%, 0.59%

LAB 58.33, 82.16, -30.83

 

CMYK 0 / 70 / 18 / 10

HEX #E646BC

RGB 230 70 188

HSL 315.75, 0.76%, 0.59%

LAB 56.91, 72.22, -28.65

 

CMYK 0 / 59 / 15 / 16

HEX #D557B4

RGB 213 87 180

HSL 315.71, 0.6%, 0.59%

LAB 56.35, 59.99, -25.12

 

CMYK 0 / 47 / 12 / 23

HEX #C467AC

RGB 196 103 172

HSL 315.48, 0.44%, 0.59%

LAB 56.5, 46.09, -20.46

 

CMYK 0 / 33 / 9 / 29

HEX #B478A4

RGB 180 120 164

HSL 316, 0.29%, 0.59%

LAB 57.86, 30.33, -13.96

 

CMYK 22 / 79 / 0 / 3

HEX #C035F7

RGB 192 53 247

HSL 282.99, 0.92%, 0.59%

LAB 52.36, 79.4, -69.73

 

CMYK 1 / 79 / 0 / 3

HEX #F435F7

RGB 244 53 247

HSL 299.07, 0.92%, 0.59%

LAB 60.33, 88.57, -56.49

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 79 / 40 / 3

HEX #F73593

RGB 247 53 147

HSL 330.93, 0.92%, 0.59%

LAB 56.51, 76.85, -5.05

 

CMYK 0 / 79 / 62 / 3

HEX #F7355F

RGB 247 53 95

HSL 347.01, 0.92%, 0.59%

LAB 55.22, 72.92, 24.07

 

CMYK 0 / 97 / 25 / 18

HEX #D2079D

RGB 210 7 157

HSL 315.67, 0.94%, 0.43%

LAB 47.35, 77.44, -25.55

 

CMYK 0 / 95 / 25 / 4

HEX #F60DB9

RGB 246 13 185

HSL 315.71, 0.93%, 0.51%

LAB 55.47, 87.09, -28.94

 

CMYK 0 / 79 / 21 / 3

HEX #F735C4

RGB 247 53 196

HSL 315.77, 0.92%, 0.59%

LAB 58.33, 82.16, -30.83

 

CMYK 0 / 63 / 16 / 2

HEX #F95DD0

RGB 249 93 208

HSL 315.77, 0.93%, 0.67%

LAB 63.77, 71.2, -29.19

 

CMYK 0 / 47 / 12 / 2

HEX #FA84DB

RGB 250 132 219

HSL 315.76, 0.92%, 0.75%

LAB 70.83, 55.75, -24.48

 

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

CMYK 0 / 43 / 79 / 3

HEX #F78C35

RGB 247 140 53

HSL 26.91, 0.92%, 0.59%

LAB 68.6, 34.57, 61.04

 

CMYK 79 / 0 / 12 / 3

HEX #35F7DA

RGB 53 247 218

HSL 171.03, 0.92%, 0.59%

LAB 88.13, -52.38, 0.74

 

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

CMYK 19 / 0 / 79 / 3

HEX #C7F735

RGB 199 247 53

HSL 74.85, 0.92%, 0.59%

LAB 91.2, -39.29, 80.23

 

CMYK 79 / 19 / 0 / 3

HEX #35C7F7

RGB 53 199 247

HSL 194.85, 0.92%, 0.59%

LAB 75.03, -21.83, -34.36

 

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

CMYK 0 / 43 / 79 / 3

HEX #F78C35

RGB 247 140 53

HSL 26.91, 0.92%, 0.59%

LAB 68.6, 34.57, 61.04

 

CMYK 79 / 0 / 59 / 3

HEX #35F765

RGB 53 247 101

HSL 134.85, 0.92%, 0.59%

LAB 86.12, -74.81, 56.05

 

CMYK 79 / 35 / 0 / 3

HEX #35A0F7

RGB 53 160 247

HSL 206.91, 0.92%, 0.59%

LAB 63.85, -0.63, -51.87

 

CMYK 0 / 78 / 21 / 3

HEX #F836C5

RGB 248 54 197

HSL 315.77, 0.93%, 0.59%

LAB 58.63, 82.25, -30.92

 

CMYK 0 / 19 / 79 / 3

HEX #F7C735

RGB 247 199 53

HSL 45.15, 0.92%, 0.59%

LAB 82.31, 3.78, 73.65

 

CMYK 79 / 0 / 59 / 3

HEX #35F765

RGB 53 247 101

HSL 134.85, 0.92%, 0.59%

LAB 86.12, -74.81, 56.05

 

CMYK 79 / 59 / 0 / 3

HEX #3565F7

RGB 53 101 247

HSL 225.15, 0.92%, 0.59%

LAB 47.98, 35.39, -77.4

 

Description

Color code: RGB 248 54 197 | qconv.com Color code: RGB 248 54 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 54 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 54 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 21 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 21% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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