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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 42 234 it is the complementary color RGB 7 213 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 42 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 42 234 shade: RGB 253 42 229, RGB 255 60 248, RGB 255 78 255, RGB 255 96 255 and RGB 255 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 42 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 231 24 215, RGB 214 6 196, RGB 197 0 177 and RGB 180 0 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 248 42 178, RGB 248 42 123, RGB 248 42 67 and RGB 248 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 206 42 248, RGB 151 42 248, RGB 95 42 248 and RGB 42 42 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 42 234 shade matches the following richer shades: RGB 248 42 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 230 60 219, RGB 212 77 203, RGB 195 95 188 and RGB 177 113 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 42 234 shade: RGB 152 42 248, RGB 207 42 248, RGB 248 42 234, RGB 248 42 179 and RGB 248 42 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 42 234 shade: RGB 201 6 188, RGB 241 7 226, RGB 248 42 234, RGB 249 82 238 and RGB 250 122 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 248 97 42 and RGB 42 248 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 234 248 42 and RGB 42 234 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 248 97 42, RGB 42 248 56 and RGB 42 193 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 42 234 shade: RGB 248 42 234, RGB 248 159 42, RGB 42 248 56 and RGB 42 131 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

Complementary color

CMYK 97 / 0 / 90 / 16

HEX #07D515

RGB 7 213 21

HSL 124.08, 0.94%, 0.43%

LAB 74.63, -74.53, 70.28

 

CMYK 0 / 83 / 9 / 1

HEX #FD2AE5

RGB 253 42 229

HSL 306.82, 0.98%, 0.58%

LAB 60.07, 90, -46.77

 

CMYK 0 / 76 / 3 / 0

HEX #FF3CF8

RGB 255 60 248

HSL 302.15, 1%, 0.62%

LAB 62.73, 89.07, -53.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 90 / 7 / 9

HEX #E718D7

RGB 231 24 215

HSL 304.64, 0.81%, 0.5%

LAB 54.6, 86.94, -47.74

 

CMYK 0 / 97 / 8 / 16

HEX #D606C4

RGB 214 6 196

HSL 305.19, 0.95%, 0.43%

LAB 49.99, 83.12, -44.32

 

CMYK 0 / 100 / 10 / 23

HEX #C500B1

RGB 197 0 177

HSL 306.09, 1%, 0.39%

LAB 45.7, 78.1, -40.21

 

CMYK 0 / 100 / 12 / 29

HEX #B4009E

RGB 180 0 158

HSL 307.33, 1%, 0.35%

LAB 41.49, 72.54, -35.74

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 83 / 28 / 3

HEX #F82AB2

RGB 248 42 178

HSL 320.39, 0.94%, 0.57%

LAB 56.91, 82.74, -22.61

 

CMYK 0 / 83 / 50 / 3

HEX #F82A7B

RGB 248 42 123

HSL 336.41, 0.94%, 0.57%

LAB 55.12, 77.64, 7.22

 

CMYK 0 / 83 / 73 / 3

HEX #F82A43

RGB 248 42 67

HSL 352.72, 0.94%, 0.57%

LAB 54.05, 74.49, 39.07

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 17 / 83 / 0 / 3

HEX #CE2AF8

RGB 206 42 248

HSL 287.77, 0.94%, 0.57%

LAB 53.55, 84.71, -68.26

 

CMYK 39 / 83 / 0 / 3

HEX #972AF8

RGB 151 42 248

HSL 271.75, 0.94%, 0.57%

LAB 45.65, 76.7, -81.47

 

CMYK 62 / 83 / 0 / 3

HEX #5F2AF8

RGB 95 42 248

HSL 255.44, 0.94%, 0.57%

LAB 39.35, 70.66, -92.06

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 74 / 5 / 10

HEX #E63CDB

RGB 230 60 219

HSL 303.88, 0.77%, 0.57%

LAB 57.24, 79.8, -45.84

 

CMYK 0 / 64 / 4 / 17

HEX #D44DCB

RGB 212 77 203

HSL 304, 0.61%, 0.57%

LAB 55.7, 67.45, -39.35

 

CMYK 0 / 51 / 4 / 24

HEX #C35FBC

RGB 195 95 188

HSL 304.2, 0.45%, 0.57%

LAB 55.5, 52.48, -31.25

 

CMYK 0 / 36 / 2 / 31

HEX #B171AD

RGB 177 113 173

HSL 303.75, 0.29%, 0.57%

LAB 56.26, 34.83, -21.62

 

CMYK 39 / 83 / 0 / 3

HEX #982AF8

RGB 152 42 248

HSL 272.04, 0.94%, 0.57%

LAB 45.78, 76.83, -81.25

 

CMYK 17 / 83 / 0 / 3

HEX #CF2AF8

RGB 207 42 248

HSL 288.06, 0.94%, 0.57%

LAB 53.71, 84.87, -68

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 83 / 28 / 3

HEX #F82AB3

RGB 248 42 179

HSL 320.1, 0.94%, 0.57%

LAB 56.95, 82.85, -23.13

 

CMYK 0 / 83 / 50 / 3

HEX #F82A7C

RGB 248 42 124

HSL 336.12, 0.94%, 0.57%

LAB 55.14, 77.72, 6.66

 

CMYK 0 / 97 / 6 / 21

HEX #C906BC

RGB 201 6 188

HSL 304, 0.94%, 0.41%

LAB 47.21, 79.79, -44.23

 

CMYK 0 / 97 / 6 / 5

HEX #F107E2

RGB 241 7 226

HSL 303.85, 0.94%, 0.49%

LAB 56.43, 91.64, -50.97

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 67 / 4 / 2

HEX #F952EE

RGB 249 82 238

HSL 303.95, 0.93%, 0.65%

LAB 63.63, 79.69, -46.21

 

CMYK 0 / 51 / 3 / 2

HEX #FA7AF2

RGB 250 122 242

HSL 303.75, 0.93%, 0.73%

LAB 69.93, 64.19, -38.53

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 61 / 83 / 3

HEX #F8612A

RGB 248 97 42

HSL 16.02, 0.94%, 0.57%

LAB 60.49, 55.33, 58.23

 

CMYK 83 / 0 / 28 / 3

HEX #2AF8B3

RGB 42 248 179

HSL 159.9, 0.94%, 0.57%

LAB 87.43, -62.99, 19.93

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 6 / 0 / 83 / 3

HEX #EAF82A

RGB 234 248 42

HSL 64.08, 0.94%, 0.57%

LAB 93.79, -26.24, 86.06

 

CMYK 83 / 6 / 0 / 3

HEX #2AEAF8

RGB 42 234 248

HSL 184.08, 0.94%, 0.57%

LAB 85.06, -39.3, -19.57

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 61 / 83 / 3

HEX #F8612A

RGB 248 97 42

HSL 16.02, 0.94%, 0.57%

LAB 60.49, 55.33, 58.23

 

CMYK 83 / 0 / 77 / 3

HEX #2AF838

RGB 42 248 56

HSL 124.08, 0.94%, 0.57%

LAB 85.96, -80.31, 72.52

 

CMYK 83 / 22 / 0 / 3

HEX #2AC1F8

RGB 42 193 248

HSL 196.02, 0.94%, 0.57%

LAB 73.16, -19.34, -37.8

 

CMYK 0 / 83 / 6 / 3

HEX #F82AEA

RGB 248 42 234

HSL 304.08, 0.94%, 0.57%

LAB 59.48, 89.76, -50.55

 

CMYK 0 / 36 / 83 / 3

HEX #F89F2A

RGB 248 159 42

HSL 34.08, 0.94%, 0.57%

LAB 72.84, 24.77, 68.9

 

CMYK 83 / 0 / 77 / 3

HEX #2AF838

RGB 42 248 56

HSL 124.08, 0.94%, 0.57%

LAB 85.96, -80.31, 72.52

 

CMYK 83 / 47 / 0 / 3

HEX #2A83F8

RGB 42 131 248

HSL 214.08, 0.94%, 0.57%

LAB 55.59, 16.08, -65.63

 

Description

Color code: RGB 248 42 234 | qconv.com Color code: RGB 248 42 234 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 42 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 42 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 6 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 6% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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