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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 41 136 it is the complementary color RGB 7 214 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 41 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 41 136 shade: RGB 253 41 131, RGB 255 59 150, RGB 255 77 169, RGB 255 95 188 and RGB 255 113 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 41 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 41 136 shade: RGB 248 41 136, RGB 231 23 117, RGB 214 5 98, RGB 197 0 79 and RGB 180 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 41 136 shade: RGB 248 42 136, RGB 248 42 81 and RGB 248 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 41 136 shade: RGB 248 42 136, RGB 248 42 192, RGB 248 42 248, RGB 193 42 248 and RGB 137 42 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 41 136 shade matches the following richer shades: RGB 248 42 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 41 136 shade: RGB 248 42 136, RGB 230 60 138, RGB 212 77 139, RGB 195 95 141 and RGB 177 113 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 41 136 shade: RGB 248 42 248, RGB 248 42 193, RGB 248 42 138, RGB 248 42 83 and RGB 248 56 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 41 136 shade: RGB 201 6 96, RGB 241 7 115, RGB 248 42 136, RGB 249 82 159 and RGB 250 122 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 41 136 shade: RGB 248 41 136, RGB 248 193 42 and RGB 42 220 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 41 136 shade: RGB 248 41 136, RGB 138 248 42 and RGB 42 138 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 41 136 shade: RGB 248 41 136, RGB 248 193 42, RGB 42 248 152 and RGB 42 97 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 41 136 shade: RGB 248 41 136, RGB 241 248 42, RGB 42 248 152 and RGB 49 42 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

Complementary color

CMYK 97 / 0 / 44 / 16

HEX #07D677

RGB 7 214 119

HSL 152.46, 0.94%, 0.43%

LAB 75.74, -64.89, 34.81

 

CMYK 0 / 84 / 48 / 1

HEX #FD2983

RGB 253 41 131

HSL 334.53, 0.98%, 0.58%

LAB 56.19, 79.66, 4.11

 

CMYK 0 / 77 / 41 / 0

HEX #FF3B96

RGB 255 59 150

HSL 332.14, 1%, 0.62%

LAB 58.59, 77.5, -3.58

 

CMYK 0 / 70 / 34 / 0

HEX #FF4DA9

RGB 255 77 169

HSL 328.99, 1%, 0.65%

LAB 61.16, 73.86, -10.83

 

CMYK 0 / 63 / 26 / 0

HEX #FF5FBC

RGB 255 95 188

HSL 325.13, 1%, 0.69%

LAB 64.22, 69.38, -17.1

 

CMYK 0 / 56 / 19 / 0

HEX #FF71CF

RGB 255 113 207

HSL 320.28, 1%, 0.72%

LAB 67.71, 64.29, -22.52

 

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

CMYK 0 / 90 / 49 / 9

HEX #E71775

RGB 231 23 117

HSL 332.88, 0.82%, 0.5%

LAB 50.55, 76.47, 3.87

 

CMYK 0 / 98 / 54 / 16

HEX #D60562

RGB 214 5 98

HSL 333.3, 0.95%, 0.43%

LAB 46.02, 73.05, 8.65

 

CMYK 0 / 100 / 60 / 23

HEX #C5004F

RGB 197 0 79

HSL 335.94, 1%, 0.39%

LAB 41.9, 68.37, 14.32

 

CMYK 0 / 100 / 67 / 29

HEX #B4003C

RGB 180 0 60

HSL 340, 1%, 0.35%

LAB 37.9, 63.28, 20.47

 

CMYK 0 / 83 / 45 / 3

HEX #F82A88

RGB 248 42 136

HSL 332.62, 0.94%, 0.57%

LAB 55.47, 78.67, -0.03

 

CMYK 0 / 83 / 67 / 3

HEX #F82A51

RGB 248 42 81

HSL 348.64, 0.94%, 0.57%

LAB 54.25, 75.08, 31.15

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 83 / 45 / 3

HEX #F82A88

RGB 248 42 136

HSL 332.62, 0.94%, 0.57%

LAB 55.47, 78.67, -0.03

 

CMYK 0 / 83 / 23 / 3

HEX #F82AC0

RGB 248 42 192

HSL 316.31, 0.94%, 0.57%

LAB 57.48, 84.34, -29.83

 

CMYK 0 / 83 / 0 / 3

HEX #F82AF8

RGB 248 42 248

HSL 300, 0.94%, 0.57%

LAB 60.24, 91.75, -57.16

 

CMYK 22 / 83 / 0 / 3

HEX #C12AF8

RGB 193 42 248

HSL 283.98, 0.94%, 0.57%

LAB 51.58, 82.67, -71.55

 

CMYK 45 / 83 / 0 / 3

HEX #892AF8

RGB 137 42 248

HSL 267.67, 0.94%, 0.57%

LAB 43.87, 74.96, -84.45

 

CMYK 0 / 83 / 45 / 3

HEX #F82A88

RGB 248 42 136

HSL 332.62, 0.94%, 0.57%

LAB 55.47, 78.67, -0.03

 

CMYK 0 / 83 / 45 / 3

HEX #F82A88

RGB 248 42 136

HSL 332.62, 0.94%, 0.57%

LAB 55.47, 78.67, -0.03

 

CMYK 0 / 74 / 40 / 10

HEX #E63C8A

RGB 230 60 138

HSL 332.47, 0.77%, 0.57%

LAB 53.91, 69.69, -3.9

 

CMYK 0 / 64 / 34 / 17

HEX #D44D8B

RGB 212 77 139

HSL 332.44, 0.61%, 0.57%

LAB 53.13, 58.56, -5.98

 

CMYK 0 / 51 / 28 / 24

HEX #C35F8D

RGB 195 95 141

HSL 332.4, 0.45%, 0.57%

LAB 53.72, 45.16, -6.58

 

CMYK 0 / 36 / 20 / 31

HEX #B1718E

RGB 177 113 142

HSL 332.81, 0.29%, 0.57%

LAB 55.19, 29.46, -5.24

 

CMYK 0 / 83 / 0 / 3

HEX #F82AF8

RGB 248 42 248

HSL 300, 0.94%, 0.57%

LAB 60.24, 91.75, -57.16

 

CMYK 0 / 83 / 22 / 3

HEX #F82AC1

RGB 248 42 193

HSL 316.02, 0.94%, 0.57%

LAB 57.52, 84.46, -30.34

 

CMYK 0 / 83 / 44 / 3

HEX #F82A8A

RGB 248 42 138

HSL 332.04, 0.94%, 0.57%

LAB 55.53, 78.84, -1.14

 

CMYK 0 / 83 / 67 / 3

HEX #F82A53

RGB 248 42 83

HSL 348.06, 0.94%, 0.57%

LAB 54.28, 75.18, 30.01

 

CMYK 0 / 77 / 83 / 3

HEX #F8382A

RGB 248 56 42

HSL 4.08, 0.94%, 0.57%

LAB 55.02, 70.25, 53.39

 

CMYK 0 / 97 / 52 / 21

HEX #C90660

RGB 201 6 96

HSL 332.31, 0.94%, 0.41%

LAB 43.35, 69.86, 5.73

 

CMYK 0 / 97 / 52 / 5

HEX #F10773

RGB 241 7 115

HSL 332.31, 0.94%, 0.49%

LAB 51.94, 80.11, 7.33

 

CMYK 0 / 83 / 45 / 3

HEX #F82A88

RGB 248 42 136

HSL 332.62, 0.94%, 0.57%

LAB 55.47, 78.67, -0.03

 

CMYK 0 / 67 / 36 / 2

HEX #F9529F

RGB 249 82 159

HSL 332.34, 0.93%, 0.65%

LAB 60.5, 69.39, -6.14

 

CMYK 0 / 51 / 28 / 2

HEX #FA7AB5

RGB 250 122 181

HSL 332.34, 0.93%, 0.73%

LAB 67.71, 55.14, -7.98

 

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

CMYK 0 / 22 / 83 / 3

HEX #F8C12A

RGB 248 193 42

HSL 43.98, 0.94%, 0.57%

LAB 80.89, 6.98, 75.71

 

CMYK 83 / 11 / 0 / 3

HEX #2ADCF8

RGB 42 220 248

HSL 188.16, 0.94%, 0.57%

LAB 80.99, -32.77, -25.74

 

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

CMYK 44 / 0 / 83 / 3

HEX #8AF82A

RGB 138 248 42

HSL 92.04, 0.94%, 0.57%

LAB 88.31, -61.45, 79.18

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF8

RGB 42 138 248

HSL 212.04, 0.94%, 0.57%

LAB 57.51, 11.79, -62.54

 

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

CMYK 0 / 22 / 83 / 3

HEX #F8C12A

RGB 248 193 42

HSL 43.98, 0.94%, 0.57%

LAB 80.89, 6.98, 75.71

 

CMYK 83 / 0 / 39 / 3

HEX #2AF898

RGB 42 248 152

HSL 152.04, 0.94%, 0.57%

LAB 86.94, -68.44, 32.98

 

CMYK 83 / 61 / 0 / 3

HEX #2A61F8

RGB 42 97 248

HSL 223.98, 0.94%, 0.57%

LAB 46.74, 37.38, -80.01

 

CMYK 0 / 83 / 45 / 3

HEX #F82988

RGB 248 41 136

HSL 332.46, 0.94%, 0.57%

LAB 55.4, 78.88, -0.14

 

CMYK 3 / 0 / 83 / 3

HEX #F1F82A

RGB 241 248 42

HSL 62.04, 0.94%, 0.57%

LAB 94.31, -23.4, 86.7

 

CMYK 83 / 0 / 39 / 3

HEX #2AF898

RGB 42 248 152

HSL 152.04, 0.94%, 0.57%

LAB 86.94, -68.44, 32.98

 

CMYK 80 / 83 / 0 / 3

HEX #312AF8

RGB 49 42 248

HSL 242.04, 0.94%, 0.57%

LAB 36.15, 67.76, -97.48

 

Description

Color code: RGB 248 41 136 | qconv.com Color code: RGB 248 41 136 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 41 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 41 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 45 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 45% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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