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Color name
RGB 248 37 130

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 37 130 it is the complementary color RGB 7 218 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 37 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 37 130 shade: RGB 253 37 125, RGB 255 55 144, RGB 255 73 163, RGB 255 91 182 and RGB 255 109 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 37 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 231 19 111, RGB 214 1 92, RGB 197 0 73 and RGB 180 0 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 248 37 73 and RGB 248 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 248 37 187, RGB 248 37 244, RGB 195 37 248 and RGB 138 37 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 37 130 shade matches the following richer shades: RGB 248 37 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 230 55 132, RGB 211 73 134, RGB 193 91 136 and RGB 175 109 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 37 130 shade: RGB 248 37 244, RGB 248 37 188, RGB 248 37 132, RGB 248 37 76 and RGB 248 54 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 37 130 shade: RGB 196 6 90, RGB 237 7 108, RGB 248 37 130, RGB 249 77 153 and RGB 250 117 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 248 195 37 and RGB 37 216 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 132 248 37 and RGB 37 132 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 248 195 37, RGB 37 248 153 and RGB 37 90 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 37 130 shade: RGB 248 37 130, RGB 237 248 37, RGB 37 248 153 and RGB 47 37 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

Complementary color

CMYK 97 / 0 / 43 / 15

HEX #07DA7D

RGB 7 218 125

HSL 153.55, 0.94%, 0.44%

LAB 77.08, -65.15, 33.53

 

CMYK 0 / 85 / 51 / 1

HEX #FD257D

RGB 253 37 125

HSL 335.56, 0.98%, 0.57%

LAB 55.77, 79.96, 7.09

 

CMYK 0 / 78 / 44 / 0

HEX #FF3790

RGB 255 55 144

HSL 333.3, 1%, 0.61%

LAB 58.04, 78.03, -0.86

 

CMYK 0 / 71 / 36 / 0

HEX #FF49A3

RGB 255 73 163

HSL 330.33, 1%, 0.64%

LAB 60.49, 74.56, -8.36

 

CMYK 0 / 64 / 29 / 0

HEX #FF5BB6

RGB 255 91 182

HSL 326.71, 1%, 0.68%

LAB 63.44, 70.22, -14.86

 

CMYK 0 / 57 / 21 / 0

HEX #FF6DC9

RGB 255 109 201

HSL 322.19, 1%, 0.71%

LAB 66.84, 65.22, -20.48

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 92 / 52 / 9

HEX #E7136F

RGB 231 19 111

HSL 333.96, 0.85%, 0.49%

LAB 50.22, 76.53, 7.05

 

CMYK 0 / 100 / 57 / 16

HEX #D6015C

RGB 214 1 92

HSL 334.37, 0.99%, 0.42%

LAB 45.76, 73, 12.01

 

CMYK 0 / 100 / 63 / 23

HEX #C50049

RGB 197 0 73

HSL 337.77, 1%, 0.39%

LAB 41.77, 68.02, 17.95

 

CMYK 0 / 100 / 70 / 29

HEX #B40036

RGB 180 0 54

HSL 342, 1%, 0.35%

LAB 37.79, 62.99, 24.17

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 85 / 71 / 3

HEX #F82549

RGB 248 37 73

HSL 349.76, 0.94%, 0.56%

LAB 53.77, 75.74, 35.27

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 85 / 25 / 3

HEX #F825BB

RGB 248 37 187

HSL 317.35, 0.94%, 0.56%

LAB 56.95, 84.69, -27.77

 

CMYK 0 / 85 / 2 / 3

HEX #F825F4

RGB 248 37 244

HSL 301.14, 0.94%, 0.56%

LAB 59.72, 92.05, -55.76

 

CMYK 21 / 85 / 0 / 3

HEX #C325F8

RGB 195 37 248

HSL 284.93, 0.94%, 0.56%

LAB 51.5, 84.09, -71.66

 

CMYK 44 / 85 / 0 / 3

HEX #8A25F8

RGB 138 37 248

HSL 268.72, 0.94%, 0.56%

LAB 43.51, 76.51, -85.04

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 76 / 43 / 10

HEX #E63784

RGB 230 55 132

HSL 333.6, 0.78%, 0.56%

LAB 53.19, 70.64, -1.37

 

CMYK 0 / 65 / 36 / 17

HEX #D34986

RGB 211 73 134

HSL 333.48, 0.61%, 0.56%

LAB 52.21, 59.34, -4.38

 

CMYK 0 / 53 / 30 / 24

HEX #C15B88

RGB 193 91 136

HSL 333.53, 0.45%, 0.56%

LAB 52.51, 45.82, -5.45

 

CMYK 0 / 38 / 21 / 31

HEX #AF6D8A

RGB 175 109 138

HSL 333.64, 0.29%, 0.56%

LAB 53.91, 30.32, -4.82

 

CMYK 0 / 85 / 2 / 3

HEX #F825F4

RGB 248 37 244

HSL 301.14, 0.94%, 0.56%

LAB 59.72, 92.05, -55.76

 

CMYK 0 / 85 / 24 / 3

HEX #F825BC

RGB 248 37 188

HSL 317.06, 0.94%, 0.56%

LAB 56.99, 84.81, -28.29

 

CMYK 0 / 85 / 47 / 3

HEX #F82584

RGB 248 37 132

HSL 332.99, 0.94%, 0.56%

LAB 55.02, 79.33, 1.69

 

CMYK 0 / 85 / 69 / 3

HEX #F8254C

RGB 248 37 76

HSL 348.91, 0.94%, 0.56%

LAB 53.82, 75.87, 33.57

 

CMYK 0 / 78 / 85 / 3

HEX #F83625

RGB 248 54 37

HSL 4.83, 0.94%, 0.56%

LAB 54.79, 70.69, 55.51

 

CMYK 0 / 97 / 54 / 23

HEX #C4065A

RGB 196 6 90

HSL 333.47, 0.94%, 0.4%

LAB 42.16, 68.27, 7.68

 

CMYK 0 / 97 / 54 / 7

HEX #ED076C

RGB 237 7 108

HSL 333.65, 0.94%, 0.48%

LAB 50.97, 78.75, 10.11

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 69 / 39 / 2

HEX #F94D99

RGB 249 77 153

HSL 333.49, 0.93%, 0.64%

LAB 59.66, 70.58, -3.88

 

CMYK 0 / 53 / 30 / 2

HEX #FA75B0

RGB 250 117 176

HSL 333.38, 0.93%, 0.72%

LAB 66.66, 56.86, -6.72

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 21 / 85 / 3

HEX #F8C325

RGB 248 195 37

HSL 44.93, 0.94%, 0.56%

LAB 81.36, 5.81, 77.4

 

CMYK 85 / 13 / 0 / 3

HEX #25D8F8

RGB 37 216 248

HSL 189.1, 0.94%, 0.56%

LAB 79.77, -31.19, -27.61

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 47 / 0 / 85 / 3

HEX #84F825

RGB 132 248 37

HSL 92.99, 0.94%, 0.56%

LAB 88.05, -63.43, 79.94

 

CMYK 85 / 47 / 0 / 3

HEX #2584F8

RGB 37 132 248

HSL 212.99, 0.94%, 0.56%

LAB 55.76, 15.09, -65.36

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 0 / 21 / 85 / 3

HEX #F8C325

RGB 248 195 37

HSL 44.93, 0.94%, 0.56%

LAB 81.36, 5.81, 77.4

 

CMYK 85 / 0 / 38 / 3

HEX #25F899

RGB 37 248 153

HSL 152.99, 0.94%, 0.56%

LAB 86.91, -68.64, 32.42

 

CMYK 85 / 64 / 0 / 3

HEX #255AF8

RGB 37 90 248

HSL 224.93, 0.94%, 0.56%

LAB 44.92, 41.42, -83

 

CMYK 0 / 85 / 48 / 3

HEX #F82582

RGB 248 37 130

HSL 333.55, 0.94%, 0.56%

LAB 54.96, 79.17, 2.8

 

CMYK 4 / 0 / 85 / 3

HEX #EDF825

RGB 237 248 37

HSL 63.13, 0.94%, 0.56%

LAB 94, -25.14, 87.33

 

CMYK 85 / 0 / 38 / 3

HEX #25F899

RGB 37 248 153

HSL 152.99, 0.94%, 0.56%

LAB 86.91, -68.64, 32.42

 

CMYK 81 / 85 / 0 / 3

HEX #2F25F8

RGB 47 37 248

HSL 242.84, 0.94%, 0.56%

LAB 35.41, 69.61, -98.71

 

Description

Color code: RGB 248 37 130 | qconv.com Color code: RGB 248 37 130 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 37 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 37 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 48% 3% C M Y K

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Provide designers and agencies with accurate color values.

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