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Color name
RGB 248 239 139

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 239 139 it is the complementary color RGB 7 16 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 239 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 239 139 shade: RGB 253 239 134, RGB 255 255 153, RGB 255 255 172, RGB 255 255 191 and RGB 255 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 239 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 231 221 120, RGB 214 203 101, RGB 197 185 82 and RGB 180 167 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 248 209 139, RGB 248 180 139, RGB 248 151 139 and RGB 248 139 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 227 248 139, RGB 198 248 139, RGB 169 248 139 and RGB 139 248 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 239 139 shade matches the following richer shades: RGB 248 239 139

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 238 231 149, RGB 228 222 159, RGB 218 214 169 and RGB 208 206 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 239 139 shade: RGB 248 181 139, RGB 248 210 139, RGB 248 239 139, RGB 228 248 139 and RGB 199 248 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 239 139 shade: RGB 243 228 61, RGB 245 233 100, RGB 248 239 139, RGB 250 244 178 and RGB 252 249 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 139 248 152 and RGB 195 139 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 139 248 239 and RGB 239 139 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 139 248 152, RGB 139 148 248 and RGB 248 139 235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 239 139 shade: RGB 248 239 139, RGB 139 248 184, RGB 139 148 248 and RGB 248 139 202

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

Complementary color

CMYK 94 / 86 / 0 / 55

HEX #071074

RGB 7 16 116

HSL 235.05, 0.89%, 0.24%

LAB 13.69, 37.18, -55.79

 

CMYK 0 / 6 / 47 / 1

HEX #FDEF86

RGB 253 239 134

HSL 52.94, 0.97%, 0.76%

LAB 93.6, -8.97, 52.16

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 4 / 48 / 9

HEX #E7DD78

RGB 231 221 120

HSL 54.59, 0.7%, 0.69%

LAB 87.03, -9.97, 50.43

 

CMYK 0 / 5 / 53 / 16

HEX #D6CB65

RGB 214 203 101

HSL 54.16, 0.58%, 0.62%

LAB 80.71, -9.4, 51.58

 

CMYK 0 / 6 / 58 / 23

HEX #C5B952

RGB 197 185 82

HSL 53.74, 0.5%, 0.55%

LAB 74.3, -8.71, 52.68

 

CMYK 0 / 7 / 65 / 29

HEX #B4A73F

RGB 180 167 63

HSL 53.33, 0.48%, 0.48%

LAB 67.8, -7.88, 53.61

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 16 / 44 / 3

HEX #F8D18B

RGB 248 209 139

HSL 38.53, 0.89%, 0.76%

LAB 85.72, 4.72, 39.75

 

CMYK 0 / 27 / 44 / 3

HEX #F8B48B

RGB 248 180 139

HSL 22.57, 0.89%, 0.76%

LAB 78.73, 19.86, 30.65

 

CMYK 0 / 39 / 44 / 3

HEX #F8978B

RGB 248 151 139

HSL 6.61, 0.89%, 0.76%

LAB 72.2, 35.07, 21.86

 

CMYK 0 / 44 / 44 / 3

HEX #F88B8B

RGB 248 139 139

HSL 0, 0.89%, 0.76%

LAB 69.67, 41.24, 18.4

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 8 / 0 / 44 / 3

HEX #E3F88B

RGB 227 248 139

HSL 71.56, 0.89%, 0.76%

LAB 94.03, -22.91, 49.87

 

CMYK 20 / 0 / 44 / 3

HEX #C6F88B

RGB 198 248 139

HSL 87.52, 0.89%, 0.76%

LAB 92.13, -33.59, 47.1

 

CMYK 32 / 0 / 44 / 3

HEX #A9F88B

RGB 169 248 139

HSL 103.49, 0.89%, 0.76%

LAB 90.52, -43.52, 44.73

 

CMYK 44 / 0 / 44 / 3

HEX #8BF88B

RGB 139 248 139

HSL 120, 0.89%, 0.76%

LAB 89.15, -52.67, 42.71

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 3 / 37 / 7

HEX #EEE795

RGB 238 231 149

HSL 55.28, 0.72%, 0.76%

LAB 90.55, -9.33, 40.78

 

CMYK 0 / 3 / 30 / 11

HEX #E4DE9F

RGB 228 222 159

HSL 54.78, 0.56%, 0.76%

LAB 87.6, -7.46, 31.71

 

CMYK 0 / 2 / 22 / 15

HEX #DAD6A9

RGB 218 214 169

HSL 55.1, 0.4%, 0.76%

LAB 84.93, -5.82, 22.77

 

CMYK 0 / 1 / 14 / 18

HEX #D0CEB2

RGB 208 206 178

HSL 56, 0.24%, 0.76%

LAB 82.25, -4.04, 14.19

 

CMYK 0 / 27 / 44 / 3

HEX #F8B58B

RGB 248 181 139

HSL 23.12, 0.89%, 0.76%

LAB 78.97, 19.34, 30.96

 

CMYK 0 / 15 / 44 / 3

HEX #F8D28B

RGB 248 210 139

HSL 39.08, 0.89%, 0.76%

LAB 85.96, 4.2, 40.07

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 8 / 0 / 44 / 3

HEX #E4F88B

RGB 228 248 139

HSL 71.01, 0.89%, 0.76%

LAB 94.1, -22.54, 49.97

 

CMYK 20 / 0 / 44 / 3

HEX #C7F88B

RGB 199 248 139

HSL 86.97, 0.89%, 0.76%

LAB 92.19, -33.24, 47.19

 

CMYK 0 / 6 / 75 / 5

HEX #F3E43D

RGB 243 228 61

HSL 55.05, 0.88%, 0.6%

LAB 89.34, -12.28, 77.38

 

CMYK 0 / 5 / 59 / 4

HEX #F5E964

RGB 245 233 100

HSL 55.03, 0.88%, 0.68%

LAB 91.06, -11.88, 64.46

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 0 / 2 / 29 / 2

HEX #FAF4B2

RGB 250 244 178

HSL 55, 0.88%, 0.84%

LAB 95.26, -7.86, 32.6

 

CMYK 0 / 1 / 14 / 1

HEX #FCF9D9

RGB 252 249 217

HSL 54.86, 0.85%, 0.92%

LAB 97.41, -4.22, 15.73

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 44 / 0 / 39 / 3

HEX #8BF898

RGB 139 248 152

HSL 127.16, 0.89%, 0.76%

LAB 89.34, -50.75, 36.58

 

CMYK 21 / 44 / 0 / 3

HEX #C38BF8

RGB 195 139 248

HSL 270.83, 0.89%, 0.76%

LAB 67.16, 41.6, -46.62

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 44 / 0 / 4 / 3

HEX #8BF8EF

RGB 139 248 239

HSL 175.05, 0.89%, 0.76%

LAB 91.17, -33.51, -5.48

 

CMYK 4 / 44 / 0 / 3

HEX #EF8BF8

RGB 239 139 248

HSL 295.05, 0.89%, 0.76%

LAB 71.96, 53.98, -38.77

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 44 / 0 / 39 / 3

HEX #8BF898

RGB 139 248 152

HSL 127.16, 0.89%, 0.76%

LAB 89.34, -50.75, 36.58

 

CMYK 44 / 40 / 0 / 3

HEX #8B94F8

RGB 139 148 248

HSL 235.05, 0.89%, 0.76%

LAB 64.52, 21.85, -51.1

 

CMYK 0 / 44 / 5 / 3

HEX #F88BEB

RGB 248 139 235

HSL 307.16, 0.89%, 0.76%

LAB 72.51, 54.31, -30.72

 

CMYK 0 / 4 / 44 / 3

HEX #F8EF8B

RGB 248 239 139

HSL 55.05, 0.89%, 0.76%

LAB 93.26, -10.46, 49.26

 

CMYK 44 / 0 / 26 / 3

HEX #8BF8B8

RGB 139 248 184

HSL 144.77, 0.89%, 0.76%

LAB 89.9, -45.26, 21.16

 

CMYK 44 / 40 / 0 / 3

HEX #8B94F8

RGB 139 148 248

HSL 235.05, 0.89%, 0.76%

LAB 64.52, 21.85, -51.1

 

CMYK 0 / 44 / 19 / 3

HEX #F88BCA

RGB 248 139 202

HSL 325.32, 0.89%, 0.76%

LAB 71.34, 49.1, -14.31

 

Description

Color code: RGB 248 239 139 | qconv.com Color code: RGB 248 239 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 239 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 239 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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