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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 20 210 it is the complementary color RGB 7 235 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 20 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 20 210 shade: RGB 253 20 205, RGB 255 38 224, RGB 255 56 243, RGB 255 74 255 and RGB 255 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 20 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 20 210 shade: RGB 248 20 210, RGB 231 2 191, RGB 214 0 172, RGB 197 0 153 and RGB 180 0 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 20 210 shade: RGB 247 22 210, RGB 247 22 149, RGB 247 22 88, RGB 247 22 27 and RGB 247 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 20 210 shade: RGB 247 22 210, RGB 224 22 247, RGB 163 22 247, RGB 103 22 247 and RGB 42 22 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 20 210 shade matches the following richer shades: RGB 247 22 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 20 210 shade: RGB 247 22 210, RGB 228 41 197, RGB 209 61 184, RGB 189 80 171 and RGB 170 100 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 20 210 shade: RGB 165 22 247, RGB 225 22 247, RGB 247 22 210, RGB 247 22 150 and RGB 247 22 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 20 210 shade: RGB 182 5 152, RGB 222 6 186, RGB 247 22 210, RGB 249 62 217 and RGB 250 102 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 20 210 shade: RGB 248 20 210, RGB 247 105 22 and RGB 22 247 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 20 210 shade: RGB 248 20 210, RGB 210 247 22 and RGB 22 210 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 20 210 shade: RGB 248 20 210, RGB 247 105 22, RGB 22 247 60 and RGB 22 165 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 20 210 shade: RGB 248 20 210, RGB 247 172 22, RGB 22 247 60 and RGB 22 97 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

Complementary color

CMYK 97 / 0 / 81 / 8

HEX #07EB2D

RGB 7 235 45

HSL 130, 0.94%, 0.47%

LAB 81.65, -79.45, 71.41

 

CMYK 0 / 92 / 19 / 1

HEX #FD14CD

RGB 253 20 205

HSL 312.36, 0.98%, 0.54%

LAB 57.84, 90.09, -36.67

 

CMYK 0 / 85 / 12 / 0

HEX #FF26E0

RGB 255 38 224

HSL 308.57, 1%, 0.57%

LAB 59.91, 90.42, -44.17

 

CMYK 0 / 78 / 5 / 0

HEX #FF38F3

RGB 255 56 243

HSL 303.62, 1%, 0.61%

LAB 62.13, 89.33, -51.29

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 0 / 64 / 0 / 0

HEX #FF5CFF

RGB 255 92 255

HSL 300, 1%, 0.68%

LAB 66.62, 80.09, -50.82

 

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

CMYK 0 / 99 / 17 / 9

HEX #E702BF

RGB 231 2 191

HSL 310.48, 0.98%, 0.46%

LAB 52.72, 85.76, -36.9

 

CMYK 0 / 100 / 20 / 16

HEX #D600AC

RGB 214 0 172

HSL 311.78, 1%, 0.42%

LAB 48.6, 80.52, -32.46

 

CMYK 0 / 100 / 22 / 23

HEX #C50099

RGB 197 0 153

HSL 313.4, 1%, 0.39%

LAB 44.48, 75.06, -27.8

 

CMYK 0 / 100 / 26 / 29

HEX #B40086

RGB 180 0 134

HSL 315.33, 1%, 0.35%

LAB 40.29, 69.53, -22.99

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 0 / 91 / 40 / 3

HEX #F71695

RGB 247 22 149

HSL 326.13, 0.93%, 0.53%

LAB 54.57, 82.8, -9.12

 

CMYK 0 / 91 / 64 / 3

HEX #F71658

RGB 247 22 88

HSL 342.4, 0.93%, 0.53%

LAB 53.01, 78.51, 25.36

 

CMYK 0 / 91 / 89 / 3

HEX #F7161B

RGB 247 22 27

HSL 358.67, 0.93%, 0.53%

LAB 52.32, 76.58, 57.84

 

CMYK 0 / 91 / 91 / 3

HEX #F71616

RGB 247 22 22

HSL 0, 0.93%, 0.53%

LAB 52.29, 76.51, 59.76

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 9 / 91 / 0 / 3

HEX #E016F7

RGB 224 22 247

HSL 293.87, 0.93%, 0.53%

LAB 55.21, 90.71, -64.88

 

CMYK 34 / 91 / 0 / 3

HEX #A316F7

RGB 163 22 247

HSL 277.6, 0.93%, 0.53%

LAB 45.74, 82.37, -80.7

 

CMYK 58 / 91 / 0 / 3

HEX #6716F7

RGB 103 22 247

HSL 261.6, 0.93%, 0.53%

LAB 38.15, 76.67, -93.47

 

CMYK 83 / 91 / 0 / 3

HEX #2A16F7

RGB 42 22 247

HSL 245.33, 0.93%, 0.53%

LAB 33.52, 73.83, -101.3

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 0 / 82 / 14 / 11

HEX #E429C5

RGB 228 41 197

HSL 309.95, 0.78%, 0.53%

LAB 54.14, 81.09, -38.18

 

CMYK 0 / 71 / 12 / 18

HEX #D13DB8

RGB 209 61 184

HSL 310.14, 0.62%, 0.53%

LAB 52.23, 69.7, -33.87

 

CMYK 0 / 58 / 10 / 26

HEX #BD50AB

RGB 189 80 171

HSL 309.91, 0.45%, 0.53%

LAB 51.26, 55.01, -28.04

 

CMYK 0 / 41 / 7 / 33

HEX #AA649E

RGB 170 100 158

HSL 310.29, 0.29%, 0.53%

LAB 51.98, 36.89, -19.52

 

CMYK 33 / 91 / 0 / 3

HEX #A516F7

RGB 165 22 247

HSL 278.13, 0.93%, 0.53%

LAB 46.03, 82.61, -80.22

 

CMYK 9 / 91 / 0 / 3

HEX #E116F7

RGB 225 22 247

HSL 294.13, 0.93%, 0.53%

LAB 55.38, 90.86, -64.6

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 0 / 91 / 39 / 3

HEX #F71696

RGB 247 22 150

HSL 325.87, 0.93%, 0.53%

LAB 54.61, 82.89, -9.67

 

CMYK 0 / 91 / 64 / 3

HEX #F7165A

RGB 247 22 90

HSL 341.87, 0.93%, 0.53%

LAB 53.04, 78.62, 24.2

 

CMYK 0 / 97 / 16 / 29

HEX #B60598

RGB 182 5 152

HSL 310.17, 0.95%, 0.37%

LAB 41.72, 71.62, -31.72

 

CMYK 0 / 97 / 16 / 13

HEX #DE06BA

RGB 222 6 186

HSL 310, 0.95%, 0.45%

LAB 50.93, 83.24, -36.93

 

CMYK 0 / 91 / 15 / 3

HEX #F716D2

RGB 247 22 210

HSL 309.87, 0.93%, 0.53%

LAB 57.08, 89.39, -40.79

 

CMYK 0 / 75 / 13 / 2

HEX #F93ED9

RGB 249 62 217

HSL 310.27, 0.94%, 0.61%

LAB 60.42, 82.95, -39.49

 

CMYK 0 / 59 / 10 / 2

HEX #FA66E1

RGB 250 102 225

HSL 310.14, 0.94%, 0.69%

LAB 65.95, 70.28, -35.33

 

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

CMYK 0 / 57 / 91 / 3

HEX #F76916

RGB 247 105 22

HSL 22.13, 0.93%, 0.53%

LAB 61.6, 51, 65.99

 

CMYK 91 / 0 / 21 / 3

HEX #16F7C3

RGB 22 247 195

HSL 166.13, 0.93%, 0.53%

LAB 87.31, -60.14, 11.48

 

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

CMYK 15 / 0 / 91 / 3

HEX #D2F716

RGB 210 247 22

HSL 69.87, 0.93%, 0.53%

LAB 91.81, -35.82, 87.16

 

CMYK 91 / 15 / 0 / 3

HEX #16D2F7

RGB 22 210 247

HSL 189.87, 0.93%, 0.53%

LAB 77.86, -29.37, -30.02

 

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

CMYK 0 / 57 / 91 / 3

HEX #F76916

RGB 247 105 22

HSL 22.13, 0.93%, 0.53%

LAB 61.6, 51, 65.99

 

CMYK 91 / 0 / 76 / 3

HEX #16F73C

RGB 22 247 60

HSL 130.13, 0.93%, 0.53%

LAB 85.51, -81.21, 70.82

 

CMYK 91 / 33 / 0 / 3

HEX #16A5F7

RGB 22 165 247

HSL 201.87, 0.93%, 0.53%

LAB 64.8, -5.69, -50.39

 

CMYK 0 / 92 / 15 / 3

HEX #F814D2

RGB 248 20 210

HSL 310, 0.94%, 0.53%

LAB 57.18, 89.78, -40.62

 

CMYK 0 / 30 / 91 / 3

HEX #F7AC16

RGB 247 172 22

HSL 40, 0.93%, 0.53%

LAB 75.66, 17.11, 76.14

 

CMYK 91 / 0 / 76 / 3

HEX #16F73C

RGB 22 247 60

HSL 130.13, 0.93%, 0.53%

LAB 85.51, -81.21, 70.82

 

CMYK 91 / 61 / 0 / 3

HEX #1661F7

RGB 22 97 247

HSL 220, 0.93%, 0.53%

LAB 46.22, 35.94, -80.31

 

Description

Color code: RGB 248 20 210 | qconv.com Color code: RGB 248 20 210 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 20 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 20 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 15 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 15% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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