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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 176 42 it is the complementary color RGB 7 79 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 176 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 176 42 shade: RGB 253 176 37, RGB 255 194 56, RGB 255 212 75, RGB 255 230 94 and RGB 255 248 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 176 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 231 158 23, RGB 214 140 4, RGB 197 122 0 and RGB 180 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 248 120 42, RGB 248 65 42 and RGB 248 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 248 231 42, RGB 209 248 42, RGB 153 248 42 and RGB 98 248 42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 176 42 shade matches the following richer shades: RGB 248 176 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 230 171 60, RGB 212 165 77, RGB 195 160 95 and RGB 177 155 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 176 42 shade: RGB 248 66 42, RGB 248 121 42, RGB 248 176 42, RGB 248 231 42 and RGB 210 248 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 176 42 shade: RGB 201 133 6, RGB 241 160 7, RGB 248 176 42, RGB 249 191 82 and RGB 250 205 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 73 248 42 and RGB 93 42 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 42 248 176 and RGB 176 42 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 73 248 42, RGB 42 114 248 and RGB 217 42 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 176 42 shade: RGB 248 176 42, RGB 42 248 73, RGB 42 114 248 and RGB 248 42 217

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

Complementary color

CMYK 97 / 63 / 0 / 16

HEX #074FD5

RGB 7 79 213

HSL 219.03, 0.94%, 0.43%

LAB 38.62, 34.12, -73.51

 

CMYK 0 / 30 / 85 / 1

HEX #FDB025

RGB 253 176 37

HSL 38.61, 0.98%, 0.57%

LAB 77.32, 17.84, 74.33

 

CMYK 0 / 24 / 78 / 0

HEX #FFC238

RGB 255 194 56

HSL 41.61, 1%, 0.61%

LAB 81.91, 9.85, 72.6

 

CMYK 0 / 17 / 71 / 0

HEX #FFD44B

RGB 255 212 75

HSL 45.67, 1%, 0.65%

LAB 86.43, 1.37, 70.05

 

CMYK 0 / 10 / 63 / 0

HEX #FFE65E

RGB 255 230 94

HSL 50.68, 1%, 0.68%

LAB 91.08, -6.7, 67.26

 

CMYK 0 / 3 / 56 / 0

HEX #FFF871

RGB 255 248 113

HSL 57.04, 1%, 0.72%

LAB 95.83, -14.31, 64.4

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 32 / 90 / 9

HEX #E79E17

RGB 231 158 23

HSL 38.94, 0.82%, 0.5%

LAB 70.53, 17.7, 71.29

 

CMYK 0 / 35 / 98 / 16

HEX #D68C04

RGB 214 140 4

HSL 38.86, 0.96%, 0.43%

LAB 64.21, 19.78, 68.95

 

CMYK 0 / 38 / 100 / 23

HEX #C57A00

RGB 197 122 0

HSL 37.16, 1%, 0.39%

LAB 57.84, 22.12, 64.34

 

CMYK 0 / 42 / 100 / 29

HEX #B46800

RGB 180 104 0

HSL 34.67, 1%, 0.35%

LAB 51.39, 24.57, 59.1

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 52 / 83 / 3

HEX #F8782A

RGB 248 120 42

HSL 22.72, 0.94%, 0.57%

LAB 64.61, 44.67, 61.83

 

CMYK 0 / 74 / 83 / 3

HEX #F8412A

RGB 248 65 42

HSL 6.7, 0.94%, 0.57%

LAB 55.99, 67.54, 54.25

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 7 / 83 / 3

HEX #F8E72A

RGB 248 231 42

HSL 55.05, 0.94%, 0.57%

LAB 90.45, -12.28, 83.71

 

CMYK 16 / 0 / 83 / 3

HEX #D1F82A

RGB 209 248 42

HSL 71.36, 0.94%, 0.57%

LAB 92.07, -36.23, 83.91

 

CMYK 38 / 0 / 83 / 3

HEX #99F82A

RGB 153 248 42

HSL 87.67, 0.94%, 0.57%

LAB 88.96, -56.67, 80

 

CMYK 60 / 0 / 83 / 3

HEX #62F82A

RGB 98 248 42

HSL 103.69, 0.94%, 0.57%

LAB 86.95, -72.12, 77.46

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 26 / 74 / 10

HEX #E6AB3C

RGB 230 171 60

HSL 39.18, 0.77%, 0.57%

LAB 73.72, 11.46, 62.47

 

CMYK 0 / 22 / 64 / 17

HEX #D4A54D

RGB 212 165 77

HSL 39.11, 0.61%, 0.57%

LAB 70.49, 7.89, 51.11

 

CMYK 0 / 18 / 51 / 24

HEX #C3A05F

RGB 195 160 95

HSL 39, 0.45%, 0.57%

LAB 67.7, 4.76, 38.51

 

CMYK 0 / 12 / 36 / 31

HEX #B19B71

RGB 177 155 113

HSL 39.38, 0.29%, 0.57%

LAB 64.95, 1.91, 25.03

 

CMYK 0 / 73 / 83 / 3

HEX #F8422A

RGB 248 66 42

HSL 6.99, 0.94%, 0.57%

LAB 56.11, 67.22, 54.36

 

CMYK 0 / 51 / 83 / 3

HEX #F8792A

RGB 248 121 42

HSL 23.01, 0.94%, 0.57%

LAB 64.8, 44.18, 61.99

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 7 / 83 / 3

HEX #F8E72A

RGB 248 231 42

HSL 55.05, 0.94%, 0.57%

LAB 90.45, -12.28, 83.71

 

CMYK 15 / 0 / 83 / 3

HEX #D2F82A

RGB 210 248 42

HSL 71.07, 0.94%, 0.57%

LAB 92.13, -35.83, 83.99

 

CMYK 0 / 34 / 97 / 21

HEX #C98506

RGB 201 133 6

HSL 39.08, 0.94%, 0.41%

LAB 60.96, 17.93, 65.68

 

CMYK 0 / 34 / 97 / 5

HEX #F1A007

RGB 241 160 7

HSL 39.23, 0.94%, 0.49%

LAB 72.13, 20.72, 75.47

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 0 / 23 / 67 / 2

HEX #F9BF52

RGB 249 191 82

HSL 39.16, 0.93%, 0.65%

LAB 80.74, 10.05, 61.13

 

CMYK 0 / 18 / 51 / 2

HEX #FACD7A

RGB 250 205 122

HSL 38.91, 0.93%, 0.73%

LAB 84.69, 6, 46.99

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 71 / 0 / 83 / 3

HEX #49F82A

RGB 73 248 42

HSL 110.97, 0.94%, 0.57%

LAB 86.36, -77.02, 76.72

 

CMYK 63 / 83 / 0 / 3

HEX #5D2AF8

RGB 93 42 248

HSL 254.85, 0.94%, 0.57%

LAB 39.17, 70.5, -92.37

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 83 / 0 / 29 / 3

HEX #2AF8B0

RGB 42 248 176

HSL 159.03, 0.94%, 0.57%

LAB 87.37, -63.64, 21.39

 

CMYK 29 / 83 / 0 / 3

HEX #B02AF8

RGB 176 42 248

HSL 279.03, 0.94%, 0.57%

LAB 49.09, 80.13, -75.71

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 71 / 0 / 83 / 3

HEX #49F82A

RGB 73 248 42

HSL 110.97, 0.94%, 0.57%

LAB 86.36, -77.02, 76.72

 

CMYK 83 / 54 / 0 / 3

HEX #2A72F8

RGB 42 114 248

HSL 219.03, 0.94%, 0.57%

LAB 51.04, 26.69, -72.99

 

CMYK 13 / 83 / 0 / 3

HEX #D92AF8

RGB 217 42 248

HSL 290.97, 0.94%, 0.57%

LAB 55.26, 86.49, -65.41

 

CMYK 0 / 29 / 83 / 3

HEX #F8B02A

RGB 248 176 42

HSL 39.03, 0.94%, 0.57%

LAB 76.78, 15.85, 72.25

 

CMYK 83 / 0 / 71 / 3

HEX #2AF849

RGB 42 248 73

HSL 129.03, 0.94%, 0.57%

LAB 86.06, -79.08, 67.09

 

CMYK 83 / 54 / 0 / 3

HEX #2A72F8

RGB 42 114 248

HSL 219.03, 0.94%, 0.57%

LAB 51.04, 26.69, -72.99

 

CMYK 0 / 83 / 13 / 3

HEX #F82AD9

RGB 248 42 217

HSL 309.03, 0.94%, 0.57%

LAB 58.62, 87.46, -42.33

 

Description

Color code: RGB 248 176 42 | qconv.com Color code: RGB 248 176 42 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 176 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 176 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 83 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 83% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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