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Color name
RGB 248 105 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 105 198 it is the complementary color RGB 7 150 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 105 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 105 198 shade: RGB 253 105 193, RGB 255 123 212, RGB 255 141 231, RGB 255 159 250 and RGB 255 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 105 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 105 198 shade: RGB 248 105 198, RGB 231 87 179, RGB 214 69 160, RGB 197 51 141 and RGB 180 33 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 105 198 shade: RGB 247 104 197, RGB 247 104 158, RGB 247 104 119 and RGB 247 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 105 198 shade: RGB 247 104 197, RGB 247 104 236, RGB 220 104 247, RGB 181 104 247 and RGB 143 104 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 105 198 shade matches the following richer shades: RGB 247 104 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 105 198 shade: RGB 247 104 197, RGB 235 116 193, RGB 222 129 189, RGB 209 142 186 and RGB 196 155 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 105 198 shade: RGB 219 104 247, RGB 247 104 238, RGB 247 104 199, RGB 247 104 161 and RGB 247 104 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 105 198 shade: RGB 244 25 167, RGB 246 64 182, RGB 247 104 197, RGB 249 143 212 and RGB 251 182 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 105 198 shade: RGB 248 105 198, RGB 247 180 104 and RGB 104 247 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 105 198 shade: RGB 248 105 198, RGB 199 247 104 and RGB 104 199 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 105 198 shade: RGB 248 105 198, RGB 247 180 104, RGB 104 247 151 and RGB 104 171 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 105 198 shade: RGB 248 105 198, RGB 247 223 104, RGB 104 247 151 and RGB 104 127 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

Complementary color

CMYK 95 / 0 / 62 / 41

HEX #079639

RGB 7 150 57

HSL 140.98, 0.91%, 0.31%

LAB 54.19, -53.59, 38.93

 

CMYK 0 / 58 / 24 / 1

HEX #FD69C1

RGB 253 105 193

HSL 324.32, 0.97%, 0.7%

LAB 65.62, 65.31, -17.85

 

CMYK 0 / 52 / 17 / 0

HEX #FF7BD4

RGB 255 123 212

HSL 319.55, 1%, 0.74%

LAB 69.6, 60.46, -22.42

 

CMYK 0 / 45 / 9 / 0

HEX #FF8DE7

RGB 255 141 231

HSL 312.63, 1%, 0.78%

LAB 73.6, 54.75, -26.79

 

CMYK 0 / 38 / 2 / 0

HEX #FF9FFA

RGB 255 159 250

HSL 303.13, 1%, 0.81%

LAB 77.85, 48.92, -30.58

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

CMYK 0 / 62 / 23 / 9

HEX #E757B3

RGB 231 87 179

HSL 321.67, 0.75%, 0.62%

LAB 59.03, 64.84, -20.19

 

CMYK 0 / 68 / 25 / 16

HEX #D645A0

RGB 214 69 160

HSL 322.34, 0.64%, 0.55%

LAB 53.05, 64.83, -18.5

 

CMYK 0 / 74 / 28 / 23

HEX #C5338D

RGB 197 51 141

HSL 323.01, 0.59%, 0.49%

LAB 47.19, 64.33, -16.38

 

CMYK 0 / 82 / 32 / 29

HEX #B4217A

RGB 180 33 122

HSL 323.67, 0.69%, 0.42%

LAB 41.53, 63.07, -13.67

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 58 / 36 / 3

HEX #F7689E

RGB 247 104 158

HSL 337.34, 0.9%, 0.69%

LAB 63.46, 59.72, -1.22

 

CMYK 0 / 58 / 52 / 3

HEX #F76877

RGB 247 104 119

HSL 353.71, 0.9%, 0.69%

LAB 62.51, 55.95, 19.85

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 58 / 4 / 3

HEX #F768EC

RGB 247 104 236

HSL 304.62, 0.9%, 0.69%

LAB 66.31, 70.39, -40.91

 

CMYK 11 / 58 / 0 / 3

HEX #DC68F7

RGB 220 104 247

HSL 288.67, 0.9%, 0.69%

LAB 63.2, 65.58, -52.13

 

CMYK 27 / 58 / 0 / 3

HEX #B568F7

RGB 181 104 247

HSL 272.31, 0.9%, 0.69%

LAB 58.45, 56.25, -59.99

 

CMYK 42 / 58 / 0 / 3

HEX #8F68F7

RGB 143 104 247

HSL 256.36, 0.9%, 0.69%

LAB 54.51, 47.75, -66.54

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 51 / 18 / 8

HEX #EB74C1

RGB 235 116 193

HSL 321.18, 0.75%, 0.69%

LAB 64.97, 54.99, -19.08

 

CMYK 0 / 42 / 15 / 13

HEX #DE81BD

RGB 222 129 189

HSL 321.29, 0.58%, 0.69%

LAB 65.67, 43.79, -15.91

 

CMYK 0 / 32 / 11 / 18

HEX #D18EBA

RGB 209 142 186

HSL 320.6, 0.42%, 0.69%

LAB 66.86, 32.05, -12.59

 

CMYK 0 / 21 / 7 / 23

HEX #C49BB6

RGB 196 155 182

HSL 320.49, 0.26%, 0.69%

LAB 68.43, 19.71, -8.15

 

CMYK 11 / 58 / 0 / 3

HEX #DB68F7

RGB 219 104 247

HSL 288.25, 0.9%, 0.69%

LAB 63.07, 65.34, -52.35

 

CMYK 0 / 58 / 4 / 3

HEX #F768EE

RGB 247 104 238

HSL 303.78, 0.9%, 0.69%

LAB 66.4, 70.71, -41.87

 

CMYK 0 / 58 / 19 / 3

HEX #F768C7

RGB 247 104 199

HSL 320.14, 0.9%, 0.69%

LAB 64.8, 64.85, -22.56

 

CMYK 0 / 58 / 35 / 3

HEX #F768A1

RGB 247 104 161

HSL 336.08, 0.9%, 0.69%

LAB 63.55, 60.05, -2.82

 

CMYK 0 / 58 / 50 / 3

HEX #F7687B

RGB 247 104 123

HSL 352.03, 0.9%, 0.69%

LAB 62.6, 56.28, 17.67

 

CMYK 0 / 90 / 32 / 4

HEX #F419A7

RGB 244 25 167

HSL 321.1, 0.91%, 0.53%

LAB 54.78, 83.54, -19.5

 

CMYK 0 / 74 / 26 / 4

HEX #F640B6

RGB 246 64 182

HSL 321.1, 0.91%, 0.61%

LAB 58.64, 77.24, -22.31

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 43 / 15 / 2

HEX #F98FD4

RGB 249 143 212

HSL 320.94, 0.9%, 0.77%

LAB 72.59, 48.91, -17.95

 

CMYK 0 / 27 / 10 / 2

HEX #FBB6E3

RGB 251 182 227

HSL 320.87, 0.9%, 0.85%

LAB 81.57, 31.77, -12.58

 

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

CMYK 0 / 27 / 58 / 3

HEX #F7B468

RGB 247 180 104

HSL 31.89, 0.9%, 0.69%

LAB 78.12, 16.39, 47.85

 

CMYK 58 / 0 / 4 / 3

HEX #68F7EE

RGB 104 247 238

HSL 176.22, 0.9%, 0.69%

LAB 89.69, -40.42, -7.28

 

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

CMYK 19 / 0 / 58 / 3

HEX #C7F768

RGB 199 247 104

HSL 80.14, 0.9%, 0.69%

LAB 91.53, -36.23, 62.37

 

CMYK 58 / 19 / 0 / 3

HEX #68C7F7

RGB 104 199 247

HSL 200.14, 0.9%, 0.69%

LAB 76.38, -14.58, -32.16

 

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

CMYK 0 / 27 / 58 / 3

HEX #F7B468

RGB 247 180 104

HSL 31.89, 0.9%, 0.69%

LAB 78.12, 16.39, 47.85

 

CMYK 58 / 0 / 39 / 3

HEX #68F797

RGB 104 247 151

HSL 139.72, 0.9%, 0.69%

LAB 87.82, -59.1, 34.85

 

CMYK 58 / 31 / 0 / 3

HEX #68ABF7

RGB 104 171 247

HSL 211.89, 0.9%, 0.69%

LAB 68.59, 0.65, -44.27

 

CMYK 0 / 58 / 20 / 3

HEX #F869C6

RGB 248 105 198

HSL 320.98, 0.91%, 0.69%

LAB 65.07, 64.56, -21.57

 

CMYK 0 / 10 / 58 / 3

HEX #F7DF68

RGB 247 223 104

HSL 49.93, 0.9%, 0.69%

LAB 88.71, -5.8, 60.14

 

CMYK 58 / 0 / 39 / 3

HEX #68F797

RGB 104 247 151

HSL 139.72, 0.9%, 0.69%

LAB 87.82, -59.1, 34.85

 

CMYK 58 / 49 / 0 / 3

HEX #687FF7

RGB 104 127 247

HSL 230.35, 0.9%, 0.69%

LAB 56.92, 26.47, -62.81

 

Description

Color code: RGB 248 105 198 | qconv.com Color code: RGB 248 105 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 105 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 105 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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