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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 74 172 it is the complementary color RGB 8 181 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 74 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 74 172 shade: RGB 252 74 167, RGB 255 92 186, RGB 255 110 205, RGB 255 128 224 and RGB 255 146 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 74 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 74 172 shade: RGB 247 74 172, RGB 230 56 153, RGB 213 38 134, RGB 196 20 115 and RGB 179 2 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 74 172 shade: RGB 247 73 172, RGB 247 73 125, RGB 247 73 78 and RGB 247 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 74 172 shade: RGB 247 73 172, RGB 247 73 219, RGB 229 73 247, RGB 182 73 247 and RGB 135 73 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 74 172 shade matches the following richer shades: RGB 247 73 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 74 172 shade: RGB 247 73 172, RGB 232 89 170, RGB 216 104 168, RGB 201 119 166 and RGB 186 134 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 74 172 shade: RGB 230 73 247, RGB 247 73 218, RGB 247 73 172, RGB 247 73 125 and RGB 247 73 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 74 172 shade: RGB 229 9 133, RGB 245 34 154, RGB 247 73 172, RGB 249 113 190 and RGB 250 153 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 74 172 shade: RGB 247 74 172, RGB 247 183 73 and RGB 73 241 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 74 172 shade: RGB 247 74 172, RGB 172 247 73 and RGB 73 172 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 74 172 shade: RGB 247 74 172, RGB 247 183 73, RGB 73 247 149 and RGB 73 137 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 74 172 shade: RGB 247 74 172, RGB 247 235 73, RGB 73 247 149 and RGB 73 85 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

Complementary color

CMYK 96 / 0 / 54 / 29

HEX #08B553

RGB 8 181 83

HSL 146.01, 0.92%, 0.37%

LAB 64.74, -59.92, 38.91

 

CMYK 0 / 71 / 34 / 1

HEX #FC4AA7

RGB 252 74 167

HSL 328.65, 0.97%, 0.64%

LAB 60.23, 73.87, -11.11

 

CMYK 0 / 64 / 27 / 0

HEX #FF5CBA

RGB 255 92 186

HSL 325.4, 1%, 0.68%

LAB 63.72, 70.31, -16.72

 

CMYK 0 / 57 / 20 / 0

HEX #FF6ECD

RGB 255 110 205

HSL 320.69, 1%, 0.72%

LAB 67.14, 65.33, -22.26

 

CMYK 0 / 50 / 12 / 0

HEX #FF80E0

RGB 255 128 224

HSL 314.65, 1%, 0.75%

LAB 70.93, 59.91, -27.03

 

CMYK 0 / 43 / 5 / 0

HEX #FF92F3

RGB 255 146 243

HSL 306.61, 1%, 0.79%

LAB 75.01, 54.25, -31.17

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

CMYK 0 / 76 / 33 / 10

HEX #E63899

RGB 230 56 153

HSL 326.55, 0.78%, 0.56%

LAB 53.98, 72.44, -12.71

 

CMYK 0 / 82 / 37 / 16

HEX #D52686

RGB 213 38 134

HSL 327.09, 0.7%, 0.49%

LAB 48.58, 71.06, -9.76

 

CMYK 0 / 90 / 41 / 23

HEX #C41473

RGB 196 20 115

HSL 327.61, 0.81%, 0.42%

LAB 43.47, 68.7, -6.09

 

CMYK 0 / 99 / 46 / 30

HEX #B30260

RGB 179 2 96

HSL 328.14, 0.98%, 0.35%

LAB 38.68, 65.27, -1.61

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 70 / 49 / 3

HEX #F7497D

RGB 247 73 125

HSL 342.07, 0.92%, 0.63%

LAB 58.06, 68.87, 10.18

 

CMYK 0 / 70 / 68 / 3

HEX #F7494E

RGB 247 73 78

HSL 358.28, 0.92%, 0.63%

LAB 57.16, 65.83, 36.42

 

CMYK 0 / 70 / 70 / 3

HEX #F74949

RGB 247 73 73

HSL 0, 0.92%, 0.63%

LAB 57.1, 65.6, 39.16

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 70 / 11 / 3

HEX #F749DB

RGB 247 73 219

HSL 309.66, 0.92%, 0.63%

LAB 61.35, 79.48, -39.18

 

CMYK 7 / 70 / 0 / 3

HEX #E549F7

RGB 229 73 247

HSL 293.79, 0.92%, 0.63%

LAB 60.01, 79.94, -57.13

 

CMYK 26 / 70 / 0 / 3

HEX #B649F7

RGB 182 73 247

HSL 277.59, 0.92%, 0.63%

LAB 53.41, 70.64, -68.09

 

CMYK 45 / 70 / 0 / 3

HEX #8749F7

RGB 135 73 247

HSL 261.38, 0.92%, 0.63%

LAB 47.79, 62.27, -77.48

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 62 / 27 / 9

HEX #E859AA

RGB 232 89 170

HSL 326.01, 0.76%, 0.63%

LAB 59.16, 63.13, -14.78

 

CMYK 0 / 52 / 22 / 15

HEX #D868A8

RGB 216 104 168

HSL 325.71, 0.59%, 0.63%

LAB 59.28, 51.28, -13.69

 

CMYK 0 / 41 / 17 / 21

HEX #C977A6

RGB 201 119 166

HSL 325.61, 0.43%, 0.63%

LAB 60.22, 38.42, -11.32

 

CMYK 0 / 28 / 12 / 27

HEX #BA86A4

RGB 186 134 164

HSL 325.38, 0.27%, 0.63%

LAB 61.8, 24.65, -7.99

 

CMYK 7 / 70 / 0 / 3

HEX #E649F7

RGB 230 73 247

HSL 294.14, 0.92%, 0.63%

LAB 60.16, 80.14, -56.89

 

CMYK 0 / 70 / 12 / 3

HEX #F749DA

RGB 247 73 218

HSL 310, 0.92%, 0.63%

LAB 61.31, 79.34, -38.69

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 70 / 49 / 3

HEX #F7497D

RGB 247 73 125

HSL 342.07, 0.92%, 0.63%

LAB 58.06, 68.87, 10.18

 

CMYK 0 / 70 / 68 / 3

HEX #F7494F

RGB 247 73 79

HSL 357.93, 0.92%, 0.63%

LAB 57.18, 65.88, 35.87

 

CMYK 0 / 96 / 42 / 10

HEX #E50985

RGB 229 9 133

HSL 326.18, 0.92%, 0.47%

LAB 50.15, 78.77, -6.49

 

CMYK 0 / 86 / 37 / 4

HEX #F5229A

RGB 245 34 154

HSL 325.88, 0.91%, 0.55%

LAB 54.96, 81.11, -11.55

 

CMYK 0 / 70 / 30 / 3

HEX #F749AC

RGB 247 73 172

HSL 325.86, 0.92%, 0.63%

LAB 59.45, 73.47, -15.27

 

CMYK 0 / 55 / 24 / 2

HEX #F971BE

RGB 249 113 190

HSL 326.03, 0.92%, 0.71%

LAB 66.27, 60.2, -15.23

 

CMYK 0 / 39 / 17 / 2

HEX #FA99D0

RGB 250 153 208

HSL 325.98, 0.91%, 0.79%

LAB 74.61, 43.54, -12.69

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

CMYK 0 / 26 / 70 / 3

HEX #F7B749

RGB 247 183 73

HSL 37.93, 0.92%, 0.63%

LAB 78.53, 12.93, 62.59

 

CMYK 70 / 2 / 0 / 3

HEX #49F1F7

RGB 73 241 247

HSL 182.07, 0.92%, 0.63%

LAB 87.51, -39.87, -15.31

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

CMYK 30 / 0 / 70 / 3

HEX #ACF749

RGB 172 247 73

HSL 85.86, 0.92%, 0.63%

LAB 89.75, -48.27, 72.13

 

CMYK 70 / 30 / 0 / 3

HEX #49ACF7

RGB 73 172 247

HSL 205.86, 0.92%, 0.63%

LAB 67.75, -5.06, -45.67

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

CMYK 0 / 26 / 70 / 3

HEX #F7B749

RGB 247 183 73

HSL 37.93, 0.92%, 0.63%

LAB 78.53, 12.93, 62.59

 

CMYK 70 / 0 / 40 / 3

HEX #49F795

RGB 73 247 149

HSL 146.21, 0.92%, 0.63%

LAB 87.05, -65.06, 34.69

 

CMYK 70 / 45 / 0 / 3

HEX #4989F7

RGB 73 137 247

HSL 217.93, 0.92%, 0.63%

LAB 58.06, 15.37, -61.06

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAC

RGB 247 74 172

HSL 326.01, 0.92%, 0.63%

LAB 59.57, 73.13, -15.09

 

CMYK 0 / 5 / 70 / 3

HEX #F7EB49

RGB 247 235 73

HSL 55.86, 0.92%, 0.63%

LAB 91.54, -13.57, 75.58

 

CMYK 70 / 0 / 40 / 3

HEX #49F795

RGB 73 247 149

HSL 146.21, 0.92%, 0.63%

LAB 87.05, -65.06, 34.69

 

CMYK 70 / 66 / 0 / 3

HEX #4955F7

RGB 73 85 247

HSL 235.86, 0.92%, 0.63%

LAB 45.12, 47.15, -82.05

 

Description

Color code: RGB 247 74 172 | qconv.com Color code: RGB 247 74 172 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 74 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 74 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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