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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 17 213 it is the complementary color RGB 8 238 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 17 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 17 213 shade: RGB 252 17 208, RGB 255 35 227, RGB 255 53 246, RGB 255 71 255 and RGB 255 89 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 17 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 17 213 shade: RGB 247 17 213, RGB 230 0 194, RGB 213 0 175, RGB 196 0 156 and RGB 179 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 17 213 shade: RGB 246 18 212, RGB 246 18 151, RGB 246 18 89, RGB 246 18 28 and RGB 246 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 17 213 shade: RGB 246 18 212, RGB 218 18 246, RGB 157 18 246, RGB 95 18 246 and RGB 34 18 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 17 213 shade matches the following richer shades: RGB 246 18 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 17 213 shade: RGB 246 18 212, RGB 226 38 198, RGB 206 58 184, RGB 187 78 170 and RGB 167 97 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 17 213 shade: RGB 155 18 246, RGB 216 18 246, RGB 246 18 216, RGB 246 18 155 and RGB 246 18 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 17 213 shade: RGB 176 6 151, RGB 216 7 185, RGB 246 18 212, RGB 247 58 219 and RGB 249 98 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 17 213 shade: RGB 247 17 213, RGB 246 94 18 and RGB 18 246 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 17 213 shade: RGB 247 17 213, RGB 216 246 18 and RGB 18 216 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 17 213 shade: RGB 247 17 213, RGB 246 94 18, RGB 18 246 49 and RGB 18 170 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 17 213 shade: RGB 247 17 213, RGB 246 162 18, RGB 18 246 49 and RGB 18 102 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

Complementary color

CMYK 97 / 0 / 82 / 7

HEX #08EE2A

RGB 8 238 42

HSL 128.87, 0.93%, 0.48%

LAB 82.58, -80.38, 73.02

 

CMYK 0 / 93 / 17 / 1

HEX #FC11D0

RGB 252 17 208

HSL 311.23, 0.98%, 0.53%

LAB 57.7, 90.54, -38.61

 

CMYK 0 / 86 / 11 / 0

HEX #FF23E3

RGB 255 35 227

HSL 307.64, 1%, 0.57%

LAB 59.9, 91.29, -45.89

 

CMYK 0 / 79 / 4 / 0

HEX #FF35F6

RGB 255 53 246

HSL 302.67, 1%, 0.6%

LAB 62.05, 90.46, -53.1

 

CMYK 0 / 72 / 0 / 0

HEX #FF47FF

RGB 255 71 255

HSL 300, 1%, 0.64%

LAB 64.15, 87.09, -54.73

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

CMYK 0 / 100 / 16 / 10

HEX #E600C2

RGB 230 0 194

HSL 309.39, 1%, 0.45%

LAB 52.64, 86.1, -38.79

 

CMYK 0 / 100 / 18 / 16

HEX #D500AF

RGB 213 0 175

HSL 310.7, 1%, 0.42%

LAB 48.56, 80.7, -34.31

 

CMYK 0 / 100 / 20 / 23

HEX #C4009C

RGB 196 0 156

HSL 312.24, 1%, 0.38%

LAB 44.43, 75.24, -29.7

 

CMYK 0 / 100 / 23 / 30

HEX #B30089

RGB 179 0 137

HSL 314.08, 1%, 0.35%

LAB 40.23, 69.69, -24.94

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 0 / 93 / 39 / 4

HEX #F61297

RGB 246 18 151

HSL 325, 0.93%, 0.52%

LAB 54.3, 83.2, -10.74

 

CMYK 0 / 93 / 64 / 4

HEX #F61259

RGB 246 18 89

HSL 341.32, 0.93%, 0.52%

LAB 52.67, 78.78, 24.28

 

CMYK 0 / 93 / 89 / 4

HEX #F6121C

RGB 246 18 28

HSL 357.37, 0.93%, 0.52%

LAB 51.96, 76.8, 57.07

 

CMYK 0 / 93 / 93 / 4

HEX #F61212

RGB 246 18 18

HSL 0, 0.93%, 0.52%

LAB 51.92, 76.67, 60.82

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 11 / 93 / 0 / 4

HEX #DA12F6

RGB 218 18 246

HSL 292.63, 0.93%, 0.52%

LAB 54.02, 90.09, -66.29

 

CMYK 36 / 93 / 0 / 4

HEX #9D12F6

RGB 157 18 246

HSL 276.58, 0.93%, 0.52%

LAB 44.6, 82.08, -82.05

 

CMYK 61 / 93 / 0 / 4

HEX #5F12F6

RGB 95 18 246

HSL 260.26, 0.93%, 0.52%

LAB 36.97, 76.68, -94.9

 

CMYK 86 / 93 / 0 / 4

HEX #2212F6

RGB 34 18 246

HSL 244.21, 0.93%, 0.52%

LAB 32.76, 74.34, -102.02

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 0 / 83 / 12 / 11

HEX #E226C6

RGB 226 38 198

HSL 308.94, 0.76%, 0.52%

LAB 53.63, 81.44, -39.58

 

CMYK 0 / 72 / 11 / 19

HEX #CE3AB8

RGB 206 58 184

HSL 308.92, 0.6%, 0.52%

LAB 51.39, 70, -35.23

 

CMYK 0 / 58 / 9 / 27

HEX #BB4EAA

RGB 187 78 170

HSL 309.36, 0.44%, 0.52%

LAB 50.59, 55.19, -28.52

 

CMYK 0 / 42 / 7 / 35

HEX #A7619C

RGB 167 97 156

HSL 309.43, 0.28%, 0.52%

LAB 50.88, 37.18, -20.07

 

CMYK 37 / 93 / 0 / 4

HEX #9B12F6

RGB 155 18 246

HSL 276.05, 0.93%, 0.52%

LAB 44.31, 81.86, -82.52

 

CMYK 12 / 93 / 0 / 4

HEX #D812F6

RGB 216 18 246

HSL 292.11, 0.93%, 0.52%

LAB 53.69, 89.79, -66.84

 

CMYK 0 / 93 / 12 / 4

HEX #F612D8

RGB 246 18 216

HSL 307.89, 0.93%, 0.52%

LAB 57.06, 90.37, -44.25

 

CMYK 0 / 93 / 37 / 4

HEX #F6129B

RGB 246 18 155

HSL 323.95, 0.93%, 0.52%

LAB 54.44, 83.57, -12.9

 

CMYK 0 / 93 / 62 / 4

HEX #F6125E

RGB 246 18 94

HSL 340, 0.93%, 0.52%

LAB 52.77, 79.04, 21.39

 

CMYK 0 / 97 / 14 / 31

HEX #B00697

RGB 176 6 151

HSL 308.82, 0.93%, 0.36%

LAB 40.56, 70.25, -33.01

 

CMYK 0 / 97 / 14 / 15

HEX #D807B9

RGB 216 7 185

HSL 308.9, 0.94%, 0.44%

LAB 49.8, 81.95, -38.19

 

CMYK 0 / 93 / 14 / 4

HEX #F612D4

RGB 246 18 212

HSL 308.95, 0.93%, 0.52%

LAB 56.86, 89.86, -42.29

 

CMYK 0 / 77 / 11 / 3

HEX #F73ADB

RGB 247 58 219

HSL 308.89, 0.92%, 0.6%

LAB 59.81, 83.88, -41.6

 

CMYK 0 / 61 / 9 / 2

HEX #F962E3

RGB 249 98 227

HSL 308.74, 0.93%, 0.68%

LAB 65.3, 71.97, -37.48

 

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

CMYK 0 / 62 / 93 / 4

HEX #F65E12

RGB 246 94 18

HSL 20, 0.93%, 0.52%

LAB 59.56, 55.49, 65.57

 

CMYK 93 / 0 / 25 / 4

HEX #12F6B9

RGB 18 246 185

HSL 163.95, 0.93%, 0.52%

LAB 86.77, -62.26, 15.9

 

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

CMYK 12 / 0 / 93 / 4

HEX #D8F612

RGB 216 246 18

HSL 67.89, 0.93%, 0.52%

LAB 91.93, -33.04, 87.9

 

CMYK 93 / 12 / 0 / 4

HEX #12D8F6

RGB 18 216 246

HSL 187.89, 0.93%, 0.52%

LAB 79.55, -32.73, -26.89

 

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

CMYK 0 / 62 / 93 / 4

HEX #F65E12

RGB 246 94 18

HSL 20, 0.93%, 0.52%

LAB 59.56, 55.49, 65.57

 

CMYK 93 / 0 / 80 / 4

HEX #12F631

RGB 18 246 49

HSL 128.16, 0.93%, 0.52%

LAB 85.13, -81.81, 73.62

 

CMYK 93 / 31 / 0 / 4

HEX #12AAF6

RGB 18 170 246

HSL 200, 0.93%, 0.52%

LAB 66.16, -9.01, -47.69

 

CMYK 0 / 93 / 14 / 3

HEX #F711D5

RGB 247 17 213

HSL 308.87, 0.93%, 0.52%

LAB 57.06, 90.26, -42.54

 

CMYK 0 / 34 / 93 / 4

HEX #F6A212

RGB 246 162 18

HSL 37.89, 0.93%, 0.52%

LAB 73.2, 21.89, 75

 

CMYK 93 / 0 / 80 / 4

HEX #12F631

RGB 18 246 49

HSL 128.16, 0.93%, 0.52%

LAB 85.13, -81.81, 73.62

 

CMYK 93 / 59 / 0 / 4

HEX #1266F6

RGB 18 102 246

HSL 217.89, 0.93%, 0.52%

LAB 47.35, 32.24, -77.92

 

Description

Color code: RGB 247 17 213 | qconv.com Color code: RGB 247 17 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 17 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 17 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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