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Color name
RGB 247 109 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 109 112 it is the complementary color RGB 8 146 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 109 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 109 112 shade: RGB 252 109 107, RGB 255 127 126, RGB 255 145 145, RGB 255 163 164 and RGB 255 181 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 109 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 230 91 93, RGB 213 73 74, RGB 196 55 55 and RGB 179 37 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 109 112 shade: RGB 247 109 112 and RGB 247 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 247 109 149, RGB 247 109 186, RGB 247 109 224 and RGB 233 109 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 109 112 shade matches the following richer shades: RGB 247 109 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 234 122 124, RGB 222 134 136, RGB 210 146 148 and RGB 197 159 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 109 112 shade: RGB 247 109 187, RGB 247 109 150, RGB 247 109 114, RGB 247 141 109 and RGB 247 178 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 109 112 shade: RGB 243 31 35, RGB 245 70 74, RGB 247 109 112, RGB 249 148 151 and RGB 251 188 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 224 247 109 and RGB 109 169 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 114 247 109 and RGB 109 114 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 224 247 109, RGB 109 247 242 and RGB 132 109 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 109 112 shade: RGB 247 109 112, RGB 183 247 109, RGB 109 247 242 and RGB 173 109 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

Complementary color

CMYK 95 / 0 / 2 / 43

HEX #08928F

RGB 8 146 143

HSL 178.7, 0.9%, 0.3%

LAB 54.65, -32.32, -7.66

 

CMYK 0 / 57 / 58 / 1

HEX #FC6D6B

RGB 252 109 107

HSL 0.83, 0.96%, 0.7%

LAB 63.91, 54.46, 28.68

 

CMYK 0 / 50 / 51 / 0

HEX #FF7F7E

RGB 255 127 126

HSL 0.47, 1%, 0.75%

LAB 67.98, 48.51, 23.49

 

CMYK 0 / 43 / 43 / 0

HEX #FF9191

RGB 255 145 145

HSL 0, 1%, 0.78%

LAB 71.93, 41.34, 18.33

 

CMYK 0 / 36 / 36 / 0

HEX #FFA3A4

RGB 255 163 164

HSL 359.35, 1%, 0.82%

LAB 76.15, 34.17, 13.78

 

CMYK 0 / 29 / 28 / 0

HEX #FFB5B7

RGB 255 181 183

HSL 358.38, 1%, 0.85%

LAB 80.59, 27.14, 9.75

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 60 / 60 / 10

HEX #E65B5D

RGB 230 91 93

HSL 359.14, 0.74%, 0.63%

LAB 57.17, 54.09, 27.22

 

CMYK 0 / 66 / 65 / 16

HEX #D5494A

RGB 213 73 74

HSL 359.57, 0.63%, 0.56%

LAB 51.16, 54.92, 30.02

 

CMYK 0 / 72 / 72 / 23

HEX #C43737

RGB 196 55 55

HSL 0, 0.56%, 0.49%

LAB 45.28, 55.45, 33.32

 

CMYK 0 / 79 / 80 / 30

HEX #B32524

RGB 179 37 36

HSL 0.42, 0.67%, 0.42%

LAB 39.64, 55.43, 37.12

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 56 / 56 / 3

HEX #F76D6D

RGB 247 109 109

HSL 0, 0.9%, 0.7%

LAB 63.19, 52.89, 26.46

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 56 / 40 / 3

HEX #F76D95

RGB 247 109 149

HSL 342.61, 0.9%, 0.7%

LAB 64.06, 56.5, 4.82

 

CMYK 0 / 56 / 25 / 3

HEX #F76DBA

RGB 247 109 186

HSL 326.52, 0.9%, 0.7%

LAB 65.17, 60.89, -14.66

 

CMYK 0 / 56 / 9 / 3

HEX #F76DE0

RGB 247 109 224

HSL 310, 0.9%, 0.7%

LAB 66.59, 66.34, -33.81

 

CMYK 6 / 56 / 0 / 3

HEX #E96DF7

RGB 233 109 247

HSL 293.91, 0.9%, 0.7%

LAB 65.73, 66.53, -48.03

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 48 / 47 / 8

HEX #EA7A7C

RGB 234 122 124

HSL 358.93, 0.73%, 0.7%

LAB 64.05, 43.28, 18.8

 

CMYK 0 / 40 / 39 / 13

HEX #DE8688

RGB 222 134 136

HSL 358.64, 0.57%, 0.7%

LAB 65.25, 33.92, 13.42

 

CMYK 0 / 30 / 30 / 18

HEX #D29294

RGB 210 146 148

HSL 358.13, 0.42%, 0.7%

LAB 66.82, 24.46, 8.7

 

CMYK 0 / 19 / 19 / 23

HEX #C59F9F

RGB 197 159 159

HSL 0, 0.25%, 0.7%

LAB 68.87, 14.04, 5.32

 

CMYK 0 / 56 / 24 / 3

HEX #F76DBB

RGB 247 109 187

HSL 326.09, 0.9%, 0.7%

LAB 65.2, 61.02, -15.17

 

CMYK 0 / 56 / 39 / 3

HEX #F76D96

RGB 247 109 150

HSL 342.17, 0.9%, 0.7%

LAB 64.09, 56.6, 4.28

 

CMYK 0 / 56 / 54 / 3

HEX #F76D72

RGB 247 109 114

HSL 357.83, 0.9%, 0.7%

LAB 63.28, 53.27, 23.74

 

CMYK 0 / 43 / 56 / 3

HEX #F78D6D

RGB 247 141 109

HSL 13.91, 0.9%, 0.7%

LAB 69.42, 37.17, 34.53

 

CMYK 0 / 28 / 56 / 3

HEX #F7B26D

RGB 247 178 109

HSL 30, 0.9%, 0.7%

LAB 77.71, 17.82, 44.86

 

CMYK 0 / 87 / 86 / 5

HEX #F31F23

RGB 243 31 35

HSL 358.87, 0.9%, 0.54%

LAB 52.01, 74.39, 53.73

 

CMYK 0 / 71 / 70 / 4

HEX #F5464A

RGB 245 70 74

HSL 358.63, 0.9%, 0.62%

LAB 56.37, 66.09, 37.66

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 0 / 41 / 39 / 2

HEX #F99497

RGB 249 148 151

HSL 358.22, 0.89%, 0.78%

LAB 71.93, 38.26, 14.89

 

CMYK 0 / 25 / 25 / 2

HEX #FBBCBD

RGB 251 188 189

HSL 359.05, 0.89%, 0.86%

LAB 81.92, 22.82, 8.37

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 9 / 0 / 56 / 3

HEX #E0F76D

RGB 224 247 109

HSL 70, 0.9%, 0.7%

LAB 93.22, -26.32, 62.57

 

CMYK 56 / 32 / 0 / 3

HEX #6DA9F7

RGB 109 169 247

HSL 213.91, 0.9%, 0.7%

LAB 68.27, 2.77, -44.76

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 54 / 0 / 56 / 3

HEX #72F76D

RGB 114 247 109

HSL 117.83, 0.9%, 0.7%

LAB 87.58, -62.76, 54.6

 

CMYK 56 / 54 / 0 / 3

HEX #6D72F7

RGB 109 114 247

HSL 237.83, 0.9%, 0.7%

LAB 54.03, 35.2, -67.45

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 9 / 0 / 56 / 3

HEX #E0F76D

RGB 224 247 109

HSL 70, 0.9%, 0.7%

LAB 93.22, -26.32, 62.57

 

CMYK 56 / 0 / 2 / 3

HEX #6DF7F2

RGB 109 247 242

HSL 177.83, 0.9%, 0.7%

LAB 89.94, -38.51, -8.97

 

CMYK 47 / 56 / 0 / 3

HEX #846DF7

RGB 132 109 247

HSL 250, 0.9%, 0.7%

LAB 54.61, 42.64, -66.42

 

CMYK 0 / 56 / 55 / 3

HEX #F76D70

RGB 247 109 112

HSL 358.7, 0.9%, 0.7%

LAB 63.24, 53.12, 24.83

 

CMYK 26 / 0 / 56 / 3

HEX #B7F76D

RGB 183 247 109

HSL 87.83, 0.9%, 0.7%

LAB 90.64, -41.61, 58.93

 

CMYK 56 / 0 / 2 / 3

HEX #6DF7F2

RGB 109 247 242

HSL 177.83, 0.9%, 0.7%

LAB 89.94, -38.51, -8.97

 

CMYK 30 / 56 / 0 / 3

HEX #AD6DF7

RGB 173 109 247

HSL 267.83, 0.9%, 0.7%

LAB 58.54, 51.79, -59.89

 

Description

Color code: RGB 247 109 112 | qconv.com Color code: RGB 247 109 112 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 109 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 109 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 55 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 55% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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