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Color name
RGB 246 82 187

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 82 187 it is the complementary color RGB 9 173 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 82 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 82 187 shade: RGB 251 82 182, RGB 255 100 201, RGB 255 118 220, RGB 255 136 239 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 82 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 82 187 shade: RGB 246 82 187, RGB 229 64 168, RGB 212 46 149, RGB 195 28 130 and RGB 178 10 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 82 187 shade: RGB 245 80 186, RGB 245 80 141, RGB 245 80 97 and RGB 245 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 82 187 shade: RGB 245 80 186, RGB 245 80 230, RGB 216 80 245, RGB 171 80 245 and RGB 127 80 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 82 187 shade matches the following richer shades: RGB 245 80 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 82 187 shade: RGB 245 80 186, RGB 230 95 182, RGB 216 110 178, RGB 201 125 173 and RGB 186 139 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 82 187 shade: RGB 215 80 245, RGB 245 80 232, RGB 245 80 187, RGB 245 80 143 and RGB 245 80 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 82 187 shade: RGB 231 12 152, RGB 243 41 170, RGB 245 80 186, RGB 247 119 201 and RGB 249 158 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 82 187 shade: RGB 246 82 187, RGB 245 171 80 and RGB 80 245 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 82 187 shade: RGB 246 82 187, RGB 187 245 80 and RGB 80 187 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 82 187 shade: RGB 246 82 187, RGB 245 171 80, RGB 80 245 138 and RGB 80 154 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 82 187 shade: RGB 246 82 187, RGB 245 221 80, RGB 80 245 138 and RGB 80 105 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

Complementary color

CMYK 95 / 0 / 61 / 32

HEX #09AD44

RGB 9 173 68

HSL 141.59, 0.9%, 0.36%

LAB 61.97, -59.41, 42.76

 

CMYK 0 / 67 / 27 / 2

HEX #FB52B6

RGB 251 82 182

HSL 324.5, 0.95%, 0.65%

LAB 61.59, 72.53, -17.73

 

CMYK 0 / 61 / 21 / 0

HEX #FF64C9

RGB 255 100 201

HSL 320.9, 1%, 0.7%

LAB 65.43, 69.02, -22.63

 

CMYK 0 / 54 / 14 / 0

HEX #FF76DC

RGB 255 118 220

HSL 315.33, 1%, 0.73%

LAB 69.03, 63.93, -27.74

 

CMYK 0 / 47 / 6 / 0

HEX #FF88EF

RGB 255 136 239

HSL 308.07, 1%, 0.77%

LAB 72.96, 58.48, -32.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

CMYK 0 / 72 / 27 / 10

HEX #E540A8

RGB 229 64 168

HSL 322.18, 0.76%, 0.57%

LAB 55.23, 71.43, -19.64

 

CMYK 0 / 78 / 30 / 17

HEX #D42E95

RGB 212 46 149

HSL 322.77, 0.66%, 0.51%

LAB 49.64, 70.43, -17.2

 

CMYK 0 / 86 / 33 / 24

HEX #C31C82

RGB 195 28 130

HSL 323.35, 0.75%, 0.44%

LAB 44.3, 68.58, -14.12

 

CMYK 0 / 94 / 38 / 30

HEX #B20A6F

RGB 178 10 111

HSL 323.93, 0.89%, 0.37%

LAB 39.29, 65.56, -10.22

 

CMYK 0 / 67 / 24 / 4

HEX #F550BA

RGB 245 80 186

HSL 321.45, 0.89%, 0.64%

LAB 60.51, 72.18, -21.75

 

CMYK 0 / 67 / 42 / 4

HEX #F5508D

RGB 245 80 141

HSL 337.82, 0.89%, 0.64%

LAB 59.04, 67.2, 2.15

 

CMYK 0 / 67 / 60 / 4

HEX #F55061

RGB 245 80 97

HSL 353.82, 0.89%, 0.64%

LAB 58.05, 63.71, 26.53

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 67 / 24 / 4

HEX #F550BA

RGB 245 80 186

HSL 321.45, 0.89%, 0.64%

LAB 60.51, 72.18, -21.75

 

CMYK 0 / 67 / 6 / 4

HEX #F550E6

RGB 245 80 230

HSL 305.45, 0.89%, 0.64%

LAB 62.39, 78.27, -43.74

 

CMYK 12 / 67 / 0 / 4

HEX #D850F5

RGB 216 80 245

HSL 289.45, 0.89%, 0.64%

LAB 58.91, 74.37, -57.9

 

CMYK 30 / 67 / 0 / 4

HEX #AB50F5

RGB 171 80 245

HSL 273.09, 0.89%, 0.64%

LAB 52.94, 65.11, -67.82

 

CMYK 48 / 67 / 0 / 4

HEX #7F50F5

RGB 127 80 245

HSL 257.09, 0.89%, 0.64%

LAB 48.06, 56.98, -75.96

 

CMYK 0 / 67 / 24 / 4

HEX #F550BA

RGB 245 80 186

HSL 321.45, 0.89%, 0.64%

LAB 60.51, 72.18, -21.75

 

CMYK 0 / 67 / 24 / 4

HEX #F550BA

RGB 245 80 186

HSL 321.45, 0.89%, 0.64%

LAB 60.51, 72.18, -21.75

 

CMYK 0 / 59 / 21 / 10

HEX #E65FB6

RGB 230 95 182

HSL 321.33, 0.73%, 0.64%

LAB 60.23, 61.59, -20.09

 

CMYK 0 / 49 / 18 / 15

HEX #D86EB2

RGB 216 110 178

HSL 321.51, 0.58%, 0.64%

LAB 60.75, 49.81, -17.2

 

CMYK 0 / 38 / 14 / 21

HEX #C97DAD

RGB 201 125 173

HSL 322.11, 0.41%, 0.64%

LAB 61.74, 36.34, -13.03

 

CMYK 0 / 25 / 9 / 27

HEX #BA8BA9

RGB 186 139 169

HSL 321.7, 0.25%, 0.64%

LAB 63.15, 22.74, -8.82

 

CMYK 12 / 67 / 0 / 4

HEX #D750F5

RGB 215 80 245

HSL 289.09, 0.89%, 0.64%

LAB 58.77, 74.16, -58.13

 

CMYK 0 / 67 / 5 / 4

HEX #F550E8

RGB 245 80 232

HSL 304.73, 0.89%, 0.64%

LAB 62.49, 78.58, -44.71

 

CMYK 0 / 67 / 24 / 4

HEX #F550BB

RGB 245 80 187

HSL 321.09, 0.89%, 0.64%

LAB 60.55, 72.31, -22.27

 

CMYK 0 / 67 / 42 / 4

HEX #F5508F

RGB 245 80 143

HSL 337.09, 0.89%, 0.64%

LAB 59.1, 67.39, 1.06

 

CMYK 0 / 67 / 60 / 4

HEX #F55063

RGB 245 80 99

HSL 353.09, 0.89%, 0.64%

LAB 58.09, 63.84, 25.42

 

CMYK 0 / 95 / 34 / 9

HEX #E70C98

RGB 231 12 152

HSL 321.64, 0.9%, 0.48%

LAB 51.29, 80.72, -16.16

 

CMYK 0 / 83 / 30 / 5

HEX #F329AA

RGB 243 41 170

HSL 321.68, 0.89%, 0.56%

LAB 55.63, 80.99, -19.99

 

CMYK 0 / 67 / 24 / 4

HEX #F550BA

RGB 245 80 186

HSL 321.45, 0.89%, 0.64%

LAB 60.51, 72.18, -21.75

 

CMYK 0 / 52 / 19 / 3

HEX #F777C9

RGB 247 119 201

HSL 321.56, 0.89%, 0.72%

LAB 67.42, 58.36, -19.7

 

CMYK 0 / 37 / 13 / 2

HEX #F99ED9

RGB 249 158 217

HSL 321.1, 0.88%, 0.8%

LAB 75.83, 42.03, -15.81

 

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

CMYK 0 / 30 / 67 / 4

HEX #F5AB50

RGB 245 171 80

HSL 33.09, 0.89%, 0.64%

LAB 75.52, 18.76, 56.28

 

CMYK 67 / 0 / 3 / 4

HEX #50F5ED

RGB 80 245 237

HSL 177.09, 0.89%, 0.64%

LAB 88.51, -43.51, -8.57

 

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

CMYK 24 / 0 / 67 / 4

HEX #BBF550

RGB 187 245 80

HSL 81.09, 0.89%, 0.64%

LAB 90.07, -41.56, 70.2

 

CMYK 67 / 24 / 0 / 4

HEX #50BBF5

RGB 80 187 245

HSL 201.09, 0.89%, 0.64%

LAB 72.12, -12.91, -37.74

 

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

CMYK 0 / 30 / 67 / 4

HEX #F5AB50

RGB 245 171 80

HSL 33.09, 0.89%, 0.64%

LAB 75.52, 18.76, 56.28

 

CMYK 67 / 0 / 44 / 4

HEX #50F58A

RGB 80 245 138

HSL 141.09, 0.89%, 0.64%

LAB 86.43, -65.1, 39.34

 

CMYK 67 / 37 / 0 / 4

HEX #509AF5

RGB 80 154 245

HSL 213.09, 0.89%, 0.64%

LAB 62.85, 5.57, -52.3

 

CMYK 0 / 67 / 24 / 4

HEX #F652BB

RGB 246 82 187

HSL 321.59, 0.9%, 0.64%

LAB 60.97, 71.84, -21.61

 

CMYK 0 / 10 / 67 / 4

HEX #F5DD50

RGB 245 221 80

HSL 51.27, 0.89%, 0.64%

LAB 87.83, -7.1, 69.23

 

CMYK 67 / 0 / 44 / 4

HEX #50F58A

RGB 80 245 138

HSL 141.09, 0.89%, 0.64%

LAB 86.43, -65.1, 39.34

 

CMYK 67 / 57 / 0 / 4

HEX #5069F5

RGB 80 105 245

HSL 230.91, 0.89%, 0.64%

LAB 49.98, 35.29, -72.98

 

Description

Color code: RGB 246 82 187 | qconv.com Color code: RGB 246 82 187 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 82 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 82 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 24 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 24% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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