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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 33 155 it is the complementary color RGB 9 222 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 33 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 33 155 shade: RGB 251 33 150, RGB 255 51 169, RGB 255 69 188, RGB 255 87 207 and RGB 255 105 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 33 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 33 155 shade: RGB 246 33 155, RGB 229 15 136, RGB 212 0 117, RGB 195 0 98 and RGB 178 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 33 155 shade: RGB 245 34 155, RGB 245 34 98, RGB 245 34 41 and RGB 245 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 33 155 shade: RGB 245 34 155, RGB 245 34 212, RGB 222 34 245, RGB 165 34 245 and RGB 108 34 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 33 155 shade matches the following richer shades: RGB 245 34 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 33 155 shade: RGB 245 34 155, RGB 227 53 152, RGB 208 71 150, RGB 190 90 147 and RGB 171 108 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 33 155 shade: RGB 221 34 245, RGB 245 34 214, RGB 245 34 157, RGB 245 34 101 and RGB 245 34 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 33 155 shade: RGB 190 7 112, RGB 229 9 135, RGB 245 34 155, RGB 247 74 173 and RGB 249 113 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 33 155 shade: RGB 246 33 155, RGB 245 164 34 and RGB 34 242 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 33 155 shade: RGB 246 33 155, RGB 157 245 34 and RGB 34 157 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 33 155 shade: RGB 246 33 155, RGB 245 164 34, RGB 34 245 122 and RGB 34 115 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 33 155 shade: RGB 246 33 155, RGB 245 228 34, RGB 34 245 122 and RGB 34 52 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

Complementary color

CMYK 96 / 0 / 55 / 13

HEX #09DE64

RGB 9 222 100

HSL 145.63, 0.92%, 0.45%

LAB 78.01, -70.4, 46.85

 

CMYK 0 / 87 / 40 / 2

HEX #FB2196

RGB 251 33 150

HSL 327.8, 0.96%, 0.56%

LAB 55.89, 82.23, -7.68

 

CMYK 0 / 80 / 34 / 0

HEX #FF33A9

RGB 255 51 169

HSL 325.29, 1%, 0.6%

LAB 58.5, 81.38, -14.83

 

CMYK 0 / 73 / 26 / 0

HEX #FF45BC

RGB 255 69 188

HSL 321.61, 1%, 0.64%

LAB 60.91, 78.59, -22.14

 

CMYK 0 / 66 / 19 / 0

HEX #FF57CF

RGB 255 87 207

HSL 317.14, 1%, 0.67%

LAB 63.82, 74.89, -28.48

 

CMYK 0 / 59 / 11 / 0

HEX #FF69E2

RGB 255 105 226

HSL 311.6, 1%, 0.71%

LAB 67.17, 70.48, -33.94

 

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

CMYK 0 / 93 / 41 / 10

HEX #E50F88

RGB 229 15 136

HSL 326.07, 0.88%, 0.48%

LAB 50.43, 78.53, -7.89

 

CMYK 0 / 100 / 45 / 17

HEX #D40075

RGB 212 0 117

HSL 326.89, 1%, 0.42%

LAB 46.02, 74.48, -3.2

 

CMYK 0 / 100 / 50 / 24

HEX #C30062

RGB 195 0 98

HSL 329.85, 1%, 0.38%

LAB 41.98, 69.22, 2.33

 

CMYK 0 / 100 / 56 / 30

HEX #B2004F

RGB 178 0 79

HSL 333.37, 1%, 0.35%

LAB 37.9, 63.95, 8.15

 

CMYK 0 / 86 / 37 / 4

HEX #F5229B

RGB 245 34 155

HSL 325.59, 0.91%, 0.55%

LAB 54.99, 81.21, -12.09

 

CMYK 0 / 86 / 60 / 4

HEX #F52262

RGB 245 34 98

HSL 341.8, 0.91%, 0.55%

LAB 53.43, 76.79, 19.82

 

CMYK 0 / 86 / 83 / 4

HEX #F52229

RGB 245 34 41

HSL 358.01, 0.91%, 0.55%

LAB 52.64, 74.51, 51.52

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 86 / 37 / 4

HEX #F5229B

RGB 245 34 155

HSL 325.59, 0.91%, 0.55%

LAB 54.99, 81.21, -12.09

 

CMYK 0 / 86 / 13 / 4

HEX #F522D4

RGB 245 34 212

HSL 309.38, 0.91%, 0.55%

LAB 57.38, 87.65, -41.49

 

CMYK 9 / 86 / 0 / 4

HEX #DE22F5

RGB 222 34 245

HSL 293.46, 0.91%, 0.55%

LAB 55.35, 88.36, -63.56

 

CMYK 33 / 86 / 0 / 4

HEX #A522F5

RGB 165 34 245

HSL 277.25, 0.91%, 0.55%

LAB 46.63, 79.95, -78.11

 

CMYK 56 / 86 / 0 / 4

HEX #6C22F5

RGB 108 34 245

HSL 261.04, 0.91%, 0.55%

LAB 39.45, 73.62, -90.17

 

CMYK 0 / 86 / 37 / 4

HEX #F5229B

RGB 245 34 155

HSL 325.59, 0.91%, 0.55%

LAB 54.99, 81.21, -12.09

 

CMYK 0 / 86 / 37 / 4

HEX #F5229B

RGB 245 34 155

HSL 325.59, 0.91%, 0.55%

LAB 54.99, 81.21, -12.09

 

CMYK 0 / 77 / 33 / 11

HEX #E33598

RGB 227 53 152

HSL 325.86, 0.76%, 0.55%

LAB 53.11, 72.46, -13.48

 

CMYK 0 / 66 / 28 / 18

HEX #D04796

RGB 208 71 150

HSL 325.4, 0.59%, 0.55%

LAB 51.97, 61.16, -14.32

 

CMYK 0 / 53 / 23 / 25

HEX #BE5A93

RGB 190 90 147

HSL 325.8, 0.43%, 0.55%

LAB 52.25, 46.85, -12.39

 

CMYK 0 / 37 / 16 / 33

HEX #AB6C90

RGB 171 108 144

HSL 325.71, 0.27%, 0.55%

LAB 53.38, 30.4, -9.18

 

CMYK 10 / 86 / 0 / 4

HEX #DD22F5

RGB 221 34 245

HSL 293.18, 0.91%, 0.55%

LAB 55.18, 88.2, -63.83

 

CMYK 0 / 86 / 13 / 4

HEX #F522D6

RGB 245 34 214

HSL 308.82, 0.91%, 0.55%

LAB 57.47, 87.91, -42.47

 

CMYK 0 / 86 / 36 / 4

HEX #F5229D

RGB 245 34 157

HSL 325.02, 0.91%, 0.55%

LAB 55.06, 81.4, -13.16

 

CMYK 0 / 86 / 59 / 4

HEX #F52265

RGB 245 34 101

HSL 340.95, 0.91%, 0.55%

LAB 53.49, 76.97, 18.09

 

CMYK 0 / 86 / 82 / 4

HEX #F5222D

RGB 245 34 45

HSL 356.87, 0.91%, 0.55%

LAB 52.67, 74.6, 49.52

 

CMYK 0 / 96 / 41 / 25

HEX #BE0770

RGB 190 7 112

HSL 325.57, 0.93%, 0.39%

LAB 41.64, 68.61, -7.08

 

CMYK 0 / 96 / 41 / 10

HEX #E50987

RGB 229 9 135

HSL 325.64, 0.92%, 0.47%

LAB 50.22, 78.94, -7.6

 

CMYK 0 / 86 / 37 / 4

HEX #F5229B

RGB 245 34 155

HSL 325.59, 0.91%, 0.55%

LAB 54.99, 81.21, -12.09

 

CMYK 0 / 70 / 30 / 3

HEX #F74AAD

RGB 247 74 173

HSL 325.66, 0.92%, 0.63%

LAB 59.61, 73.25, -15.61

 

CMYK 0 / 55 / 23 / 2

HEX #F971BF

RGB 249 113 191

HSL 325.59, 0.92%, 0.71%

LAB 66.3, 60.34, -15.75

 

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

CMYK 0 / 33 / 86 / 4

HEX #F5A422

RGB 245 164 34

HSL 36.97, 0.91%, 0.55%

LAB 73.6, 20.69, 71.74

 

CMYK 86 / 1 / 0 / 4

HEX #22F2F5

RGB 34 242 245

HSL 180.85, 0.91%, 0.55%

LAB 87.21, -44.25, -14.76

 

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

CMYK 36 / 0 / 86 / 4

HEX #9DF522

RGB 157 245 34

HSL 85.02, 0.91%, 0.55%

LAB 88.25, -54.4, 81.12

 

CMYK 86 / 36 / 0 / 4

HEX #229DF5

RGB 34 157 245

HSL 205.02, 0.91%, 0.55%

LAB 62.55, -1.19, -52.85

 

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

CMYK 0 / 33 / 86 / 4

HEX #F5A422

RGB 245 164 34

HSL 36.97, 0.91%, 0.55%

LAB 73.6, 20.69, 71.74

 

CMYK 86 / 0 / 50 / 4

HEX #22F57A

RGB 34 245 122

HSL 145.02, 0.91%, 0.55%

LAB 85.53, -73.12, 45.76

 

CMYK 86 / 53 / 0 / 4

HEX #2273F5

RGB 34 115 245

HSL 216.97, 0.91%, 0.55%

LAB 50.91, 24.38, -71.54

 

CMYK 0 / 87 / 37 / 4

HEX #F6219B

RGB 246 33 155

HSL 325.63, 0.92%, 0.55%

LAB 55.12, 81.6, -11.88

 

CMYK 0 / 7 / 86 / 4

HEX #F5E422

RGB 245 228 34

HSL 55.17, 0.91%, 0.55%

LAB 89.4, -12.24, 84.44

 

CMYK 86 / 0 / 50 / 4

HEX #22F57A

RGB 34 245 122

HSL 145.02, 0.91%, 0.55%

LAB 85.53, -73.12, 45.76

 

CMYK 86 / 79 / 0 / 4

HEX #2234F5

RGB 34 52 245

HSL 234.88, 0.91%, 0.55%

LAB 36.72, 61.83, -94.85

 

Description

Color code: RGB 246 33 155 | qconv.com Color code: RGB 246 33 155 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 33 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 33 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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