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Color name
RGB 246 25 194

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 25 194 it is the complementary color RGB 9 230 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 25 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 25 194 shade: RGB 251 25 189, RGB 255 43 208, RGB 255 61 227, RGB 255 79 246 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 25 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 25 194 shade: RGB 246 25 194, RGB 229 7 175, RGB 212 0 156, RGB 195 0 137 and RGB 178 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 25 194 shade: RGB 245 24 193, RGB 245 24 134, RGB 245 24 74 and RGB 245 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 25 194 shade: RGB 245 24 193, RGB 237 24 245, RGB 178 24 245, RGB 118 24 245 and RGB 59 24 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 25 194 shade matches the following richer shades: RGB 245 24 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 25 194 shade: RGB 245 24 193, RGB 226 44 183, RGB 206 63 172, RGB 187 83 162 and RGB 167 102 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 25 194 shade: RGB 179 24 245, RGB 238 24 245, RGB 245 24 193, RGB 245 24 135 and RGB 245 24 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 25 194 shade: RGB 180 7 139, RGB 219 9 170, RGB 245 24 193, RGB 247 64 204 and RGB 248 104 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 25 194 shade: RGB 246 25 194, RGB 245 120 24 and RGB 24 245 208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 25 194 shade: RGB 246 25 194, RGB 193 245 24 and RGB 24 193 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 25 194 shade: RGB 246 25 194, RGB 245 120 24, RGB 24 245 76 and RGB 24 149 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 25 194 shade: RGB 246 25 194, RGB 245 186 24, RGB 24 245 76 and RGB 24 83 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

Complementary color

CMYK 96 / 0 / 73 / 10

HEX #09E63D

RGB 9 230 61

HSL 134.12, 0.92%, 0.47%

LAB 80.17, -76.96, 65.18

 

CMYK 0 / 90 / 25 / 2

HEX #FB19BD

RGB 251 25 189

HSL 316.46, 0.97%, 0.54%

LAB 56.96, 87.31, -28.87

 

CMYK 0 / 83 / 18 / 0

HEX #FF2BD0

RGB 255 43 208

HSL 313.3, 1%, 0.58%

LAB 59.47, 87.49, -35.8

 

CMYK 0 / 76 / 11 / 0

HEX #FF3DE3

RGB 255 61 227

HSL 308.66, 1%, 0.62%

LAB 61.78, 85.84, -42.92

 

CMYK 0 / 69 / 4 / 0

HEX #FF4FF6

RGB 255 79 246

HSL 303.07, 1%, 0.65%

LAB 64.57, 83.23, -49.1

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

CMYK 0 / 97 / 24 / 10

HEX #E507AF

RGB 229 7 175

HSL 314.59, 0.94%, 0.46%

LAB 51.73, 83.15, -29.14

 

CMYK 0 / 100 / 26 / 17

HEX #D4009C

RGB 212 0 156

HSL 315.85, 1%, 0.42%

LAB 47.49, 78.29, -24.7

 

CMYK 0 / 100 / 30 / 24

HEX #C30089

RGB 195 0 137

HSL 317.85, 1%, 0.38%

LAB 43.37, 72.86, -19.83

 

CMYK 0 / 100 / 34 / 30

HEX #B20076

RGB 178 0 118

HSL 320.22, 1%, 0.35%

LAB 39.2, 67.35, -14.76

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 0 / 90 / 45 / 4

HEX #F51886

RGB 245 24 134

HSL 330.14, 0.92%, 0.53%

LAB 53.8, 80.84, -1.35

 

CMYK 0 / 90 / 70 / 4

HEX #F5184A

RGB 245 24 74

HSL 346.43, 0.92%, 0.53%

LAB 52.46, 77.13, 32.97

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 3 / 90 / 0 / 4

HEX #ED18F5

RGB 237 24 245

HSL 297.83, 0.92%, 0.53%

LAB 57.32, 92.21, -60.26

 

CMYK 27 / 90 / 0 / 4

HEX #B218F5

RGB 178 24 245

HSL 281.81, 0.92%, 0.53%

LAB 47.89, 83.55, -75.96

 

CMYK 52 / 90 / 0 / 4

HEX #7618F5

RGB 118 24 245

HSL 265.52, 0.92%, 0.53%

LAB 39.74, 76.97, -89.65

 

CMYK 76 / 90 / 0 / 4

HEX #3B18F5

RGB 59 24 245

HSL 249.5, 0.92%, 0.53%

LAB 34.35, 73.34, -98.77

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 0 / 81 / 19 / 11

HEX #E22CB7

RGB 226 44 183

HSL 314.18, 0.76%, 0.53%

LAB 53.37, 78.19, -31.3

 

CMYK 0 / 69 / 17 / 19

HEX #CE3FAC

RGB 206 63 172

HSL 314.27, 0.59%, 0.53%

LAB 51.45, 66.57, -28.13

 

CMYK 0 / 56 / 13 / 27

HEX #BB53A2

RGB 187 83 162

HSL 314.42, 0.43%, 0.53%

LAB 51.11, 51.59, -23.02

 

CMYK 0 / 39 / 9 / 35

HEX #A76698

RGB 167 102 152

HSL 313.85, 0.27%, 0.53%

LAB 51.82, 33.72, -16.28

 

CMYK 27 / 90 / 0 / 4

HEX #B318F5

RGB 179 24 245

HSL 282.08, 0.92%, 0.53%

LAB 48.04, 83.68, -75.71

 

CMYK 3 / 90 / 0 / 4

HEX #EE18F5

RGB 238 24 245

HSL 298.1, 0.92%, 0.53%

LAB 57.49, 92.37, -59.98

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 0 / 90 / 45 / 4

HEX #F51887

RGB 245 24 135

HSL 329.86, 0.92%, 0.53%

LAB 53.83, 80.92, -1.91

 

CMYK 0 / 90 / 69 / 4

HEX #F5184C

RGB 245 24 76

HSL 345.88, 0.92%, 0.53%

LAB 52.5, 77.22, 31.82

 

CMYK 0 / 96 / 23 / 29

HEX #B4078B

RGB 180 7 139

HSL 314.22, 0.93%, 0.37%

LAB 40.77, 69.4, -25.32

 

CMYK 0 / 96 / 22 / 14

HEX #DB09AA

RGB 219 9 170

HSL 314, 0.92%, 0.45%

LAB 49.69, 80.52, -29.52

 

CMYK 0 / 90 / 21 / 4

HEX #F518C1

RGB 245 24 193

HSL 314.12, 0.92%, 0.53%

LAB 56, 86.73, -32.74

 

CMYK 0 / 74 / 17 / 3

HEX #F740CC

RGB 247 64 204

HSL 314.1, 0.92%, 0.61%

LAB 59.71, 80.21, -33.25

 

CMYK 0 / 58 / 14 / 3

HEX #F868D6

RGB 248 104 214

HSL 314.17, 0.91%, 0.69%

LAB 65.52, 67.27, -29.87

 

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

CMYK 0 / 51 / 90 / 4

HEX #F57818

RGB 245 120 24

HSL 26.06, 0.92%, 0.53%

LAB 64.09, 43.15, 67.09

 

CMYK 90 / 0 / 15 / 4

HEX #18F5D0

RGB 24 245 208

HSL 169.95, 0.92%, 0.53%

LAB 87.02, -56.06, 4.31

 

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

CMYK 21 / 0 / 90 / 4

HEX #C1F518

RGB 193 245 24

HSL 74.12, 0.92%, 0.53%

LAB 90.19, -41.53, 85.15

 

CMYK 90 / 21 / 0 / 4

HEX #18C1F5

RGB 24 193 245

HSL 194.12, 0.92%, 0.53%

LAB 72.84, -21.42, -36.69

 

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

CMYK 0 / 51 / 90 / 4

HEX #F57818

RGB 245 120 24

HSL 26.06, 0.92%, 0.53%

LAB 64.09, 43.15, 67.09

 

CMYK 90 / 0 / 69 / 4

HEX #18F54C

RGB 24 245 76

HSL 134.12, 0.92%, 0.53%

LAB 85.01, -79.28, 64.85

 

CMYK 90 / 39 / 0 / 4

HEX #1895F5

RGB 24 149 245

HSL 206.06, 0.92%, 0.53%

LAB 60.14, 2.92, -56.69

 

CMYK 0 / 90 / 21 / 4

HEX #F619C2

RGB 246 25 194

HSL 314.12, 0.92%, 0.53%

LAB 56.27, 86.91, -32.89

 

CMYK 0 / 24 / 90 / 4

HEX #F5BA18

RGB 245 186 24

HSL 43.98, 0.92%, 0.53%

LAB 78.81, 8.96, 78.04

 

CMYK 90 / 0 / 69 / 4

HEX #18F54C

RGB 24 245 76

HSL 134.12, 0.92%, 0.53%

LAB 85.01, -79.28, 64.85

 

CMYK 90 / 66 / 0 / 4

HEX #1853F5

RGB 24 83 245

HSL 223.98, 0.92%, 0.53%

LAB 42.72, 44.04, -84.94

 

Description

Color code: RGB 246 25 194 | qconv.com Color code: RGB 246 25 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 25 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 25 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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