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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 198 236 it is the complementary color RGB 9 57 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 198 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 198 236 shade: RGB 251 198 231, RGB 255 216 250, RGB 255 234 255 and RGB 255 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 198 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 198 236 shade: RGB 246 198 236, RGB 229 180 217, RGB 212 162 198, RGB 195 144 179 and RGB 178 126 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 198 236 shade: RGB 246 197 235, RGB 246 197 222, RGB 246 197 209 and RGB 246 197 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 198 236 shade: RGB 246 197 235, RGB 243 197 246, RGB 230 197 246, RGB 216 197 246 and RGB 203 197 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 198 236 shade matches the following richer shades: RGB 246 197 235 and RGB 251 192 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 198 236 shade: RGB 246 197 235, RGB 240 203 232, RGB 235 208 229, RGB 229 213 226 and RGB 224 219 223

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 198 236 shade: RGB 229 197 246, RGB 242 197 246, RGB 246 197 236, RGB 246 197 223 and RGB 246 197 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 198 236 shade: RGB 234 126 212, RGB 240 161 224, RGB 246 197 235 and RGB 251 233 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 198 236 shade: RGB 246 198 236, RGB 246 217 197 and RGB 197 246 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 198 236 shade: RGB 246 198 236, RGB 236 246 197 and RGB 197 236 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 198 236 shade: RGB 246 198 236, RGB 246 217 197, RGB 197 246 207 and RGB 197 226 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 198 236 shade: RGB 246 198 236, RGB 246 231 197, RGB 197 246 207 and RGB 197 212 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

Complementary color

CMYK 84 / 0 / 67 / 78

HEX #093913

RGB 9 57 19

HSL 132.5, 0.73%, 0.13%

LAB 20.17, -25.31, 18.97

 

CMYK 0 / 21 / 8 / 2

HEX #FBC6E7

RGB 251 198 231

HSL 322.64, 0.87%, 0.88%

LAB 85.34, 24.01, -9.11

 

CMYK 0 / 15 / 2 / 0

HEX #FFD8FA

RGB 255 216 250

HSL 307.69, 1%, 0.92%

LAB 90.45, 19.19, -11.51

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

CMYK 0 / 21 / 5 / 10

HEX #E5B4D9

RGB 229 180 217

HSL 314.69, 0.49%, 0.8%

LAB 78.64, 23.72, -11.79

 

CMYK 0 / 24 / 7 / 17

HEX #D4A2C6

RGB 212 162 198

HSL 316.8, 0.37%, 0.73%

LAB 72.17, 24.29, -11.27

 

CMYK 0 / 26 / 8 / 24

HEX #C390B3

RGB 195 144 179

HSL 318.82, 0.3%, 0.66%

LAB 65.6, 24.9, -10.71

 

CMYK 0 / 29 / 10 / 30

HEX #B27EA0

RGB 178 126 160

HSL 320.77, 0.25%, 0.6%

LAB 58.9, 25.57, -10.12

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 0 / 20 / 10 / 4

HEX #F6C5DE

RGB 246 197 222

HSL 329.39, 0.73%, 0.87%

LAB 84.38, 21.33, -5.78

 

CMYK 0 / 20 / 15 / 4

HEX #F6C5D1

RGB 246 197 209

HSL 345.31, 0.73%, 0.87%

LAB 84.03, 19.24, 0.65

 

CMYK 0 / 20 / 20 / 4

HEX #F6C5C5

RGB 246 197 197

HSL 0, 0.73%, 0.87%

LAB 83.73, 17.41, 6.63

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 1 / 20 / 0 / 4

HEX #F3C5F6

RGB 243 197 246

HSL 296.33, 0.73%, 0.87%

LAB 84.81, 24.53, -17.95

 

CMYK 7 / 20 / 0 / 4

HEX #E6C5F6

RGB 230 197 246

HSL 280.41, 0.73%, 0.87%

LAB 83.66, 20.32, -19.81

 

CMYK 12 / 20 / 0 / 4

HEX #D8C5F6

RGB 216 197 246

HSL 263.27, 0.73%, 0.87%

LAB 82.48, 15.86, -21.71

 

CMYK 17 / 20 / 0 / 4

HEX #CBC5F6

RGB 203 197 246

HSL 247.35, 0.73%, 0.87%

LAB 81.45, 11.8, -23.37

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 0 / 24 / 5 / 2

HEX #FBC0EF

RGB 251 192 239

HSL 312.2, 0.88%, 0.87%

LAB 84.19, 28.54, -15.08

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 0 / 15 / 3 / 6

HEX #F0CBE8

RGB 240 203 232

HSL 312.97, 0.55%, 0.87%

LAB 85.54, 17.84, -9.45

 

CMYK 0 / 11 / 3 / 8

HEX #EBD0E5

RGB 235 208 229

HSL 313.33, 0.4%, 0.87%

LAB 86.22, 12.98, -6.89

 

CMYK 0 / 7 / 1 / 10

HEX #E5D5E2

RGB 229 213 226

HSL 311.25, 0.24%, 0.87%

LAB 86.87, 7.78, -4.4

 

CMYK 0 / 2 / 0 / 12

HEX #E0DBDF

RGB 224 219 223

HSL 312, 0.07%, 0.87%

LAB 87.89, 2.42, -1.36

 

CMYK 7 / 20 / 0 / 4

HEX #E5C5F6

RGB 229 197 246

HSL 279.18, 0.73%, 0.87%

LAB 83.57, 20, -19.95

 

CMYK 2 / 20 / 0 / 4

HEX #F2C5F6

RGB 242 197 246

HSL 295.1, 0.73%, 0.87%

LAB 84.72, 24.2, -18.1

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EC

RGB 246 197 236

HSL 312.24, 0.73%, 0.87%

LAB 84.78, 23.72, -12.65

 

CMYK 0 / 20 / 9 / 4

HEX #F6C5DF

RGB 246 197 223

HSL 328.16, 0.73%, 0.87%

LAB 84.41, 21.5, -6.27

 

CMYK 0 / 20 / 15 / 4

HEX #F6C5D2

RGB 246 197 210

HSL 344.08, 0.73%, 0.87%

LAB 84.06, 19.4, 0.15

 

CMYK 0 / 46 / 9 / 8

HEX #EA7ED4

RGB 234 126 212

HSL 312.22, 0.72%, 0.71%

LAB 67.4, 52.76, -26.02

 

CMYK 0 / 33 / 7 / 6

HEX #F0A1E0

RGB 240 161 224

HSL 312.15, 0.72%, 0.79%

LAB 75.7, 38.7, -19.92

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 0 / 7 / 2 / 2

HEX #FBE9F7

RGB 251 233 247

HSL 313.33, 0.69%, 0.95%

LAB 94.1, 8.5, -4.57

 

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

CMYK 0 / 12 / 20 / 4

HEX #F6D9C5

RGB 246 217 197

HSL 24.49, 0.73%, 0.87%

LAB 88.57, 6.96, 13.52

 

CMYK 20 / 0 / 4 / 4

HEX #C5F6EC

RGB 197 246 236

HSL 167.76, 0.73%, 0.87%

LAB 93.38, -17.53, -0.35

 

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

CMYK 4 / 0 / 20 / 4

HEX #ECF6C5

RGB 236 246 197

HSL 72.24, 0.73%, 0.87%

LAB 95.07, -11.37, 22.51

 

CMYK 20 / 4 / 0 / 4

HEX #C5ECF6

RGB 197 236 246

HSL 192.24, 0.73%, 0.87%

LAB 91.01, -10.48, -9.03

 

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

CMYK 0 / 12 / 20 / 4

HEX #F6D9C5

RGB 246 217 197

HSL 24.49, 0.73%, 0.87%

LAB 88.57, 6.96, 13.52

 

CMYK 20 / 0 / 16 / 4

HEX #C5F6CF

RGB 197 246 207

HSL 132.24, 0.73%, 0.87%

LAB 92.7, -23.01, 13.68

 

CMYK 20 / 8 / 0 / 4

HEX #C5E2F6

RGB 197 226 246

HSL 204.49, 0.73%, 0.87%

LAB 88.41, -5.36, -12.92

RGB 197 226 246

CMYK 0 / 20 / 4 / 4

HEX #F6C6EC

RGB 246 198 236

HSL 312.5, 0.73%, 0.87%

LAB 85.02, 23.19, -12.3

 

CMYK 0 / 6 / 20 / 4

HEX #F6E7C5

RGB 246 231 197

HSL 41.63, 0.73%, 0.87%

LAB 92.03, -0.23, 18.4

 

CMYK 20 / 0 / 16 / 4

HEX #C5F6CF

RGB 197 246 207

HSL 132.24, 0.73%, 0.87%

LAB 92.7, -23.01, 13.68

 

CMYK 20 / 14 / 0 / 4

HEX #C5D4F6

RGB 197 212 246

HSL 221.63, 0.73%, 0.87%

LAB 84.8, 1.95, -18.34

 

Description

Color code: RGB 246 198 236 | qconv.com Color code: RGB 246 198 236 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 198 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 198 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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