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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 142 44 it is the complementary color RGB 9 113 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 142 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 142 44 shade: RGB 251 142 39, RGB 255 160 58, RGB 255 178 77, RGB 255 196 96 and RGB 255 214 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 142 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 229 124 25, RGB 212 106 6, RGB 195 88 0 and RGB 178 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 246 87 44 and RGB 246 44 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 246 196 44, RGB 241 246 44, RGB 186 246 44 and RGB 132 246 44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 142 44 shade matches the following richer shades: RGB 246 142 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 228 142 62, RGB 210 143 79, RGB 193 143 97 and RGB 175 144 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 142 44 shade: RGB 246 44 54, RGB 246 88 44, RGB 246 141 44, RGB 246 195 44 and RGB 242 246 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 142 44 shade: RGB 199 101 8, RGB 239 121 9, RGB 246 142 44, RGB 247 163 84 and RGB 249 184 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 108 246 44 and RGB 61 44 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 44 246 141 and RGB 141 44 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 108 246 44, RGB 44 148 246 and RGB 182 44 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 142 44 shade: RGB 246 142 44, RGB 47 246 44, RGB 44 148 246 and RGB 242 44 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

Complementary color

CMYK 96 / 46 / 0 / 17

HEX #0971D3

RGB 9 113 211

HSL 209.11, 0.92%, 0.43%

LAB 47.72, 11.3, -57.58

 

CMYK 0 / 43 / 84 / 2

HEX #FB8E27

RGB 251 142 39

HSL 29.15, 0.96%, 0.57%

LAB 69.47, 34.74, 67.19

 

CMYK 0 / 37 / 77 / 0

HEX #FFA03A

RGB 255 160 58

HSL 31.07, 1%, 0.61%

LAB 74, 27.64, 64.52

 

CMYK 0 / 30 / 70 / 0

HEX #FFB24D

RGB 255 178 77

HSL 34.04, 1%, 0.65%

LAB 78.25, 19.07, 60.86

 

CMYK 0 / 23 / 62 / 0

HEX #FFC460

RGB 255 196 96

HSL 37.74, 1%, 0.69%

LAB 82.69, 10.76, 57.18

 

CMYK 0 / 16 / 55 / 0

HEX #FFD673

RGB 255 214 115

HSL 42.43, 1%, 0.73%

LAB 87.29, 2.83, 53.62

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 46 / 89 / 10

HEX #E57C19

RGB 229 124 25

HSL 29.12, 0.8%, 0.5%

LAB 62.63, 34.83, 64.72

 

CMYK 0 / 50 / 97 / 17

HEX #D46A06

RGB 212 106 6

HSL 29.13, 0.94%, 0.43%

LAB 56.41, 36.97, 63.36

 

CMYK 0 / 55 / 100 / 24

HEX #C35800

RGB 195 88 0

HSL 27.08, 1%, 0.38%

LAB 50.19, 39.24, 59.52

 

CMYK 0 / 61 / 100 / 30

HEX #B24600

RGB 178 70 0

HSL 23.6, 1%, 0.35%

LAB 44.01, 41.43, 54.59

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 65 / 82 / 4

HEX #F6572C

RGB 246 87 44

HSL 12.77, 0.92%, 0.57%

LAB 58.59, 58.92, 55.55

 

CMYK 0 / 82 / 82 / 4

HEX #F62C2C

RGB 246 44 44

HSL 0, 0.92%, 0.57%

LAB 53.57, 72.8, 50.95

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 20 / 82 / 4

HEX #F6C42C

RGB 246 196 44

HSL 45.15, 0.92%, 0.57%

LAB 81.43, 4.62, 75.54

 

CMYK 2 / 0 / 82 / 4

HEX #F1F62C

RGB 241 246 44

HSL 61.49, 0.92%, 0.57%

LAB 93.79, -22.39, 85.83

 

CMYK 24 / 0 / 82 / 4

HEX #BAF62C

RGB 186 246 44

HSL 77.82, 0.92%, 0.57%

LAB 90.11, -44.11, 81.22

 

CMYK 46 / 0 / 82 / 4

HEX #84F62C

RGB 132 246 44

HSL 93.86, 0.92%, 0.57%

LAB 87.48, -62.44, 77.9

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 38 / 73 / 11

HEX #E48E3E

RGB 228 142 62

HSL 28.92, 0.75%, 0.57%

LAB 66.66, 26.15, 54.44

 

CMYK 0 / 32 / 62 / 18

HEX #D28F4F

RGB 210 143 79

HSL 29.31, 0.59%, 0.57%

LAB 64.89, 19.06, 43.71

 

CMYK 0 / 26 / 50 / 24

HEX #C18F61

RGB 193 143 97

HSL 28.75, 0.44%, 0.57%

LAB 63.21, 13.4, 31.78

 

CMYK 0 / 18 / 34 / 31

HEX #AF9073

RGB 175 144 115

HSL 29, 0.27%, 0.57%

LAB 61.91, 7.41, 19.8

 

CMYK 0 / 82 / 78 / 4

HEX #F62C36

RGB 246 44 54

HSL 357.03, 0.92%, 0.57%

LAB 53.66, 73.07, 45.8

 

CMYK 0 / 64 / 82 / 4

HEX #F6582C

RGB 246 88 44

HSL 13.07, 0.92%, 0.57%

LAB 58.75, 58.51, 55.68

 

CMYK 0 / 43 / 82 / 4

HEX #F68D2C

RGB 246 141 44

HSL 28.81, 0.92%, 0.57%

LAB 68.62, 33.37, 64.48

 

CMYK 0 / 21 / 82 / 4

HEX #F6C32C

RGB 246 195 44

HSL 44.85, 0.92%, 0.57%

LAB 81.18, 5.14, 75.33

 

CMYK 2 / 0 / 82 / 4

HEX #F2F62C

RGB 242 246 44

HSL 61.19, 0.92%, 0.57%

LAB 93.87, -21.99, 85.93

 

CMYK 0 / 49 / 96 / 22

HEX #C76508

RGB 199 101 8

HSL 29.21, 0.92%, 0.41%

LAB 53.46, 34.3, 60.13

 

CMYK 0 / 49 / 96 / 6

HEX #EF7909

RGB 239 121 9

HSL 29.22, 0.93%, 0.49%

LAB 63.38, 40.14, 69.26

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 0 / 34 / 66 / 3

HEX #F7A354

RGB 247 163 84

HSL 29.08, 0.91%, 0.65%

LAB 73.94, 24.02, 52.73

 

CMYK 0 / 26 / 51 / 2

HEX #F9B87B

RGB 249 184 123

HSL 29.05, 0.91%, 0.73%

LAB 79.53, 16.64, 40.04

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 56 / 0 / 82 / 4

HEX #6CF62C

RGB 108 246 44

HSL 100.99, 0.92%, 0.57%

LAB 86.64, -69, 76.83

 

CMYK 75 / 82 / 0 / 4

HEX #3D2CF6

RGB 61 44 246

HSL 245.05, 0.92%, 0.57%

LAB 36.83, 66.97, -95.2

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 82 / 0 / 43 / 4

HEX #2CF68D

RGB 44 246 141

HSL 148.81, 0.92%, 0.57%

LAB 86.19, -69.56, 37.45

 

CMYK 43 / 82 / 0 / 4

HEX #8D2CF6

RGB 141 44 246

HSL 268.81, 0.92%, 0.57%

LAB 44.4, 74.39, -82.45

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 56 / 0 / 82 / 4

HEX #6CF62C

RGB 108 246 44

HSL 100.99, 0.92%, 0.57%

LAB 86.64, -69, 76.83

 

CMYK 82 / 40 / 0 / 4

HEX #2C94F6

RGB 44 148 246

HSL 209.11, 0.92%, 0.57%

LAB 60.22, 5.19, -57.1

 

CMYK 26 / 82 / 0 / 4

HEX #B62CF6

RGB 182 44 246

HSL 280.99, 0.92%, 0.57%

LAB 49.98, 80.12, -73.1

 

CMYK 0 / 42 / 82 / 4

HEX #F68E2C

RGB 246 142 44

HSL 29.11, 0.92%, 0.57%

LAB 68.84, 32.86, 64.67

 

CMYK 81 / 0 / 82 / 4

HEX #2FF62C

RGB 47 246 44

HSL 119.11, 0.92%, 0.57%

LAB 85.35, -79.91, 75.18

 

CMYK 82 / 40 / 0 / 4

HEX #2C94F6

RGB 44 148 246

HSL 209.11, 0.92%, 0.57%

LAB 60.22, 5.19, -57.1

 

CMYK 2 / 82 / 0 / 4

HEX #F22CF6

RGB 242 44 246

HSL 298.81, 0.92%, 0.57%

LAB 59.28, 90.02, -57.63

 

Description

Color code: RGB 246 142 44 | qconv.com Color code: RGB 246 142 44 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 142 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 142 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

84% - Mattos Filho
Link: http://www.mattosfilho.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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