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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 103 85 it is the complementary color RGB 9 152 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 103 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 103 85 shade: RGB 251 103 80, RGB 255 121 99, RGB 255 139 118, RGB 255 157 137 and RGB 255 175 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 103 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 229 85 66, RGB 212 67 47, RGB 195 49 28 and RGB 178 31 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 103 85 shade: RGB 246 103 85 and RGB 246 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 246 146 85, RGB 246 190 85, RGB 246 233 85 and RGB 215 246 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 103 85 shade matches the following richer shades: RGB 246 103 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 231 114 99, RGB 217 125 114, RGB 202 137 128 and RGB 188 148 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 103 85 shade: RGB 246 85 155, RGB 246 85 112, RGB 246 101 85, RGB 246 144 85 and RGB 246 187 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 103 85 shade: RGB 236 37 12, RGB 244 68 46, RGB 246 103 85, RGB 248 138 124 and RGB 250 173 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 197 246 85 and RGB 85 133 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 85 246 101 and RGB 101 85 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 197 246 85, RGB 85 230 246 and RGB 133 85 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 103 85 shade: RGB 246 103 85, RGB 149 246 85, RGB 85 230 246 and RGB 181 85 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

Complementary color

CMYK 95 / 11 / 0 / 33

HEX #0998AA

RGB 9 152 170

HSL 186.71, 0.9%, 0.35%

LAB 57.48, -26.45, -18.85

 

CMYK 0 / 59 / 68 / 2

HEX #FB6750

RGB 251 103 80

HSL 8.07, 0.96%, 0.65%

LAB 62.33, 55.17, 41.61

 

CMYK 0 / 53 / 61 / 0

HEX #FF7963

RGB 255 121 99

HSL 8.46, 1%, 0.69%

LAB 66.39, 49.36, 36.37

 

CMYK 0 / 45 / 54 / 0

HEX #FF8B76

RGB 255 139 118

HSL 9.2, 1%, 0.73%

LAB 70.2, 41.91, 30.86

 

CMYK 0 / 38 / 46 / 0

HEX #FF9D89

RGB 255 157 137

HSL 10.17, 1%, 0.77%

LAB 74.3, 34.4, 25.95

 

CMYK 0 / 31 / 39 / 0

HEX #FFAF9C

RGB 255 175 156

HSL 11.52, 1%, 0.81%

LAB 78.65, 26.99, 21.59

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 63 / 71 / 10

HEX #E55542

RGB 229 85 66

HSL 6.99, 0.76%, 0.58%

LAB 55.63, 54.82, 40.54

 

CMYK 0 / 68 / 78 / 17

HEX #D4432F

RGB 212 67 47

HSL 7.27, 0.66%, 0.51%

LAB 49.76, 55.75, 43.51

 

CMYK 0 / 75 / 86 / 24

HEX #C3311C

RGB 195 49 28

HSL 7.54, 0.75%, 0.44%

LAB 44.06, 56.31, 46.54

 

CMYK 0 / 83 / 95 / 30

HEX #B21F09

RGB 178 31 9

HSL 7.81, 0.9%, 0.37%

LAB 38.66, 56.22, 48.75

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 65 / 65 / 4

HEX #F65555

RGB 246 85 85

HSL 0, 0.9%, 0.65%

LAB 58.74, 61.37, 34.33

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 41 / 65 / 4

HEX #F69255

RGB 246 146 85

HSL 22.73, 0.9%, 0.65%

LAB 70.04, 32.56, 47.79

 

CMYK 0 / 23 / 65 / 4

HEX #F6BE55

RGB 246 190 85

HSL 39.13, 0.9%, 0.65%

LAB 80.22, 9.49, 59.16

 

CMYK 0 / 5 / 65 / 4

HEX #F6E955

RGB 246 233 85

HSL 55.16, 0.9%, 0.65%

LAB 91.02, -12.39, 70.59

 

CMYK 13 / 0 / 65 / 4

HEX #D7F655

RGB 215 246 85

HSL 71.55, 0.9%, 0.65%

LAB 92.14, -31.04, 71.02

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 51 / 57 / 9

HEX #E77263

RGB 231 114 99

HSL 6.82, 0.73%, 0.65%

LAB 61.59, 44.04, 29.55

 

CMYK 0 / 42 / 47 / 15

HEX #D97D72

RGB 217 125 114

HSL 6.41, 0.58%, 0.65%

LAB 62.2, 34.44, 21.56

 

CMYK 0 / 32 / 37 / 21

HEX #CA8980

RGB 202 137 128

HSL 7.3, 0.41%, 0.65%

LAB 63.35, 23.72, 14.93

 

CMYK 0 / 21 / 24 / 26

HEX #BC948F

RGB 188 148 143

HSL 6.67, 0.25%, 0.65%

LAB 64.85, 14.24, 8.37

 

CMYK 0 / 65 / 37 / 4

HEX #F6559B

RGB 246 85 155

HSL 333.91, 0.9%, 0.65%

LAB 60.3, 66.99, -4.16

 

CMYK 0 / 65 / 54 / 4

HEX #F65570

RGB 246 85 112

HSL 349.94, 0.9%, 0.65%

LAB 59.21, 63.12, 19.38

 

CMYK 0 / 59 / 65 / 4

HEX #F66555

RGB 246 101 85

HSL 5.96, 0.9%, 0.65%

LAB 61.27, 54.61, 37.43

 

CMYK 0 / 41 / 65 / 4

HEX #F69055

RGB 246 144 85

HSL 21.99, 0.9%, 0.65%

LAB 69.61, 33.6, 47.29

 

CMYK 0 / 24 / 65 / 4

HEX #F6BB55

RGB 246 187 85

HSL 38.01, 0.9%, 0.65%

LAB 79.49, 11.06, 58.37

 

CMYK 0 / 84 / 95 / 7

HEX #EC250C

RGB 236 37 12

HSL 6.7, 0.9%, 0.49%

LAB 50.9, 71.11, 60.96

 

CMYK 0 / 72 / 81 / 4

HEX #F4442E

RGB 244 68 46

HSL 6.67, 0.9%, 0.57%

LAB 55.65, 65.45, 51.76

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 0 / 44 / 50 / 3

HEX #F88A7C

RGB 248 138 124

HSL 6.77, 0.9%, 0.73%

LAB 69.18, 40.32, 26.04

 

CMYK 0 / 31 / 35 / 2

HEX #FAADA3

RGB 250 173 163

HSL 6.9, 0.9%, 0.81%

LAB 77.79, 26.97, 16.54

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 20 / 0 / 65 / 4

HEX #C5F655

RGB 197 246 85

HSL 78.26, 0.9%, 0.65%

LAB 90.98, -37.94, 69.45

 

CMYK 65 / 46 / 0 / 4

HEX #5585F6

RGB 85 133 246

HSL 222.11, 0.9%, 0.65%

LAB 57.42, 19.22, -61.5

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 65 / 0 / 59 / 4

HEX #55F665

RGB 85 246 101

HSL 125.96, 0.9%, 0.65%

LAB 86.4, -69.66, 56.53

 

CMYK 59 / 65 / 0 / 4

HEX #6555F6

RGB 101 85 246

HSL 245.96, 0.9%, 0.65%

LAB 46.87, 50.45, -78.56

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 20 / 0 / 65 / 4

HEX #C5F655

RGB 197 246 85

HSL 78.26, 0.9%, 0.65%

LAB 90.98, -37.94, 69.45

 

CMYK 65 / 7 / 0 / 4

HEX #55E6F6

RGB 85 230 246

HSL 185.96, 0.9%, 0.65%

LAB 84.58, -33.48, -19.17

 

CMYK 46 / 65 / 0 / 4

HEX #8555F6

RGB 133 85 246

HSL 257.89, 0.9%, 0.65%

LAB 49.66, 55.72, -73.88

 

CMYK 0 / 58 / 65 / 4

HEX #F66755

RGB 246 103 85

HSL 6.71, 0.9%, 0.65%

LAB 61.61, 53.71, 37.84

 

CMYK 39 / 0 / 65 / 4

HEX #95F655

RGB 149 246 85

HSL 96.15, 0.9%, 0.65%

LAB 88.43, -54.76, 65.98

 

CMYK 65 / 7 / 0 / 4

HEX #55E6F6

RGB 85 230 246

HSL 185.96, 0.9%, 0.65%

LAB 84.58, -33.48, -19.17

 

CMYK 26 / 65 / 0 / 4

HEX #B555F6

RGB 181 85 246

HSL 275.78, 0.9%, 0.65%

LAB 55.05, 65.12, -64.91

 

Description

Color code: RGB 246 103 85 | qconv.com Color code: RGB 246 103 85 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 103 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 103 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 65 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 65% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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