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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 8 136 it is the complementary color RGB 10 247 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 8 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 8 136 shade: RGB 250 8 131, RGB 255 26 150, RGB 255 44 169, RGB 255 62 188 and RGB 255 80 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 8 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 8 136 shade: RGB 245 8 136, RGB 228 0 117, RGB 211 0 98, RGB 194 0 79 and RGB 177 0 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 8 136 shade: RGB 247 7 137, RGB 247 7 72, RGB 247 7 7 and RGB 247 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 8 136 shade: RGB 247 7 137, RGB 247 7 201, RGB 228 7 247, RGB 163 7 247 and RGB 99 7 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 8 136 shade matches the following richer shades: RGB 247 7 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 8 136 shade: RGB 247 7 137, RGB 226 28 135, RGB 206 48 133, RGB 185 69 132 and RGB 164 90 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 8 136 shade: RGB 227 7 247, RGB 247 7 203, RGB 247 7 139, RGB 247 7 75 and RGB 247 7 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 8 136 shade: RGB 167 5 92, RGB 207 6 114, RGB 247 7 137, RGB 248 47 156 and RGB 249 87 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 8 136 shade: RGB 245 8 136, RGB 247 163 7 and RGB 7 235 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 8 136 shade: RGB 245 8 136, RGB 139 247 7 and RGB 7 139 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 8 136 shade: RGB 245 8 136, RGB 247 163 7, RGB 7 247 115 and RGB 7 91 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 8 136 shade: RGB 245 8 136, RGB 247 235 7, RGB 7 247 115 and RGB 7 19 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

Complementary color

CMYK 96 / 0 / 52 / 3

HEX #0AF777

RGB 10 247 119

HSL 147.59, 0.94%, 0.5%

LAB 85.97, -75.36, 47.68

 

CMYK 0 / 97 / 48 / 2

HEX #FA0883

RGB 250 8 131

HSL 329.5, 0.96%, 0.51%

LAB 54.17, 83.17, 1.11

 

CMYK 0 / 90 / 41 / 0

HEX #FF1A96

RGB 255 26 150

HSL 327.51, 1%, 0.55%

LAB 56.29, 84.12, -7

 

CMYK 0 / 83 / 34 / 0

HEX #FF2CA9

RGB 255 44 169

HSL 324.45, 1%, 0.59%

LAB 57.97, 82.92, -15.64

 

CMYK 0 / 76 / 26 / 0

HEX #FF3EBC

RGB 255 62 188

HSL 320.83, 1%, 0.62%

LAB 60.19, 80.63, -23.25

 

CMYK 0 / 69 / 19 / 0

HEX #FF50CF

RGB 255 80 207

HSL 316.46, 1%, 0.66%

LAB 62.93, 77.38, -29.86

 

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

CMYK 0 / 100 / 49 / 11

HEX #E40075

RGB 228 0 117

HSL 329.21, 1%, 0.45%

LAB 49.23, 77.94, 1.87

 

CMYK 0 / 100 / 54 / 17

HEX #D30062

RGB 211 0 98

HSL 332.13, 1%, 0.41%

LAB 45.26, 72.81, 7.48

 

CMYK 0 / 100 / 59 / 24

HEX #C2004F

RGB 194 0 79

HSL 335.57, 1%, 0.38%

LAB 41.27, 67.67, 13.35

 

CMYK 0 / 100 / 66 / 31

HEX #B1003C

RGB 177 0 60

HSL 339.66, 1%, 0.35%

LAB 37.25, 62.56, 19.51

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 97 / 71 / 3

HEX #F70748

RGB 247 7 72

HSL 343.75, 0.94%, 0.5%

LAB 52.28, 79.14, 34.03

 

CMYK 0 / 97 / 97 / 3

HEX #F70707

RGB 247 7 7

HSL 0, 0.94%, 0.5%

LAB 51.77, 77.75, 63.88

 

CMYK 0 / 97 / 97 / 3

HEX #F70707

RGB 247 7 7

HSL 0, 0.94%, 0.5%

LAB 51.77, 77.75, 63.88

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 97 / 19 / 3

HEX #F707C9

RGB 247 7 201

HSL 311.5, 0.94%, 0.5%

LAB 56.23, 89.51, -36.97

 

CMYK 8 / 97 / 0 / 3

HEX #E407F7

RGB 228 7 247

HSL 295.25, 0.94%, 0.5%

LAB 55.44, 92.59, -64.47

 

CMYK 34 / 97 / 0 / 3

HEX #A307F7

RGB 163 7 247

HSL 279, 0.94%, 0.5%

LAB 45.16, 84.12, -81.65

 

CMYK 60 / 97 / 0 / 3

HEX #6307F7

RGB 99 7 247

HSL 263, 0.94%, 0.5%

LAB 36.97, 78.74, -95.45

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 88 / 40 / 11

HEX #E21C87

RGB 226 28 135

HSL 327.58, 0.78%, 0.5%

LAB 50.39, 76.1, -7.4

 

CMYK 0 / 77 / 35 / 19

HEX #CE3085

RGB 206 48 133

HSL 327.72, 0.62%, 0.5%

LAB 48.17, 66.63, -9.9

 

CMYK 0 / 63 / 29 / 27

HEX #B94584

RGB 185 69 132

HSL 327.41, 0.46%, 0.5%

LAB 47.28, 53.05, -10.99

 

CMYK 0 / 45 / 21 / 36

HEX #A45A82

RGB 164 90 130

HSL 327.57, 0.29%, 0.5%

LAB 48.03, 35.57, -8.98

 

CMYK 8 / 97 / 0 / 3

HEX #E307F7

RGB 227 7 247

HSL 295, 0.94%, 0.5%

LAB 55.28, 92.44, -64.75

 

CMYK 0 / 97 / 18 / 3

HEX #F707CB

RGB 247 7 203

HSL 311, 0.94%, 0.5%

LAB 56.33, 89.75, -37.97

 

CMYK 0 / 97 / 44 / 3

HEX #F7078B

RGB 247 7 139

HSL 327, 0.94%, 0.5%

LAB 53.8, 83.24, -4.3

 

CMYK 0 / 97 / 70 / 3

HEX #F7074B

RGB 247 7 75

HSL 343, 0.94%, 0.5%

LAB 52.32, 79.26, 32.3

 

CMYK 0 / 97 / 96 / 3

HEX #F7070B

RGB 247 7 11

HSL 359, 0.94%, 0.5%

LAB 51.78, 77.77, 62.9

 

CMYK 0 / 97 / 45 / 35

HEX #A7055C

RGB 167 5 92

HSL 327.78, 0.94%, 0.34%

LAB 36.17, 61.85, -3.02

 

CMYK 0 / 97 / 45 / 19

HEX #CF0672

RGB 207 6 114

HSL 327.76, 0.94%, 0.42%

LAB 45.1, 72.62, -2.82

 

CMYK 0 / 97 / 45 / 3

HEX #F70789

RGB 247 7 137

HSL 327.5, 0.94%, 0.5%

LAB 53.74, 83.07, -3.19

 

CMYK 0 / 81 / 37 / 3

HEX #F82F9C

RGB 248 47 156

HSL 327.46, 0.93%, 0.58%

LAB 56.48, 79.39, -10.39

 

CMYK 0 / 65 / 30 / 2

HEX #F957AF

RGB 249 87 175

HSL 327.41, 0.93%, 0.66%

LAB 61.7, 69.29, -13.58

 

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

CMYK 0 / 34 / 97 / 3

HEX #F7A307

RGB 247 163 7

HSL 39, 0.94%, 0.5%

LAB 73.54, 21.68, 76.76

 

CMYK 97 / 5 / 0 / 3

HEX #07EBF7

RGB 7 235 247

HSL 183, 0.94%, 0.5%

LAB 85.09, -41.5, -19.02

 

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

CMYK 44 / 0 / 97 / 3

HEX #8BF707

RGB 139 247 7

HSL 87, 0.94%, 0.5%

LAB 87.98, -61.56, 83.96

 

CMYK 97 / 44 / 0 / 3

HEX #078BF7

RGB 7 139 247

HSL 207, 0.94%, 0.5%

LAB 57.29, 9.1, -62.36

 

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

CMYK 0 / 34 / 97 / 3

HEX #F7A307

RGB 247 163 7

HSL 39, 0.94%, 0.5%

LAB 73.54, 21.68, 76.76

 

CMYK 97 / 0 / 53 / 3

HEX #07F773

RGB 7 247 115

HSL 147, 0.94%, 0.5%

LAB 85.91, -76.02, 49.46

 

CMYK 97 / 63 / 0 / 3

HEX #075BF7

RGB 7 91 247

HSL 219, 0.94%, 0.5%

LAB 44.58, 39.31, -83.01

 

CMYK 0 / 97 / 44 / 4

HEX #F50888

RGB 245 8 136

HSL 327.59, 0.94%, 0.5%

LAB 53.35, 82.5, -3.22

 

CMYK 0 / 5 / 97 / 3

HEX #F7EB07

RGB 247 235 7

HSL 57, 0.94%, 0.5%

LAB 91.33, -15.2, 89.43

 

CMYK 97 / 0 / 53 / 3

HEX #07F773

RGB 7 247 115

HSL 147, 0.94%, 0.5%

LAB 85.91, -76.02, 49.46

 

CMYK 97 / 92 / 0 / 3

HEX #0713F7

RGB 7 19 247

HSL 237, 0.94%, 0.5%

LAB 32.32, 74.05, -103.34

 

Description

Color code: RGB 245 8 136 | qconv.com Color code: RGB 245 8 136 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 8 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 8 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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