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Color name
RGB 245 89 40

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 89 40 it is the complementary color RGB 10 166 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 89 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 89 40 shade: RGB 250 89 35, RGB 255 107 54, RGB 255 125 73, RGB 255 143 92 and RGB 255 161 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 89 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 89 40 shade: RGB 245 89 40, RGB 228 71 21, RGB 211 53 2, RGB 194 35 0 and RGB 177 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 89 40 shade: RGB 244 89 40 and RGB 244 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 89 40 shade: RGB 244 89 40, RGB 244 144 40, RGB 244 199 40, RGB 235 244 40 and RGB 180 244 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 89 40 shade matches the following richer shades: RGB 244 89 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 89 40 shade: RGB 244 89 40, RGB 226 98 58, RGB 208 108 77, RGB 190 117 95 and RGB 172 127 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 89 40 shade: RGB 244 40 101, RGB 244 40 47, RGB 244 88 40, RGB 244 142 40 and RGB 244 197 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 89 40 shade: RGB 193 53 9, RGB 233 64 10, RGB 244 89 40, RGB 246 119 80 and RGB 248 150 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 89 40 shade: RGB 245 89 40, RGB 156 244 40 and RGB 40 74 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 89 40 shade: RGB 245 89 40, RGB 40 244 88 and RGB 88 40 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 89 40 shade: RGB 245 89 40, RGB 156 244 40, RGB 40 197 244 and RGB 129 40 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 89 40 shade: RGB 245 89 40, RGB 95 244 40, RGB 40 197 244 and RGB 190 40 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

Complementary color

CMYK 95 / 23 / 0 / 16

HEX #0AA6D7

RGB 10 166 215

HSL 194.34, 0.91%, 0.44%

LAB 63.54, -18.17, -34.76

 

CMYK 0 / 64 / 86 / 2

HEX #FA5923

RGB 250 89 35

HSL 15.07, 0.96%, 0.56%

LAB 59.52, 59.23, 60.38

 

CMYK 0 / 58 / 79 / 0

HEX #FF6B36

RGB 255 107 54

HSL 15.82, 1%, 0.61%

LAB 63.38, 53.7, 56.02

 

CMYK 0 / 51 / 71 / 0

HEX #FF7D49

RGB 255 125 73

HSL 17.14, 1%, 0.64%

LAB 66.83, 46, 50.5

 

CMYK 0 / 44 / 64 / 0

HEX #FF8F5C

RGB 255 143 92

HSL 18.77, 1%, 0.68%

LAB 70.65, 38.05, 45.24

 

CMYK 0 / 37 / 56 / 0

HEX #FFA16F

RGB 255 161 111

HSL 20.83, 1%, 0.72%

LAB 74.76, 30.08, 40.4

 

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

CMYK 0 / 69 / 91 / 11

HEX #E44715

RGB 228 71 21

HSL 14.49, 0.83%, 0.49%

LAB 53.01, 58.81, 58.84

 

CMYK 0 / 75 / 99 / 17

HEX #D33502

RGB 211 53 2

HSL 14.64, 0.98%, 0.42%

LAB 47.49, 59.6, 59.1

 

CMYK 0 / 82 / 100 / 24

HEX #C22300

RGB 194 35 0

HSL 10.82, 1%, 0.38%

LAB 42.26, 59.76, 55.44

 

CMYK 0 / 90 / 100 / 31

HEX #B11100

RGB 177 17 0

HSL 5.76, 1%, 0.35%

LAB 37.39, 58.77, 51.37

 

CMYK 0 / 64 / 84 / 4

HEX #F45928

RGB 244 89 40

HSL 14.41, 0.9%, 0.56%

LAB 58.54, 57.32, 57.12

 

CMYK 0 / 84 / 84 / 4

HEX #F42828

RGB 244 40 40

HSL 0, 0.9%, 0.56%

LAB 52.84, 73.05, 52.12

 

CMYK 0 / 64 / 84 / 4

HEX #F45928

RGB 244 89 40

HSL 14.41, 0.9%, 0.56%

LAB 58.54, 57.32, 57.12

 

CMYK 0 / 41 / 84 / 4

HEX #F49028

RGB 244 144 40

HSL 30.59, 0.9%, 0.56%

LAB 68.99, 30.9, 66.09

 

CMYK 0 / 18 / 84 / 4

HEX #F4C728

RGB 244 199 40

HSL 46.76, 0.9%, 0.56%

LAB 81.96, 2.12, 76.98

 

CMYK 4 / 0 / 84 / 4

HEX #EBF428

RGB 235 244 40

HSL 62.65, 0.9%, 0.56%

LAB 92.8, -24, 85.68

 

CMYK 26 / 0 / 84 / 4

HEX #B4F428

RGB 180 244 40

HSL 78.82, 0.9%, 0.56%

LAB 89.19, -45.61, 81.18

 

CMYK 0 / 64 / 84 / 4

HEX #F45928

RGB 244 89 40

HSL 14.41, 0.9%, 0.56%

LAB 58.54, 57.32, 57.12

 

CMYK 0 / 64 / 84 / 4

HEX #F45928

RGB 244 89 40

HSL 14.41, 0.9%, 0.56%

LAB 58.54, 57.32, 57.12

 

CMYK 0 / 57 / 74 / 11

HEX #E2623A

RGB 226 98 58

HSL 14.29, 0.74%, 0.56%

LAB 57.28, 47.56, 46.43

 

CMYK 0 / 48 / 63 / 18

HEX #D06C4D

RGB 208 108 77

HSL 14.2, 0.58%, 0.56%

LAB 56.75, 36.81, 35.02

 

CMYK 0 / 38 / 50 / 25

HEX #BE755F

RGB 190 117 95

HSL 13.89, 0.42%, 0.56%

LAB 56.58, 26.3, 24.22

 

CMYK 0 / 26 / 34 / 33

HEX #AC7F71

RGB 172 127 113

HSL 14.24, 0.26%, 0.56%

LAB 57.21, 15.46, 14.42

 

CMYK 0 / 84 / 59 / 4

HEX #F42865

RGB 244 40 101

HSL 342.06, 0.9%, 0.56%

LAB 53.7, 75.57, 18.34

 

CMYK 0 / 84 / 81 / 4

HEX #F4282F

RGB 244 40 47

HSL 357.94, 0.9%, 0.56%

LAB 52.9, 73.22, 48.63

 

CMYK 0 / 64 / 84 / 4

HEX #F45828

RGB 244 88 40

HSL 14.12, 0.9%, 0.56%

LAB 58.38, 57.73, 56.98

 

CMYK 0 / 42 / 84 / 4

HEX #F48E28

RGB 244 142 40

HSL 30, 0.9%, 0.56%

LAB 68.56, 31.94, 65.72

 

CMYK 0 / 19 / 84 / 4

HEX #F4C528

RGB 244 197 40

HSL 46.18, 0.9%, 0.56%

LAB 81.47, 3.15, 76.57

 

CMYK 0 / 73 / 95 / 24

HEX #C13509

RGB 193 53 9

HSL 14.35, 0.91%, 0.4%

LAB 44.09, 53.97, 53.49

 

CMYK 0 / 73 / 96 / 9

HEX #E9400A

RGB 233 64 10

HSL 14.53, 0.92%, 0.48%

LAB 52.96, 62.8, 62.27

 

CMYK 0 / 64 / 84 / 4

HEX #F45928

RGB 244 89 40

HSL 14.41, 0.9%, 0.56%

LAB 58.54, 57.32, 57.12

 

CMYK 0 / 52 / 67 / 4

HEX #F67750

RGB 246 119 80

HSL 14.1, 0.9%, 0.64%

LAB 64.46, 45.92, 43.9

 

CMYK 0 / 40 / 52 / 3

HEX #F89677

RGB 248 150 119

HSL 14.42, 0.9%, 0.72%

LAB 71.62, 33.72, 32

 

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

CMYK 36 / 0 / 84 / 4

HEX #9CF428

RGB 156 244 40

HSL 85.88, 0.9%, 0.56%

LAB 87.93, -54.16, 79.61

 

CMYK 84 / 70 / 0 / 4

HEX #284AF4

RGB 40 74 244

HSL 230, 0.9%, 0.56%

LAB 41.03, 49.87, -87.16

 

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

CMYK 84 / 0 / 64 / 4

HEX #28F458

RGB 40 244 88

HSL 134.12, 0.9%, 0.56%

LAB 84.92, -76.68, 60.13

 

CMYK 64 / 84 / 0 / 4

HEX #5828F4

RGB 88 40 244

HSL 254.12, 0.9%, 0.56%

LAB 38.06, 69.78, -91.97

 

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

CMYK 36 / 0 / 84 / 4

HEX #9CF428

RGB 156 244 40

HSL 85.88, 0.9%, 0.56%

LAB 87.93, -54.16, 79.61

 

CMYK 84 / 19 / 0 / 4

HEX #28C5F4

RGB 40 197 244

HSL 193.82, 0.9%, 0.56%

LAB 74.14, -22.87, -34.14

 

CMYK 47 / 84 / 0 / 4

HEX #8128F4

RGB 129 40 244

HSL 266.18, 0.9%, 0.56%

LAB 42.33, 73.73, -84.78

 

CMYK 0 / 64 / 84 / 4

HEX #F55928

RGB 245 89 40

HSL 14.34, 0.91%, 0.56%

LAB 58.71, 57.65, 57.33

 

CMYK 61 / 0 / 84 / 4

HEX #5FF428

RGB 95 244 40

HSL 103.82, 0.9%, 0.56%

LAB 85.65, -71.58, 76.72

 

CMYK 84 / 19 / 0 / 4

HEX #28C5F4

RGB 40 197 244

HSL 193.82, 0.9%, 0.56%

LAB 74.14, -22.87, -34.14

 

CMYK 22 / 84 / 0 / 4

HEX #BE28F4

RGB 190 40 244

HSL 284.12, 0.9%, 0.56%

LAB 50.68, 81.96, -70.78

 

Description

Color code: RGB 245 89 40 | qconv.com Color code: RGB 245 89 40 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 89 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 89 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 84% 4% C M Y K

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Provide designers and agencies with accurate color values.

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