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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 24 105 it is the complementary color RGB 10 231 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 24 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 24 105 shade: RGB 250 24 100, RGB 255 42 119, RGB 255 60 138, RGB 255 78 157 and RGB 255 96 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 24 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 228 6 86, RGB 211 0 67, RGB 194 0 48 and RGB 177 0 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 245 24 46 and RGB 245 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 245 24 165, RGB 245 24 224, RGB 206 24 245 and RGB 147 24 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 24 105 shade matches the following richer shades: RGB 245 24 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 226 44 110, RGB 206 63 116, RGB 187 83 121 and RGB 167 102 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 24 105 shade: RGB 245 24 223, RGB 245 24 164, RGB 245 24 105, RGB 245 24 46 and RGB 245 61 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 24 105 shade: RGB 180 7 70, RGB 219 9 86, RGB 245 24 105, RGB 247 64 131 and RGB 248 104 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 245 208 24 and RGB 24 193 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 105 245 24 and RGB 24 105 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 245 208 24, RGB 24 245 164 and RGB 24 61 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 24 105 shade: RGB 245 24 105, RGB 216 245 24, RGB 24 245 164 and RGB 54 24 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

Complementary color

CMYK 96 / 0 / 35 / 9

HEX #0AE796

RGB 10 231 150

HSL 158.01, 0.92%, 0.47%

LAB 81.52, -64.7, 26.69

 

CMYK 0 / 90 / 60 / 2

HEX #FA1864

RGB 250 24 100

HSL 339.82, 0.96%, 0.54%

LAB 53.92, 79.62, 19.44

 

CMYK 0 / 84 / 53 / 0

HEX #FF2A77

RGB 255 42 119

HSL 338.31, 1%, 0.58%

LAB 56.34, 79.05, 11.52

 

CMYK 0 / 76 / 46 / 0

HEX #FF3C8A

RGB 255 60 138

HSL 336, 1%, 0.62%

LAB 58.35, 76.17, 3.12

 

CMYK 0 / 69 / 38 / 0

HEX #FF4E9D

RGB 255 78 157

HSL 333.22, 1%, 0.65%

LAB 60.91, 72.26, -4.25

 

CMYK 0 / 62 / 31 / 0

HEX #FF60B0

RGB 255 96 176

HSL 329.81, 1%, 0.69%

LAB 63.97, 67.53, -10.65

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 97 / 62 / 11

HEX #E40656

RGB 228 6 86

HSL 338.38, 0.95%, 0.46%

LAB 48.63, 75.45, 20.11

 

CMYK 0 / 100 / 68 / 17

HEX #D30043

RGB 211 0 67

HSL 340.95, 1%, 0.41%

LAB 44.6, 71.02, 25.94

 

CMYK 0 / 100 / 75 / 24

HEX #C20030

RGB 194 0 48

HSL 345.15, 1%, 0.38%

LAB 40.71, 66.16, 32.12

 

CMYK 0 / 100 / 84 / 31

HEX #B1001D

RGB 177 0 29

HSL 350.17, 1%, 0.35%

LAB 36.81, 61.37, 38.14

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 90 / 81 / 4

HEX #F5182E

RGB 245 24 46

HSL 354.03, 0.92%, 0.53%

LAB 52.13, 76.2, 48.49

 

CMYK 0 / 90 / 90 / 4

HEX #F51818

RGB 245 24 24

HSL 0, 0.92%, 0.53%

LAB 51.99, 75.78, 58.61

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 90 / 33 / 4

HEX #F518A5

RGB 245 24 165

HSL 321.72, 0.92%, 0.53%

LAB 54.85, 83.67, -18.21

 

CMYK 0 / 90 / 9 / 4

HEX #F518E0

RGB 245 24 224

HSL 305.7, 0.92%, 0.53%

LAB 57.51, 90.61, -48.08

 

CMYK 16 / 90 / 0 / 4

HEX #CE18F5

RGB 206 24 245

HSL 289.41, 0.92%, 0.53%

LAB 52.25, 87.44, -68.69

 

CMYK 40 / 90 / 0 / 4

HEX #9318F5

RGB 147 24 245

HSL 273.39, 0.92%, 0.53%

LAB 43.43, 79.82, -83.45

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 81 / 51 / 11

HEX #E22C6E

RGB 226 44 110

HSL 338.24, 0.76%, 0.53%

LAB 50.8, 70.72, 8.35

 

CMYK 0 / 69 / 44 / 19

HEX #CE3F74

RGB 206 63 116

HSL 337.76, 0.59%, 0.53%

LAB 49.42, 59.89, 2.25

 

CMYK 0 / 56 / 35 / 27

HEX #BB5379

RGB 187 83 121

HSL 338.08, 0.43%, 0.53%

LAB 49.66, 45.84, -0.8

 

CMYK 0 / 39 / 25 / 35

HEX #A7667E

RGB 167 102 126

HSL 337.85, 0.27%, 0.53%

LAB 50.95, 29.44, -2.21

 

CMYK 0 / 90 / 9 / 4

HEX #F518DF

RGB 245 24 223

HSL 305.97, 0.92%, 0.53%

LAB 57.46, 90.48, -47.6

 

CMYK 0 / 90 / 33 / 4

HEX #F518A4

RGB 245 24 164

HSL 321.99, 0.92%, 0.53%

LAB 54.81, 83.57, -17.68

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 90 / 81 / 4

HEX #F5182E

RGB 245 24 46

HSL 354.03, 0.92%, 0.53%

LAB 52.13, 76.2, 48.49

 

CMYK 0 / 75 / 90 / 4

HEX #F53D18

RGB 245 61 24

HSL 10.05, 0.92%, 0.53%

LAB 54.88, 67.57, 60.58

 

CMYK 0 / 96 / 61 / 29

HEX #B40746

RGB 180 7 70

HSL 338.15, 0.93%, 0.37%

LAB 38.37, 63.06, 14.68

 

CMYK 0 / 96 / 61 / 14

HEX #DB0956

RGB 219 9 86

HSL 338, 0.92%, 0.45%

LAB 46.88, 73.11, 17.45

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 74 / 47 / 3

HEX #F74083

RGB 247 64 131

HSL 338.03, 0.92%, 0.61%

LAB 57.15, 72.32, 5.35

 

CMYK 0 / 58 / 37 / 3

HEX #F8689D

RGB 248 104 157

HSL 337.92, 0.91%, 0.69%

LAB 63.58, 59.92, -0.45

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 15 / 90 / 4

HEX #F5D018

RGB 245 208 24

HSL 49.95, 0.92%, 0.53%

LAB 84.27, -2.39, 82.2

 

CMYK 90 / 21 / 0 / 4

HEX #18C1F5

RGB 24 193 245

HSL 194.12, 0.92%, 0.53%

LAB 72.84, -21.42, -36.69

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 57 / 0 / 90 / 4

HEX #69F518

RGB 105 245 24

HSL 98.01, 0.92%, 0.53%

LAB 86.19, -70.08, 80.24

 

CMYK 90 / 57 / 0 / 4

HEX #1869F5

RGB 24 105 245

HSL 218.01, 0.92%, 0.53%

LAB 48.12, 30.19, -76.09

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 0 / 15 / 90 / 4

HEX #F5D018

RGB 245 208 24

HSL 49.95, 0.92%, 0.53%

LAB 84.27, -2.39, 82.2

 

CMYK 90 / 0 / 33 / 4

HEX #18F5A4

RGB 24 245 164

HSL 158.01, 0.92%, 0.53%

LAB 86.1, -66.22, 25.75

 

CMYK 90 / 75 / 0 / 4

HEX #183DF5

RGB 24 61 245

HSL 229.95, 0.92%, 0.53%

LAB 38.06, 56.87, -92.63

 

CMYK 0 / 90 / 57 / 4

HEX #F51869

RGB 245 24 105

HSL 338.01, 0.92%, 0.53%

LAB 53.04, 78.75, 15.07

 

CMYK 12 / 0 / 90 / 4

HEX #D8F518

RGB 216 245 24

HSL 67.87, 0.92%, 0.53%

LAB 91.67, -32.49, 86.96

 

CMYK 90 / 0 / 33 / 4

HEX #18F5A4

RGB 24 245 164

HSL 158.01, 0.92%, 0.53%

LAB 86.1, -66.22, 25.75

 

CMYK 78 / 90 / 0 / 4

HEX #3618F5

RGB 54 24 245

HSL 248.14, 0.92%, 0.53%

LAB 34.05, 73.16, -99.28

 

Description

Color code: RGB 245 24 105 | qconv.com Color code: RGB 245 24 105 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 24 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 24 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 57% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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