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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 224 19 it is the complementary color RGB 10 31 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 224 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 224 19 shade: RGB 250 224 14, RGB 255 242 33, RGB 255 255 52, RGB 255 255 71 and RGB 255 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 224 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 228 206 0, RGB 211 188 0, RGB 194 170 0 and RGB 177 152 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 245 163 19, RGB 245 102 19, RGB 245 42 19 and RGB 245 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 205 245 19, RGB 144 245 19, RGB 83 245 19 and RGB 23 245 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 224 19 shade matches the following richer shades: RGB 245 224 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 225 208 39, RGB 205 192 59, RGB 185 175 79 and RGB 165 159 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 224 19 shade: RGB 245 102 19, RGB 245 162 19, RGB 245 222 19, RGB 207 245 19 and RGB 147 245 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 224 19 shade: RGB 175 159 7, RGB 214 195 8, RGB 245 224 19, RGB 246 229 59 and RGB 248 234 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 19 245 42 and RGB 132 19 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 19 245 222 and RGB 222 19 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 19 245 42, RGB 19 42 245 and RGB 245 19 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 224 19 shade: RGB 245 224 19, RGB 19 245 110, RGB 19 42 245 and RGB 245 19 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

Complementary color

CMYK 96 / 87 / 0 / 7

HEX #0A1FEC

RGB 10 31 236

HSL 234.42, 0.92%, 0.48%

LAB 32.03, 67.62, -97.57

 

CMYK 0 / 10 / 94 / 2

HEX #FAE00E

RGB 250 224 14

HSL 53.39, 0.96%, 0.52%

LAB 88.76, -8.45, 87.07

 

CMYK 0 / 5 / 87 / 0

HEX #FFF221

RGB 255 242 33

HSL 56.49, 1%, 0.56%

LAB 93.83, -14.95, 88.51

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 0 / 10 / 100 / 11

HEX #E4CE00

RGB 228 206 0

HSL 54.21, 1%, 0.45%

LAB 82.18, -8.92, 82.63

 

CMYK 0 / 11 / 100 / 17

HEX #D3BC00

RGB 211 188 0

HSL 53.46, 1%, 0.41%

LAB 75.96, -7.1, 77.48

 

CMYK 0 / 12 / 100 / 24

HEX #C2AA00

RGB 194 170 0

HSL 52.58, 1%, 0.38%

LAB 69.63, -5.24, 72.24

 

CMYK 0 / 14 / 100 / 31

HEX #B19800

RGB 177 152 0

HSL 51.53, 1%, 0.35%

LAB 63.18, -3.3, 66.9

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 0 / 33 / 92 / 4

HEX #F5A313

RGB 245 163 19

HSL 38.23, 0.92%, 0.52%

LAB 73.32, 20.96, 74.86

 

CMYK 0 / 58 / 92 / 4

HEX #F56613

RGB 245 102 19

HSL 22.04, 0.92%, 0.52%

LAB 60.75, 51.61, 66.03

 

CMYK 0 / 83 / 92 / 4

HEX #F52A13

RGB 245 42 19

HSL 6.11, 0.92%, 0.52%

LAB 53.08, 72.54, 61.08

 

CMYK 0 / 92 / 92 / 4

HEX #F51313

RGB 245 19 19

HSL 0, 0.92%, 0.52%

LAB 51.75, 76.33, 60.28

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 16 / 0 / 92 / 4

HEX #CDF513

RGB 205 245 19

HSL 70.62, 0.92%, 0.52%

LAB 90.93, -36.94, 86.69

 

CMYK 41 / 0 / 92 / 4

HEX #90F513

RGB 144 245 19

HSL 86.81, 0.92%, 0.52%

LAB 87.62, -59.06, 82.66

 

CMYK 66 / 0 / 92 / 4

HEX #53F513

RGB 83 245 19

HSL 103.01, 0.92%, 0.52%

LAB 85.6, -75.04, 80.17

 

CMYK 91 / 0 / 92 / 4

HEX #17F513

RGB 23 245 19

HSL 118.94, 0.92%, 0.52%

LAB 84.76, -82.44, 79.13

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 0 / 8 / 83 / 12

HEX #E1D027

RGB 225 208 39

HSL 54.52, 0.76%, 0.52%

LAB 82.52, -10.61, 77

 

CMYK 0 / 6 / 71 / 20

HEX #CDC03B

RGB 205 192 59

HSL 54.66, 0.59%, 0.52%

LAB 76.68, -10.3, 64.92

 

CMYK 0 / 5 / 57 / 27

HEX #B9AF4F

RGB 185 175 79

HSL 54.34, 0.43%, 0.52%

LAB 70.55, -8.81, 49.55

 

CMYK 0 / 4 / 40 / 35

HEX #A59F63

RGB 165 159 99

HSL 54.55, 0.27%, 0.52%

LAB 64.72, -6.87, 32.08

 

CMYK 0 / 58 / 92 / 4

HEX #F56613

RGB 245 102 19

HSL 22.04, 0.92%, 0.52%

LAB 60.75, 51.61, 66.03

 

CMYK 0 / 34 / 92 / 4

HEX #F5A213

RGB 245 162 19

HSL 37.96, 0.92%, 0.52%

LAB 73.09, 21.48, 74.69

 

CMYK 0 / 9 / 92 / 4

HEX #F5DE13

RGB 245 222 19

HSL 53.89, 0.92%, 0.52%

LAB 87.82, -9.52, 85.61

 

CMYK 16 / 0 / 92 / 4

HEX #CFF513

RGB 207 245 19

HSL 70.09, 0.92%, 0.52%

LAB 91.06, -36.15, 86.85

 

CMYK 40 / 0 / 92 / 4

HEX #93F513

RGB 147 245 19

HSL 86.02, 0.92%, 0.52%

LAB 87.75, -58.09, 82.82

 

CMYK 0 / 9 / 96 / 31

HEX #AF9F07

RGB 175 159 7

HSL 54.29, 0.92%, 0.36%

LAB 64.9, -7.85, 67.1

 

CMYK 0 / 9 / 96 / 16

HEX #D6C308

RGB 214 195 8

HSL 54.47, 0.93%, 0.44%

LAB 78.08, -9.31, 78.32

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 0 / 7 / 76 / 4

HEX #F6E53B

RGB 246 229 59

HSL 54.55, 0.91%, 0.6%

LAB 89.83, -11.61, 78.55

 

CMYK 0 / 6 / 60 / 3

HEX #F8EA63

RGB 248 234 99

HSL 54.36, 0.91%, 0.68%

LAB 91.55, -11.22, 65.5

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 92 / 0 / 83 / 4

HEX #13F52A

RGB 19 245 42

HSL 126.11, 0.92%, 0.52%

LAB 84.8, -81.85, 75.06

 

CMYK 46 / 92 / 0 / 4

HEX #8413F5

RGB 132 19 245

HSL 270, 0.92%, 0.52%

LAB 41.16, 79.16, -87.26

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 92 / 0 / 9 / 4

HEX #13F5DE

RGB 19 245 222

HSL 173.89, 0.92%, 0.52%

LAB 87.35, -52.6, -2.53

 

CMYK 9 / 92 / 0 / 4

HEX #DE13F5

RGB 222 19 245

HSL 293.89, 0.92%, 0.52%

LAB 54.65, 90.43, -64.69

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 92 / 0 / 83 / 4

HEX #13F52A

RGB 19 245 42

HSL 126.11, 0.92%, 0.52%

LAB 84.8, -81.85, 75.06

 

CMYK 92 / 83 / 0 / 4

HEX #132AF5

RGB 19 42 245

HSL 233.89, 0.92%, 0.52%

LAB 34.78, 66.01, -98.1

 

CMYK 0 / 92 / 9 / 4

HEX #F513DE

RGB 245 19 222

HSL 306.11, 0.92%, 0.52%

LAB 57.22, 90.88, -47.4

 

CMYK 0 / 9 / 92 / 4

HEX #F5E013

RGB 245 224 19

HSL 54.42, 0.92%, 0.52%

LAB 88.34, -10.51, 86

 

CMYK 92 / 0 / 55 / 4

HEX #13F56E

RGB 19 245 110

HSL 144.16, 0.92%, 0.52%

LAB 85.29, -75.7, 51

 

CMYK 92 / 83 / 0 / 4

HEX #132AF5

RGB 19 42 245

HSL 233.89, 0.92%, 0.52%

LAB 34.78, 66.01, -98.1

 

CMYK 0 / 92 / 37 / 4

HEX #F5139B

RGB 245 19 155

HSL 323.89, 0.92%, 0.52%

LAB 54.29, 83.26, -13.15

 

Description

Color code: RGB 245 224 19 | qconv.com Color code: RGB 245 224 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 224 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 224 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 92 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 92% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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