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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 174 116 it is the complementary color RGB 10 81 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 174 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 174 116 shade: RGB 250 174 111, RGB 255 192 130, RGB 255 210 149, RGB 255 228 168 and RGB 255 246 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 174 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 228 156 97, RGB 211 138 78, RGB 194 120 59 and RGB 177 102 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 245 139 116 and RGB 245 116 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 245 209 116, RGB 245 243 116, RGB 212 245 116 and RGB 177 245 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 174 116 shade matches the following richer shades: RGB 245 174 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 233 175 128, RGB 221 176 140, RGB 209 178 152 and RGB 197 179 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 174 116 shade: RGB 245 116 129, RGB 245 138 116, RGB 245 172 116, RGB 245 206 116 and RGB 245 241 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 174 116 shade: RGB 240 129 39, RGB 242 152 78, RGB 245 174 116, RGB 248 197 155 and RGB 250 219 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 163 245 116 and RGB 121 116 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 116 245 172 and RGB 172 116 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 163 245 116, RGB 116 189 245 and RGB 198 116 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 174 116 shade: RGB 245 174 116, RGB 125 245 116, RGB 116 189 245 and RGB 236 116 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

Complementary color

CMYK 93 / 42 / 0 / 45

HEX #0A518B

RGB 10 81 139

HSL 206.98, 0.87%, 0.29%

LAB 33.59, 2.85, -37.82

 

CMYK 0 / 30 / 56 / 2

HEX #FAAE6F

RGB 250 174 111

HSL 27.19, 0.93%, 0.71%

LAB 77.13, 21.29, 43.21

 

CMYK 0 / 25 / 49 / 0

HEX #FFC082

RGB 255 192 130

HSL 29.76, 1%, 0.75%

LAB 82.15, 15.47, 39.91

 

CMYK 0 / 18 / 42 / 0

HEX #FFD295

RGB 255 210 149

HSL 34.53, 1%, 0.79%

LAB 86.76, 7.97, 36.14

 

CMYK 0 / 11 / 34 / 0

HEX #FFE4A8

RGB 255 228 168

HSL 41.38, 1%, 0.83%

LAB 91.49, 0.85, 32.7

 

CMYK 0 / 4 / 27 / 0

HEX #FFF6BB

RGB 255 246 187

HSL 52.06, 1%, 0.87%

LAB 96.31, -5.87, 29.54

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 32 / 57 / 11

HEX #E49C61

RGB 228 156 97

HSL 27.02, 0.71%, 0.64%

LAB 70.27, 20.83, 41.42

 

CMYK 0 / 35 / 63 / 17

HEX #D38A4E

RGB 211 138 78

HSL 27.07, 0.6%, 0.57%

LAB 63.82, 22.12, 43

 

CMYK 0 / 38 / 70 / 24

HEX #C2783B

RGB 194 120 59

HSL 27.11, 0.53%, 0.5%

LAB 57.29, 23.61, 44.6

 

CMYK 0 / 42 / 77 / 31

HEX #B16628

RGB 177 102 40

HSL 27.15, 0.63%, 0.43%

LAB 50.69, 25.31, 46.1

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 43 / 53 / 4

HEX #F58B74

RGB 245 139 116

HSL 10.7, 0.87%, 0.71%

LAB 68.85, 38, 29.94

 

CMYK 0 / 53 / 53 / 4

HEX #F57474

RGB 245 116 116

HSL 0, 0.87%, 0.71%

LAB 64.29, 49.45, 23.91

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 15 / 53 / 4

HEX #F5D174

RGB 245 209 116

HSL 43.26, 0.87%, 0.71%

LAB 85.14, 1.42, 50.35

 

CMYK 0 / 1 / 53 / 4

HEX #F5F374

RGB 245 243 116

HSL 59.07, 0.87%, 0.71%

LAB 93.79, -15.62, 60.54

 

CMYK 13 / 0 / 53 / 4

HEX #D4F574

RGB 212 245 116

HSL 75.35, 0.87%, 0.71%

LAB 91.94, -29.4, 57.78

 

CMYK 28 / 0 / 53 / 4

HEX #B1F574

RGB 177 245 116

HSL 91.63, 0.87%, 0.71%

LAB 89.82, -42.16, 54.76

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 25 / 45 / 9

HEX #E9AF80

RGB 233 175 128

HSL 26.86, 0.7%, 0.71%

LAB 75.79, 15.47, 32.29

 

CMYK 0 / 20 / 37 / 13

HEX #DDB08C

RGB 221 176 140

HSL 26.67, 0.54%, 0.71%

LAB 75.02, 11.49, 24.67

 

CMYK 0 / 15 / 27 / 18

HEX #D1B298

RGB 209 178 152

HSL 27.37, 0.38%, 0.71%

LAB 74.61, 7.28, 17.44

 

CMYK 0 / 9 / 17 / 23

HEX #C5B3A4

RGB 197 179 164

HSL 27.27, 0.22%, 0.71%

LAB 74.06, 3.96, 9.98

 

CMYK 0 / 53 / 47 / 4

HEX #F57481

RGB 245 116 129

HSL 353.95, 0.87%, 0.71%

LAB 64.55, 50.58, 16.89

 

CMYK 0 / 44 / 53 / 4

HEX #F58A74

RGB 245 138 116

HSL 10.23, 0.87%, 0.71%

LAB 68.64, 38.51, 29.67

 

CMYK 0 / 30 / 53 / 4

HEX #F5AC74

RGB 245 172 116

HSL 26.05, 0.87%, 0.71%

LAB 76.18, 20.75, 39.34

 

CMYK 0 / 16 / 53 / 4

HEX #F5CE74

RGB 245 206 116

HSL 41.86, 0.87%, 0.71%

LAB 84.39, 2.96, 49.45

 

CMYK 0 / 2 / 53 / 4

HEX #F5F174

RGB 245 241 116

HSL 58.14, 0.87%, 0.71%

LAB 93.27, -14.64, 59.94

 

CMYK 0 / 46 / 84 / 6

HEX #F08127

RGB 240 129 39

HSL 26.87, 0.87%, 0.55%

LAB 65.26, 36.99, 63.04

 

CMYK 0 / 37 / 68 / 5

HEX #F2984E

RGB 242 152 78

HSL 27.07, 0.86%, 0.63%

LAB 70.79, 27.42, 51.93

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 0 / 21 / 38 / 3

HEX #F8C59B

RGB 248 197 155

HSL 27.1, 0.87%, 0.79%

LAB 83.05, 12.66, 27.99

 

CMYK 0 / 12 / 23 / 2

HEX #FADBC1

RGB 250 219 193

HSL 27.37, 0.85%, 0.87%

LAB 89.32, 6.81, 16.73

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 33 / 0 / 53 / 4

HEX #A3F574

RGB 163 245 116

HSL 98.14, 0.87%, 0.71%

LAB 89.09, -46.91, 53.72

 

CMYK 51 / 53 / 0 / 4

HEX #7974F5

RGB 121 116 245

HSL 242.33, 0.87%, 0.71%

LAB 55.22, 35.73, -64.37

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 53 / 0 / 30 / 4

HEX #74F5AC

RGB 116 245 172

HSL 146.05, 0.87%, 0.71%

LAB 87.97, -51.9, 24.51

 

CMYK 30 / 53 / 0 / 4

HEX #AC74F5

RGB 172 116 245

HSL 266.05, 0.87%, 0.71%

LAB 59.76, 47.34, -56.85

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 33 / 0 / 53 / 4

HEX #A3F574

RGB 163 245 116

HSL 98.14, 0.87%, 0.71%

LAB 89.09, -46.91, 53.72

 

CMYK 53 / 23 / 0 / 4

HEX #74BDF5

RGB 116 189 245

HSL 206.05, 0.87%, 0.71%

LAB 74, -7.44, -34.72

 

CMYK 19 / 53 / 0 / 4

HEX #C674F5

RGB 198 116 245

HSL 278.14, 0.87%, 0.71%

LAB 62.58, 53.89, -52.18

 

CMYK 0 / 29 / 53 / 4

HEX #F5AE74

RGB 245 174 116

HSL 26.98, 0.87%, 0.71%

LAB 76.65, 19.69, 39.92

 

CMYK 49 / 0 / 53 / 4

HEX #7DF574

RGB 125 245 116

HSL 115.81, 0.87%, 0.71%

LAB 87.45, -58.34, 51.36

 

CMYK 53 / 23 / 0 / 4

HEX #74BDF5

RGB 116 189 245

HSL 206.05, 0.87%, 0.71%

LAB 74, -7.44, -34.72

 

CMYK 4 / 53 / 0 / 4

HEX #EC74F5

RGB 236 116 245

HSL 295.81, 0.87%, 0.71%

LAB 67.21, 63.75, -44.56

 

Description

Color code: RGB 245 174 116 | qconv.com Color code: RGB 245 174 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 174 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 174 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 53 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 53% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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