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Color name
RGB 245 165 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 165 56 it is the complementary color RGB 10 90 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 165 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 165 56 shade: RGB 250 165 51, RGB 255 183 70, RGB 255 201 89, RGB 255 219 108 and RGB 255 237 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 165 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 165 56 shade: RGB 245 165 56, RGB 228 147 37, RGB 211 129 18, RGB 194 111 0 and RGB 177 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 165 56 shade: RGB 244 164 56, RGB 244 114 56, RGB 244 63 56 and RGB 244 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 165 56 shade: RGB 244 164 56, RGB 244 215 56, RGB 222 244 56, RGB 171 244 56 and RGB 121 244 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 165 56 shade matches the following richer shades: RGB 244 164 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 165 56 shade: RGB 244 164 56, RGB 227 162 73, RGB 210 159 90, RGB 193 157 107 and RGB 176 154 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 165 56 shade: RGB 244 62 56, RGB 244 112 56, RGB 244 162 56, RGB 244 213 56 and RGB 225 244 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 165 56 shade: RGB 207 124 10, RGB 242 147 17, RGB 244 164 56, RGB 246 182 95 and RGB 248 200 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 165 56 shade: RGB 245 165 56, RGB 100 244 56 and RGB 87 56 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 165 56 shade: RGB 245 165 56, RGB 56 244 162 and RGB 162 56 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 165 56 shade: RGB 245 165 56, RGB 100 244 56, RGB 56 137 244 and RGB 200 56 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 165 56 shade: RGB 245 165 56, RGB 56 244 68, RGB 56 137 244 and RGB 244 56 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

Complementary color

CMYK 95 / 55 / 0 / 22

HEX #0A5AC7

RGB 10 90 199

HSL 214.6, 0.9%, 0.41%

LAB 40.41, 21.47, -62.51

 

CMYK 0 / 34 / 80 / 2

HEX #FAA533

RGB 250 165 51

HSL 34.37, 0.95%, 0.59%

LAB 74.49, 22.73, 67.39

 

CMYK 0 / 28 / 73 / 0

HEX #FFB746

RGB 255 183 70

HSL 36.65, 1%, 0.64%

LAB 79.37, 16.12, 64.96

 

CMYK 0 / 21 / 65 / 0

HEX #FFC959

RGB 255 201 89

HSL 40.48, 1%, 0.67%

LAB 83.84, 7.75, 61.59

 

CMYK 0 / 14 / 58 / 0

HEX #FFDB6C

RGB 255 219 108

HSL 45.31, 1%, 0.71%

LAB 88.45, -0.24, 58.23

 

CMYK 0 / 7 / 50 / 0

HEX #FFED7F

RGB 255 237 127

HSL 51.56, 1%, 0.75%

LAB 93.17, -7.8, 54.98

 

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

CMYK 0 / 36 / 84 / 11

HEX #E49325

RGB 228 147 37

HSL 34.55, 0.78%, 0.52%

LAB 67.65, 22.58, 65.13

 

CMYK 0 / 39 / 91 / 17

HEX #D38112

RGB 211 129 18

HSL 34.51, 0.84%, 0.45%

LAB 61.3, 24.58, 64.39

 

CMYK 0 / 43 / 100 / 24

HEX #C26F00

RGB 194 111 0

HSL 34.33, 1%, 0.38%

LAB 54.91, 26.8, 62.28

 

CMYK 0 / 47 / 100 / 31

HEX #B15D00

RGB 177 93 0

HSL 31.53, 1%, 0.35%

LAB 48.48, 29.27, 57.09

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 53 / 77 / 4

HEX #F47238

RGB 244 114 56

HSL 18.51, 0.9%, 0.59%

LAB 62.97, 46.51, 54.14

 

CMYK 0 / 74 / 77 / 4

HEX #F43F38

RGB 244 63 56

HSL 2.23, 0.9%, 0.59%

LAB 55.15, 67.39, 46.15

 

CMYK 0 / 77 / 77 / 4

HEX #F43838

RGB 244 56 56

HSL 0, 0.9%, 0.59%

LAB 54.39, 69.51, 45.36

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 12 / 77 / 4

HEX #F4D738

RGB 244 215 56

HSL 50.74, 0.9%, 0.59%

LAB 86.07, -5.56, 75.99

 

CMYK 9 / 0 / 77 / 4

HEX #DEF438

RGB 222 244 56

HSL 67.02, 0.9%, 0.59%

LAB 91.92, -28.77, 80.63

 

CMYK 30 / 0 / 77 / 4

HEX #ABF438

RGB 171 244 56

HSL 83.3, 0.9%, 0.59%

LAB 88.75, -48.28, 76.57

 

CMYK 50 / 0 / 77 / 4

HEX #79F438

RGB 121 244 56

HSL 99.26, 0.9%, 0.59%

LAB 86.53, -64.3, 73.69

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 29 / 68 / 11

HEX #E3A249

RGB 227 162 73

HSL 34.68, 0.73%, 0.59%

LAB 71.32, 15.62, 54.34

 

CMYK 0 / 24 / 57 / 18

HEX #D29F5A

RGB 210 159 90

HSL 34.5, 0.57%, 0.59%

LAB 68.92, 11.2, 42.91

 

CMYK 0 / 19 / 45 / 24

HEX #C19D6B

RGB 193 157 107

HSL 34.88, 0.41%, 0.59%

LAB 66.91, 6.73, 31.14

 

CMYK 0 / 13 / 30 / 31

HEX #B09A7C

RGB 176 154 124

HSL 34.62, 0.25%, 0.59%

LAB 64.8, 3.49, 18.75

 

CMYK 0 / 75 / 77 / 4

HEX #F43E38

RGB 244 62 56

HSL 1.91, 0.9%, 0.59%

LAB 55.04, 67.71, 46.03

 

CMYK 0 / 54 / 77 / 4

HEX #F47038

RGB 244 112 56

HSL 17.87, 0.9%, 0.59%

LAB 62.6, 47.47, 53.76

 

CMYK 0 / 34 / 77 / 4

HEX #F4A238

RGB 244 162 56

HSL 33.83, 0.9%, 0.59%

LAB 73.13, 21.98, 64

 

CMYK 0 / 13 / 77 / 4

HEX #F4D538

RGB 244 213 56

HSL 50.11, 0.9%, 0.59%

LAB 85.56, -4.55, 75.53

 

CMYK 8 / 0 / 77 / 4

HEX #E1F438

RGB 225 244 56

HSL 66.06, 0.9%, 0.59%

LAB 92.13, -27.56, 80.9

 

CMYK 0 / 40 / 95 / 19

HEX #CF7C0A

RGB 207 124 10

HSL 34.72, 0.91%, 0.43%

LAB 59.62, 25.46, 64.48

 

CMYK 0 / 39 / 93 / 5

HEX #F29311

RGB 242 147 17

HSL 34.67, 0.9%, 0.51%

LAB 69.32, 28.07, 72.17

 

CMYK 0 / 33 / 77 / 4

HEX #F4A438

RGB 244 164 56

HSL 34.47, 0.9%, 0.59%

LAB 73.59, 20.92, 64.44

 

CMYK 0 / 26 / 61 / 4

HEX #F6B65F

RGB 246 182 95

HSL 34.57, 0.89%, 0.67%

LAB 78.39, 14.3, 52.5

 

CMYK 0 / 19 / 46 / 3

HEX #F8C886

RGB 248 200 134

HSL 34.74, 0.89%, 0.75%

LAB 83.44, 8.89, 39.37

 

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

CMYK 59 / 0 / 77 / 4

HEX #64F438

RGB 100 244 56

HSL 105.96, 0.9%, 0.59%

LAB 85.85, -69.65, 72.81

 

CMYK 64 / 77 / 0 / 4

HEX #5738F4

RGB 87 56 244

HSL 249.89, 0.9%, 0.59%

LAB 40.22, 63.13, -88.4

 

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

CMYK 77 / 0 / 34 / 4

HEX #38F4A2

RGB 56 244 162

HSL 153.83, 0.9%, 0.59%

LAB 86.08, -63.75, 26.81

 

CMYK 34 / 77 / 0 / 4

HEX #A238F4

RGB 162 56 244

HSL 273.83, 0.9%, 0.59%

LAB 48.31, 72.94, -74.82

 

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

CMYK 59 / 0 / 77 / 4

HEX #64F438

RGB 100 244 56

HSL 105.96, 0.9%, 0.59%

LAB 85.85, -69.65, 72.81

 

CMYK 77 / 44 / 0 / 4

HEX #3889F4

RGB 56 137 244

HSL 214.15, 0.9%, 0.59%

LAB 57.33, 12.22, -60.6

 

CMYK 18 / 77 / 0 / 4

HEX #C838F4

RGB 200 56 244

HSL 285.96, 0.9%, 0.59%

LAB 53.64, 79.33, -65.92

 

CMYK 0 / 33 / 77 / 4

HEX #F5A538

RGB 245 165 56

HSL 34.6, 0.9%, 0.59%

LAB 73.94, 20.81, 64.81

 

CMYK 77 / 0 / 72 / 4

HEX #38F444

RGB 56 244 68

HSL 123.83, 0.9%, 0.59%

LAB 84.98, -76.77, 67.78

 

CMYK 77 / 44 / 0 / 4

HEX #3889F4

RGB 56 137 244

HSL 214.15, 0.9%, 0.59%

LAB 57.33, 12.22, -60.6

 

CMYK 0 / 77 / 5 / 4

HEX #F438E7

RGB 244 56 231

HSL 304.15, 0.9%, 0.59%

LAB 59.74, 85.47, -48.51

 

Description

Color code: RGB 245 165 56 | qconv.com Color code: RGB 245 165 56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 165 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 165 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 77% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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