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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 165 151 it is the complementary color RGB 10 90 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 165 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 165 151 shade: RGB 250 165 146, RGB 255 183 165, RGB 255 201 184, RGB 255 219 203 and RGB 255 237 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 165 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 165 151 shade: RGB 245 165 151, RGB 228 147 132, RGB 211 129 113, RGB 194 111 94 and RGB 177 93 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 165 151 shade: RGB 244 166 152 and RGB 244 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 165 151 shade: RGB 244 166 152, RGB 244 191 152, RGB 244 216 152, RGB 244 241 152 and RGB 223 244 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 165 151 shade matches the following richer shades: RGB 244 166 152 and RGB 253 160 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 165 151 shade: RGB 244 166 152, RGB 235 172 161, RGB 226 179 171, RGB 217 185 180 and RGB 208 192 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 165 151 shade: RGB 244 152 189, RGB 244 152 165, RGB 244 165 152, RGB 244 189 152 and RGB 244 214 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 165 151 shade: RGB 237 101 77, RGB 241 134 115, RGB 244 166 152, RGB 248 199 190 and RGB 252 231 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 165 151 shade: RGB 245 165 151, RGB 214 244 152 and RGB 152 177 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 165 151 shade: RGB 245 165 151, RGB 152 244 165 and RGB 165 152 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 165 151 shade: RGB 245 165 151, RGB 214 244 152, RGB 152 232 244 and RGB 183 152 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 165 151 shade: RGB 245 165 151, RGB 186 244 152, RGB 152 232 244 and RGB 211 152 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

Complementary color

CMYK 90 / 13 / 0 / 59

HEX #0A5A68

RGB 10 90 104

HSL 188.94, 0.82%, 0.22%

LAB 34.75, -16.63, -14.35

 

CMYK 0 / 34 / 42 / 2

HEX #FAA592

RGB 250 165 146

HSL 10.96, 0.91%, 0.78%

LAB 75.64, 29.25, 22.79

 

CMYK 0 / 28 / 35 / 0

HEX #FFB7A5

RGB 255 183 165

HSL 12, 1%, 0.82%

LAB 80.65, 23.83, 19.52

 

CMYK 0 / 21 / 28 / 0

HEX #FFC9B8

RGB 255 201 184

HSL 14.37, 1%, 0.86%

LAB 85.25, 16.79, 15.82

 

CMYK 0 / 14 / 20 / 0

HEX #FFDBCB

RGB 255 219 203

HSL 18.46, 1%, 0.9%

LAB 89.97, 10.06, 12.48

RGB 255 219 203

CMYK 0 / 7 / 13 / 0

HEX #FFEDDE

RGB 255 237 222

HSL 27.27, 1%, 0.94%

LAB 94.78, 3.66, 9.44

RGB 255 237 222

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

CMYK 0 / 36 / 42 / 11

HEX #E49384

RGB 228 147 132

HSL 9.37, 0.64%, 0.71%

LAB 68.77, 28.85, 20.65

 

CMYK 0 / 39 / 46 / 17

HEX #D38171

RGB 211 129 113

HSL 9.8, 0.53%, 0.64%

LAB 62.29, 29.9, 22.11

 

CMYK 0 / 43 / 52 / 24

HEX #C26F5E

RGB 194 111 94

HSL 10.2, 0.45%, 0.56%

LAB 55.73, 31.06, 23.76

 

CMYK 0 / 47 / 58 / 31

HEX #B15D4B

RGB 177 93 75

HSL 10.59, 0.4%, 0.49%

LAB 49.11, 32.35, 25.65

 

CMYK 0 / 32 / 38 / 4

HEX #F4A698

RGB 244 166 152

HSL 9.13, 0.81%, 0.78%

LAB 75.31, 27.11, 18.96

 

CMYK 0 / 38 / 38 / 4

HEX #F49898

RGB 244 152 152

HSL 0, 0.81%, 0.78%

LAB 72.2, 34.47, 14.63

 

CMYK 0 / 32 / 38 / 4

HEX #F4A698

RGB 244 166 152

HSL 9.13, 0.81%, 0.78%

LAB 75.31, 27.11, 18.96

 

CMYK 0 / 22 / 38 / 4

HEX #F4BF98

RGB 244 191 152

HSL 25.43, 0.81%, 0.78%

LAB 81.16, 13.92, 26.95

 

CMYK 0 / 11 / 38 / 4

HEX #F4D898

RGB 244 216 152

HSL 41.74, 0.81%, 0.78%

LAB 87.3, 0.92, 35.12

 

CMYK 0 / 1 / 38 / 4

HEX #F4F198

RGB 244 241 152

HSL 58.04, 0.81%, 0.78%

LAB 93.63, -11.67, 43.34

 

CMYK 9 / 0 / 38 / 4

HEX #DFF498

RGB 223 244 152

HSL 73.7, 0.81%, 0.78%

LAB 92.86, -21.07, 42.05

 

CMYK 0 / 32 / 38 / 4

HEX #F4A698

RGB 244 166 152

HSL 9.13, 0.81%, 0.78%

LAB 75.31, 27.11, 18.96

 

CMYK 0 / 37 / 43 / 1

HEX #FDA08F

RGB 253 160 143

HSL 9.27, 0.96%, 0.78%

LAB 74.83, 32.68, 23.36

 

CMYK 0 / 32 / 38 / 4

HEX #F4A698

RGB 244 166 152

HSL 9.13, 0.81%, 0.78%

LAB 75.31, 27.11, 18.96

 

CMYK 0 / 27 / 31 / 8

HEX #EBACA1

RGB 235 172 161

HSL 8.92, 0.65%, 0.78%

LAB 75.91, 21.62, 14.75

 

CMYK 0 / 21 / 24 / 11

HEX #E2B3AB

RGB 226 179 171

HSL 8.73, 0.49%, 0.78%

LAB 76.89, 15.85, 10.58

 

CMYK 0 / 15 / 17 / 15

HEX #D9B9B4

RGB 217 185 180

HSL 8.11, 0.33%, 0.78%

LAB 77.72, 10.65, 6.78

 

CMYK 0 / 8 / 9 / 18

HEX #D0C0BD

RGB 208 192 189

HSL 9.47, 0.17%, 0.78%

LAB 78.92, 5.11, 3.53

 

CMYK 0 / 38 / 23 / 4

HEX #F498BD

RGB 244 152 189

HSL 335.87, 0.81%, 0.78%

LAB 73.13, 39.23, -4.5

 

CMYK 0 / 38 / 32 / 4

HEX #F498A5

RGB 244 152 165

HSL 351.52, 0.81%, 0.78%

LAB 72.5, 36.02, 7.87

 

CMYK 0 / 32 / 38 / 4

HEX #F4A598

RGB 244 165 152

HSL 8.48, 0.81%, 0.78%

LAB 75.08, 27.64, 18.65

 

CMYK 0 / 23 / 38 / 4

HEX #F4BD98

RGB 244 189 152

HSL 24.13, 0.81%, 0.78%

LAB 80.68, 14.97, 26.3

 

CMYK 0 / 12 / 38 / 4

HEX #F4D698

RGB 244 214 152

HSL 40.43, 0.81%, 0.78%

LAB 86.8, 1.95, 34.47

 

CMYK 0 / 57 / 68 / 7

HEX #ED654D

RGB 237 101 77

HSL 9, 0.82%, 0.62%

LAB 59.75, 51.03, 39.65

 

CMYK 0 / 44 / 52 / 5

HEX #F18673

RGB 241 134 115

HSL 9.05, 0.82%, 0.7%

LAB 67.27, 38.97, 28.32

 

CMYK 0 / 32 / 38 / 4

HEX #F4A698

RGB 244 166 152

HSL 9.13, 0.81%, 0.78%

LAB 75.31, 27.11, 18.96

 

CMYK 0 / 20 / 23 / 3

HEX #F8C7BE

RGB 248 199 190

HSL 9.31, 0.81%, 0.86%

LAB 84.24, 16.08, 11.1

 

CMYK 0 / 8 / 10 / 1

HEX #FCE7E3

RGB 252 231 227

HSL 9.6, 0.81%, 0.94%

LAB 93.19, 6.49, 4.52

 

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

CMYK 12 / 0 / 38 / 4

HEX #D6F498

RGB 214 244 152

HSL 79.57, 0.81%, 0.78%

LAB 92.25, -24.39, 41.13

 

CMYK 38 / 27 / 0 / 4

HEX #98B1F4

RGB 152 177 244

HSL 223.7, 0.81%, 0.78%

LAB 72.66, 7.54, -36.1

 

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

CMYK 38 / 0 / 32 / 4

HEX #98F4A5

RGB 152 244 165

HSL 128.48, 0.81%, 0.78%

LAB 88.97, -43.26, 29.66

 

CMYK 32 / 38 / 0 / 4

HEX #A598F4

RGB 165 152 244

HSL 248.48, 0.81%, 0.78%

LAB 67.27, 25.15, -44.45

 

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

CMYK 12 / 0 / 38 / 4

HEX #D6F498

RGB 214 244 152

HSL 79.57, 0.81%, 0.78%

LAB 92.25, -24.39, 41.13

 

CMYK 38 / 5 / 0 / 4

HEX #98E8F4

RGB 152 232 244

HSL 187.83, 0.81%, 0.78%

LAB 87.45, -21.46, -13.56

 

CMYK 25 / 38 / 0 / 4

HEX #B798F4

RGB 183 152 244

HSL 260.22, 0.81%, 0.78%

LAB 68.79, 30.15, -41.95

 

CMYK 0 / 33 / 38 / 4

HEX #F5A597

RGB 245 165 151

HSL 8.94, 0.82%, 0.78%

LAB 75.17, 27.9, 19.34

 

CMYK 24 / 0 / 38 / 4

HEX #BAF498

RGB 186 244 152

HSL 97.83, 0.81%, 0.78%

LAB 90.51, -34.34, 38.54

 

CMYK 38 / 5 / 0 / 4

HEX #98E8F4

RGB 152 232 244

HSL 187.83, 0.81%, 0.78%

LAB 87.45, -21.46, -13.56

 

CMYK 14 / 38 / 0 / 4

HEX #D398F4

RGB 211 152 244

HSL 278.48, 0.81%, 0.78%

LAB 71.44, 38.28, -37.62

 

Description

Color code: RGB 245 165 151 | qconv.com Color code: RGB 245 165 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 165 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 165 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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