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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 14 123 it is the complementary color RGB 10 241 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 14 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 14 123 shade: RGB 250 14 118, RGB 255 32 137, RGB 255 50 156, RGB 255 68 175 and RGB 255 86 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 14 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 14 123 shade: RGB 245 14 123, RGB 228 0 104, RGB 211 0 85, RGB 194 0 66 and RGB 177 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 14 123 shade: RGB 245 15 123, RGB 245 15 61 and RGB 245 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 14 123 shade: RGB 245 15 123, RGB 245 15 185, RGB 242 15 245, RGB 180 15 245 and RGB 118 15 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 14 123 shade matches the following richer shades: RGB 245 15 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 14 123 shade: RGB 245 15 123, RGB 224 35 124, RGB 204 55 125, RGB 184 75 126 and RGB 164 95 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 14 123 shade: RGB 241 15 245, RGB 245 15 187, RGB 245 15 126, RGB 245 15 64 and RGB 245 26 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 14 123 shade: RGB 170 7 84, RGB 210 8 103, RGB 245 15 123, RGB 246 54 145 and RGB 248 94 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 14 123 shade: RGB 245 14 123, RGB 245 179 15 and RGB 15 218 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 14 123 shade: RGB 245 14 123, RGB 126 245 15 and RGB 15 126 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 14 123 shade: RGB 245 14 123, RGB 245 179 15, RGB 15 245 133 and RGB 15 80 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 14 123 shade: RGB 245 14 123, RGB 241 245 15, RGB 15 245 133 and RGB 18 15 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

Complementary color

CMYK 96 / 0 / 45 / 5

HEX #0AF184

RGB 10 241 132

HSL 151.69, 0.92%, 0.49%

LAB 84.3, -71.41, 39.37

 

CMYK 0 / 94 / 53 / 2

HEX #FA0E76

RGB 250 14 118

HSL 333.56, 0.96%, 0.52%

LAB 53.97, 81.8, 8.65

 

CMYK 0 / 87 / 46 / 0

HEX #FF2089

RGB 255 32 137

HSL 331.75, 1%, 0.56%

LAB 56.19, 82.18, 0.57

 

CMYK 0 / 80 / 39 / 0

HEX #FF329C

RGB 255 50 156

HSL 328.98, 1%, 0.6%

LAB 57.98, 80.34, -8.01

 

CMYK 0 / 73 / 31 / 0

HEX #FF44AF

RGB 255 68 175

HSL 325.67, 1%, 0.63%

LAB 60.33, 77.42, -15.55

 

CMYK 0 / 66 / 24 / 0

HEX #FF56C2

RGB 255 86 194

HSL 321.66, 1%, 0.67%

LAB 63.19, 73.58, -22.09

 

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

CMYK 0 / 100 / 54 / 11

HEX #E40068

RGB 228 0 104

HSL 332.63, 1%, 0.45%

LAB 48.88, 77.01, 9.36

 

CMYK 0 / 100 / 60 / 17

HEX #D30055

RGB 211 0 85

HSL 335.83, 1%, 0.41%

LAB 44.95, 71.97, 15.17

 

CMYK 0 / 100 / 66 / 24

HEX #C20042

RGB 194 0 66

HSL 339.59, 1%, 0.38%

LAB 41, 66.94, 21.25

 

CMYK 0 / 100 / 73 / 31

HEX #B1002F

RGB 177 0 47

HSL 344.07, 1%, 0.35%

LAB 37.03, 61.96, 27.53

 

CMYK 0 / 94 / 50 / 4

HEX #F50F7B

RGB 245 15 123

HSL 331.83, 0.92%, 0.51%

LAB 53.15, 80.96, 4.33

 

CMYK 0 / 94 / 75 / 4

HEX #F50F3D

RGB 245 15 61

HSL 348, 0.92%, 0.51%

LAB 51.94, 77.65, 39.97

 

CMYK 0 / 94 / 94 / 4

HEX #F50F0F

RGB 245 15 15

HSL 0, 0.92%, 0.51%

LAB 51.6, 76.69, 61.48

 

CMYK 0 / 94 / 50 / 4

HEX #F50F7B

RGB 245 15 123

HSL 331.83, 0.92%, 0.51%

LAB 53.15, 80.96, 4.33

 

CMYK 0 / 94 / 24 / 4

HEX #F50FB9

RGB 245 15 185

HSL 315.65, 0.92%, 0.51%

LAB 55.34, 86.73, -29.15

 

CMYK 1 / 94 / 0 / 4

HEX #F20FF5

RGB 242 15 245

HSL 299.22, 0.92%, 0.51%

LAB 57.86, 93.89, -59.35

 

CMYK 27 / 94 / 0 / 4

HEX #B40FF5

RGB 180 15 245

HSL 283.04, 0.92%, 0.51%

LAB 47.8, 84.99, -76.1

 

CMYK 52 / 94 / 0 / 4

HEX #760FF5

RGB 118 15 245

HSL 266.87, 0.92%, 0.51%

LAB 39.22, 78.56, -90.53

 

CMYK 0 / 94 / 50 / 4

HEX #F50F7B

RGB 245 15 123

HSL 331.83, 0.92%, 0.51%

LAB 53.15, 80.96, 4.33

 

CMYK 0 / 94 / 50 / 4

HEX #F50F7B

RGB 245 15 123

HSL 331.83, 0.92%, 0.51%

LAB 53.15, 80.96, 4.33

 

CMYK 0 / 84 / 45 / 12

HEX #E0237C

RGB 224 35 124

HSL 331.75, 0.75%, 0.51%

LAB 50.1, 73.39, -1.21

 

CMYK 0 / 73 / 39 / 20

HEX #CC377D

RGB 204 55 125

HSL 331.81, 0.59%, 0.51%

LAB 48.32, 63.06, -4.86

 

CMYK 0 / 59 / 32 / 28

HEX #B84B7E

RGB 184 75 126

HSL 331.93, 0.43%, 0.51%

LAB 47.92, 49.28, -6.43

 

CMYK 0 / 42 / 22 / 36

HEX #A45F80

RGB 164 95 128

HSL 331.3, 0.27%, 0.51%

LAB 49.05, 32.53, -6.26

 

CMYK 2 / 94 / 0 / 4

HEX #F10FF5

RGB 241 15 245

HSL 298.96, 0.92%, 0.51%

LAB 57.69, 93.73, -59.63

 

CMYK 0 / 94 / 24 / 4

HEX #F50FBB

RGB 245 15 187

HSL 315.13, 0.92%, 0.51%

LAB 55.42, 86.96, -30.18

 

CMYK 0 / 94 / 49 / 4

HEX #F50F7E

RGB 245 15 126

HSL 331.04, 0.92%, 0.51%

LAB 53.23, 81.18, 2.63

 

CMYK 0 / 94 / 74 / 4

HEX #F50F40

RGB 245 15 64

HSL 347.22, 0.92%, 0.51%

LAB 51.98, 77.75, 38.27

 

CMYK 0 / 89 / 94 / 4

HEX #F51A0F

RGB 245 26 15

HSL 2.87, 0.92%, 0.51%

LAB 52.05, 75.4, 61.72

 

CMYK 0 / 96 / 51 / 33

HEX #AA0754

RGB 170 7 84

HSL 331.66, 0.92%, 0.35%

LAB 36.63, 61.63, 2.89

 

CMYK 0 / 96 / 51 / 18

HEX #D20867

RGB 210 8 103

HSL 331.78, 0.93%, 0.43%

LAB 45.43, 72.24, 4.58

 

CMYK 0 / 94 / 50 / 4

HEX #F50F7B

RGB 245 15 123

HSL 331.83, 0.92%, 0.51%

LAB 53.15, 80.96, 4.33

 

CMYK 0 / 78 / 41 / 4

HEX #F63691

RGB 246 54 145

HSL 331.56, 0.91%, 0.59%

LAB 56.36, 76.16, -4.11

 

CMYK 0 / 62 / 33 / 3

HEX #F85EA6

RGB 248 94 166

HSL 331.95, 0.92%, 0.67%

LAB 62.27, 65.19, -7.57

 

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

CMYK 0 / 27 / 94 / 4

HEX #F5B30F

RGB 245 179 15

HSL 42.78, 0.92%, 0.51%

LAB 77.09, 12.5, 78.2

 

CMYK 94 / 11 / 0 / 4

HEX #0FDAF5

RGB 15 218 245

HSL 187.04, 0.92%, 0.51%

LAB 80.09, -34.09, -25.55

 

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

CMYK 49 / 0 / 94 / 4

HEX #7EF50F

RGB 126 245 15

HSL 91.04, 0.92%, 0.51%

LAB 86.89, -64.63, 82.2

 

CMYK 94 / 49 / 0 / 4

HEX #0F7EF5

RGB 15 126 245

HSL 211.04, 0.92%, 0.51%

LAB 53.62, 16.57, -67.17

 

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

CMYK 0 / 27 / 94 / 4

HEX #F5B30F

RGB 245 179 15

HSL 42.78, 0.92%, 0.51%

LAB 77.09, 12.5, 78.2

 

CMYK 94 / 0 / 46 / 4

HEX #0FF585

RGB 15 245 133

HSL 150.78, 0.92%, 0.51%

LAB 85.55, -72.38, 40.5

 

CMYK 94 / 67 / 0 / 4

HEX #0F50F5

RGB 15 80 245

HSL 223.04, 0.92%, 0.51%

LAB 41.89, 45.59, -86.31

 

CMYK 0 / 94 / 50 / 4

HEX #F50E7B

RGB 245 14 123

HSL 331.69, 0.92%, 0.51%

LAB 53.12, 81.05, 4.28

 

CMYK 2 / 0 / 94 / 4

HEX #F1F50F

RGB 241 245 15

HSL 61.04, 0.92%, 0.51%

LAB 93.47, -22.44, 90.17

 

CMYK 94 / 0 / 46 / 4

HEX #0FF585

RGB 15 245 133

HSL 150.78, 0.92%, 0.51%

LAB 85.55, -72.38, 40.5

 

CMYK 93 / 94 / 0 / 4

HEX #120FF5

RGB 18 15 245

HSL 240.78, 0.92%, 0.51%

LAB 31.95, 74.49, -102.82

 

Description

Color code: RGB 245 14 123 | qconv.com Color code: RGB 245 14 123 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 14 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 14 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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