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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 147 210 it is the complementary color RGB 10 108 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 147 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 147 210 shade: RGB 250 147 205, RGB 255 165 224, RGB 255 183 243, RGB 255 201 255 and RGB 255 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 147 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 228 129 191, RGB 211 111 172, RGB 194 93 153 and RGB 177 75 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 245 147 184, RGB 245 147 157 and RGB 245 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 245 147 236, RGB 227 147 245, RGB 201 147 245 and RGB 174 147 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 147 210 shade matches the following richer shades: RGB 245 147 210 and RGB 254 138 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 235 157 207, RGB 226 166 204, RGB 216 176 202 and RGB 207 185 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 147 210 shade: RGB 227 147 245, RGB 245 147 236, RGB 245 147 210, RGB 245 147 184 and RGB 245 147 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 147 210 shade: RGB 238 72 178, RGB 241 109 194, RGB 245 147 210, RGB 248 185 225 and RGB 252 223 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 245 201 147 and RGB 147 245 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 210 245 147 and RGB 147 210 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 245 201 147, RGB 147 245 181 and RGB 147 191 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 147 210 shade: RGB 245 147 210, RGB 245 230 147, RGB 147 245 181 and RGB 147 162 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

Complementary color

CMYK 91 / 0 / 58 / 58

HEX #0A6C2D

RGB 10 108 45

HSL 141.43, 0.83%, 0.23%

LAB 39.55, -40.76, 27.72

 

CMYK 0 / 41 / 18 / 2

HEX #FA93CD

RGB 250 147 205

HSL 326.21, 0.91%, 0.78%

LAB 73.28, 46.15, -13.03

 

CMYK 0 / 35 / 12 / 0

HEX #FFA5E0

RGB 255 165 224

HSL 320.67, 1%, 0.82%

LAB 78.2, 41.49, -15.98

 

CMYK 0 / 28 / 5 / 0

HEX #FFB7F3

RGB 255 183 243

HSL 310, 1%, 0.86%

LAB 82.7, 35.27, -19.43

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 43 / 16 / 11

HEX #E481BF

RGB 228 129 191

HSL 322.42, 0.65%, 0.7%

LAB 66.49, 46.05, -15.73

 

CMYK 0 / 47 / 18 / 17

HEX #D36FAC

RGB 211 111 172

HSL 323.4, 0.53%, 0.63%

LAB 60.07, 46.81, -14.86

 

CMYK 0 / 52 / 21 / 24

HEX #C25D99

RGB 194 93 153

HSL 324.36, 0.45%, 0.56%

LAB 53.6, 47.53, -13.83

 

CMYK 0 / 58 / 24 / 31

HEX #B14B86

RGB 177 75 134

HSL 325.29, 0.4%, 0.49%

LAB 47.11, 48.14, -12.59

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 40 / 25 / 4

HEX #F593B8

RGB 245 147 184

HSL 337.35, 0.83%, 0.77%

LAB 72.05, 41.46, -3.3

 

CMYK 0 / 40 / 36 / 4

HEX #F5939D

RGB 245 147 157

HSL 353.88, 0.83%, 0.77%

LAB 71.36, 38.01, 10.7

 

CMYK 0 / 40 / 40 / 4

HEX #F59393

RGB 245 147 147

HSL 0, 0.83%, 0.77%

LAB 71.14, 36.88, 15.93

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 40 / 4 / 4

HEX #F593EC

RGB 245 147 236

HSL 305.51, 0.83%, 0.77%

LAB 73.76, 49.57, -29.37

 

CMYK 7 / 40 / 0 / 4

HEX #E393F5

RGB 227 147 245

HSL 288.98, 0.83%, 0.77%

LAB 72.09, 45.85, -37.03

 

CMYK 18 / 40 / 0 / 4

HEX #C993F5

RGB 201 147 245

HSL 273.06, 0.83%, 0.77%

LAB 69.38, 38.28, -41.45

 

CMYK 29 / 40 / 0 / 4

HEX #AE93F5

RGB 174 147 245

HSL 256.53, 0.83%, 0.77%

LAB 66.87, 30.68, -45.57

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 46 / 17 / 0

HEX #FE8AD4

RGB 254 138 212

HSL 321.72, 0.98%, 0.77%

LAB 72.23, 52.97, -18.43

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 33 / 12 / 8

HEX #EB9DCF

RGB 235 157 207

HSL 321.54, 0.66%, 0.77%

LAB 73.73, 36.32, -13.64

 

CMYK 0 / 27 / 10 / 11

HEX #E2A6CC

RGB 226 166 204

HSL 322, 0.51%, 0.77%

LAB 74.7, 27.97, -10.64

 

CMYK 0 / 19 / 6 / 15

HEX #D8B0CA

RGB 216 176 202

HSL 321, 0.34%, 0.77%

LAB 76.02, 18.78, -7.69

 

CMYK 0 / 11 / 4 / 19

HEX #CFB9C7

RGB 207 185 199

HSL 321.82, 0.19%, 0.77%

LAB 77.33, 10.25, -4.2

 

CMYK 7 / 40 / 0 / 4

HEX #E393F5

RGB 227 147 245

HSL 288.98, 0.83%, 0.77%

LAB 72.09, 45.85, -37.03

 

CMYK 0 / 40 / 4 / 4

HEX #F593EC

RGB 245 147 236

HSL 305.51, 0.83%, 0.77%

LAB 73.76, 49.57, -29.37

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 40 / 25 / 4

HEX #F593B8

RGB 245 147 184

HSL 337.35, 0.83%, 0.77%

LAB 72.05, 41.46, -3.3

 

CMYK 0 / 40 / 35 / 4

HEX #F5939F

RGB 245 147 159

HSL 352.65, 0.83%, 0.77%

LAB 71.41, 38.25, 9.65

 

CMYK 0 / 70 / 25 / 7

HEX #EE48B2

RGB 238 72 178

HSL 321.69, 0.83%, 0.61%

LAB 58.06, 72.23, -20.99

 

CMYK 0 / 55 / 20 / 5

HEX #F16DC2

RGB 241 109 194

HSL 321.36, 0.83%, 0.69%

LAB 64.59, 60.2, -20.14

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 25 / 9 / 3

HEX #F8B9E1

RGB 248 185 225

HSL 321.9, 0.82%, 0.85%

LAB 81.89, 28.85, -11.07

 

CMYK 0 / 12 / 4 / 1

HEX #FCDFF1

RGB 252 223 241

HSL 322.76, 0.83%, 0.93%

LAB 91.6, 12.96, -5.1

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 18 / 40 / 4

HEX #F5C993

RGB 245 201 147

HSL 33.06, 0.83%, 0.77%

LAB 83.6, 8.52, 32.84

 

CMYK 40 / 0 / 2 / 4

HEX #93F5F0

RGB 147 245 240

HSL 176.94, 0.83%, 0.77%

LAB 90.69, -29.96, -6.68

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 14 / 0 / 40 / 4

HEX #D2F593

RGB 210 245 147

HSL 81.43, 0.83%, 0.77%

LAB 92.18, -26.92, 43.45

 

CMYK 40 / 14 / 0 / 4

HEX #93D2F5

RGB 147 210 245

HSL 201.43, 0.83%, 0.77%

LAB 81.23, -11.31, -23.5

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 18 / 40 / 4

HEX #F5C993

RGB 245 201 147

HSL 33.06, 0.83%, 0.77%

LAB 83.6, 8.52, 32.84

 

CMYK 40 / 0 / 26 / 4

HEX #93F5B5

RGB 147 245 181

HSL 140.82, 0.83%, 0.77%

LAB 89.32, -42.36, 21.95

 

CMYK 40 / 22 / 0 / 4

HEX #93BFF5

RGB 147 191 245

HSL 213.06, 0.83%, 0.77%

LAB 76.1, -1.21, -31.34

 

CMYK 0 / 40 / 14 / 4

HEX #F593D2

RGB 245 147 210

HSL 321.43, 0.83%, 0.77%

LAB 72.85, 45.29, -16.5

 

CMYK 0 / 6 / 40 / 4

HEX #F5E693

RGB 245 230 147

HSL 50.82, 0.83%, 0.77%

LAB 90.83, -6.34, 42.24

 

CMYK 40 / 0 / 26 / 4

HEX #93F5B5

RGB 147 245 181

HSL 140.82, 0.83%, 0.77%

LAB 89.32, -42.36, 21.95

 

CMYK 40 / 34 / 0 / 4

HEX #93A2F5

RGB 147 162 245

HSL 230.82, 0.83%, 0.77%

LAB 68.49, 14.95, -43.18

 

Description

Color code: RGB 245 147 210 | qconv.com Color code: RGB 245 147 210 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 147 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 147 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 14 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 14% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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