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Color name
RGB 245 122 134

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 122 134 it is the complementary color RGB 10 133 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 122 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 122 134 shade: RGB 250 122 129, RGB 255 140 148, RGB 255 158 167, RGB 255 176 186 and RGB 255 194 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 122 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 228 104 115, RGB 211 86 96, RGB 194 68 77 and RGB 177 50 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 122 134 shade: RGB 245 122 134 and RGB 245 122 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 245 122 167, RGB 245 122 200, RGB 245 122 233 and RGB 223 122 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 122 134 shade matches the following richer shades: RGB 245 122 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 233 133 143, RGB 221 145 152, RGB 210 156 162 and RGB 198 168 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 122 134 shade: RGB 245 122 199, RGB 245 122 167, RGB 245 122 134, RGB 245 142 122 and RGB 245 175 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 122 134 shade: RGB 239 45 64, RGB 242 83 99, RGB 245 122 134, RGB 247 160 169 and RGB 250 198 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 232 245 122 and RGB 122 183 245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 134 245 122 and RGB 122 134 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 232 245 122, RGB 122 245 232 and RGB 134 122 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 122 134 shade: RGB 245 122 134, RGB 195 245 122, RGB 122 245 232 and RGB 171 122 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

Complementary color

CMYK 92 / 0 / 9 / 48

HEX #0A8579

RGB 10 133 121

HSL 174.15, 0.86%, 0.28%

LAB 49.76, -32.88, -2.13

 

CMYK 0 / 51 / 48 / 2

HEX #FA7A81

RGB 250 122 129

HSL 356.72, 0.93%, 0.73%

LAB 66.39, 49.43, 19.53

 

CMYK 0 / 45 / 42 / 0

HEX #FF8C94

RGB 255 140 148

HSL 355.83, 1%, 0.77%

LAB 70.98, 44.17, 15.34

 

CMYK 0 / 38 / 35 / 0

HEX #FF9EA7

RGB 255 158 167

HSL 354.43, 1%, 0.81%

LAB 75.14, 37.12, 10.71

 

CMYK 0 / 31 / 27 / 0

HEX #FFB0BA

RGB 255 176 186

HSL 352.41, 1%, 0.85%

LAB 79.53, 30.16, 6.62

 

CMYK 0 / 24 / 20 / 0

HEX #FFC2CD

RGB 255 194 205

HSL 349.18, 1%, 0.88%

LAB 84.1, 23.39, 2.99

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 54 / 50 / 11

HEX #E46873

RGB 228 104 115

HSL 354.68, 0.7%, 0.65%

LAB 59.56, 49.15, 17.64

 

CMYK 0 / 59 / 55 / 17

HEX #D35660

RGB 211 86 96

HSL 355.2, 0.59%, 0.58%

LAB 53.33, 50.1, 19.84

 

CMYK 0 / 65 / 60 / 24

HEX #C2444D

RGB 194 68 77

HSL 355.71, 0.51%, 0.51%

LAB 47.16, 50.9, 22.47

 

CMYK 0 / 72 / 67 / 31

HEX #B1323A

RGB 177 50 58

HSL 356.22, 0.56%, 0.45%

LAB 41.11, 51.41, 25.67

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 50 / 50 / 4

HEX #F57A7A

RGB 245 122 122

HSL 0, 0.86%, 0.72%

LAB 65.54, 47.05, 22.21

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 50 / 32 / 4

HEX #F57AA7

RGB 245 122 167

HSL 338.05, 0.86%, 0.72%

LAB 66.61, 51.77, -1.77

 

CMYK 0 / 50 / 18 / 4

HEX #F57AC8

RGB 245 122 200

HSL 321.95, 0.86%, 0.72%

LAB 67.65, 56.19, -18.81

 

CMYK 0 / 50 / 5 / 4

HEX #F57AE9

RGB 245 122 233

HSL 305.85, 0.86%, 0.72%

LAB 68.91, 61.32, -35.23

 

CMYK 9 / 50 / 0 / 4

HEX #DF7AF5

RGB 223 122 245

HSL 289.27, 0.86%, 0.72%

LAB 66.67, 57.44, -45.53

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 43 / 39 / 9

HEX #E9858F

RGB 233 133 143

HSL 354, 0.69%, 0.72%

LAB 66.58, 39.29, 11.56

 

CMYK 0 / 34 / 31 / 13

HEX #DD9198

RGB 221 145 152

HSL 354.47, 0.53%, 0.72%

LAB 67.94, 29.65, 8.22

 

CMYK 0 / 26 / 23 / 18

HEX #D29CA2

RGB 210 156 162

HSL 353.33, 0.38%, 0.72%

LAB 69.53, 20.99, 4.77

 

CMYK 0 / 15 / 14 / 22

HEX #C6A8AB

RGB 198 168 171

HSL 354, 0.21%, 0.72%

LAB 71.52, 11.41, 2.52

 

CMYK 0 / 50 / 19 / 4

HEX #F57AC7

RGB 245 122 199

HSL 322.44, 0.86%, 0.72%

LAB 67.62, 56.05, -18.3

 

CMYK 0 / 50 / 32 / 4

HEX #F57AA7

RGB 245 122 167

HSL 338.05, 0.86%, 0.72%

LAB 66.61, 51.77, -1.77

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 42 / 50 / 4

HEX #F58E7A

RGB 245 142 122

HSL 9.76, 0.86%, 0.72%

LAB 69.59, 36.98, 27.62

 

CMYK 0 / 29 / 50 / 4

HEX #F5AF7A

RGB 245 175 122

HSL 25.85, 0.86%, 0.72%

LAB 76.97, 19.69, 37.22

 

CMYK 0 / 81 / 73 / 6

HEX #EF2D40

RGB 239 45 64

HSL 354.12, 0.86%, 0.56%

LAB 52.51, 71.3, 38.56

 

CMYK 0 / 66 / 59 / 5

HEX #F25363

RGB 242 83 99

HSL 353.96, 0.86%, 0.64%

LAB 58, 61.75, 25.21

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 0 / 35 / 32 / 3

HEX #F7A0A9

RGB 247 160 169

HSL 353.79, 0.84%, 0.8%

LAB 74.69, 33.43, 8.83

 

CMYK 0 / 21 / 19 / 2

HEX #FAC6CB

RGB 250 198 203

HSL 354.23, 0.84%, 0.88%

LAB 84.5, 19.21, 4.57

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 5 / 0 / 50 / 4

HEX #E8F57A

RGB 232 245 122

HSL 66.34, 0.86%, 0.72%

LAB 93.39, -21.18, 57.12

 

CMYK 50 / 25 / 0 / 4

HEX #7AB7F5

RGB 122 183 245

HSL 210.24, 0.86%, 0.72%

LAB 72.63, -2.87, -36.83

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 45 / 0 / 50 / 4

HEX #86F57A

RGB 134 245 122

HSL 114.15, 0.86%, 0.72%

LAB 87.86, -55.13, 49.16

 

CMYK 50 / 45 / 0 / 4

HEX #7A86F5

RGB 122 134 245

HSL 234.15, 0.86%, 0.72%

LAB 59.69, 25.29, -57.2

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 5 / 0 / 50 / 4

HEX #E8F57A

RGB 232 245 122

HSL 66.34, 0.86%, 0.72%

LAB 93.39, -21.18, 57.12

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E8

RGB 122 245 232

HSL 173.66, 0.86%, 0.72%

LAB 89.52, -37.55, -4.34

 

CMYK 45 / 50 / 0 / 4

HEX #867AF5

RGB 134 122 245

HSL 245.85, 0.86%, 0.72%

LAB 57.64, 34.99, -60.44

 

CMYK 0 / 50 / 45 / 4

HEX #F57A86

RGB 245 122 134

HSL 354.15, 0.86%, 0.72%

LAB 65.79, 48.15, 15.77

 

CMYK 20 / 0 / 50 / 4

HEX #C3F57A

RGB 195 245 122

HSL 84.39, 0.86%, 0.72%

LAB 90.92, -35.14, 53.58

 

CMYK 50 / 0 / 5 / 4

HEX #7AF5E8

RGB 122 245 232

HSL 173.66, 0.86%, 0.72%

LAB 89.52, -37.55, -4.34

 

CMYK 30 / 50 / 0 / 4

HEX #AB7AF5

RGB 171 122 245

HSL 263.9, 0.86%, 0.72%

LAB 60.93, 43.83, -54.98

 

Description

Color code: RGB 245 122 134 | qconv.com Color code: RGB 245 122 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 122 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 122 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 45 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 45% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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