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Color name
RGB 245 117 60

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 117 60 it is the complementary color RGB 10 138 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 117 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 117 60 shade: RGB 250 117 55, RGB 255 135 74, RGB 255 153 93, RGB 255 171 112 and RGB 255 189 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 117 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 117 60 shade: RGB 245 117 60, RGB 228 99 41, RGB 211 81 22, RGB 194 63 3 and RGB 177 45 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 117 60 shade: RGB 244 117 61, RGB 244 68 61 and RGB 244 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 117 60 shade: RGB 244 117 61, RGB 244 167 61, RGB 244 216 61, RGB 223 244 61 and RGB 173 244 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 117 60 shade matches the following richer shades: RGB 244 117 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 117 60 shade: RGB 244 117 61, RGB 228 124 77, RGB 211 130 94, RGB 195 136 110 and RGB 178 143 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 117 60 shade: RGB 244 61 104, RGB 244 67 61, RGB 244 116 61, RGB 244 165 61 and RGB 244 214 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 117 60 shade: RGB 212 73 11, RGB 242 90 22, RGB 244 117 61, RGB 246 145 100 and RGB 248 173 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 117 60 shade: RGB 245 117 60, RGB 153 244 61 and RGB 61 79 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 117 60 shade: RGB 245 117 60, RGB 61 244 116 and RGB 116 61 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 117 60 shade: RGB 245 117 60, RGB 153 244 61, RGB 61 189 244 and RGB 153 61 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 117 60 shade: RGB 245 117 60, RGB 97 244 61, RGB 61 189 244 and RGB 208 61 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

Complementary color

CMYK 95 / 29 / 0 / 24

HEX #0A8AC3

RGB 10 138 195

HSL 198.49, 0.9%, 0.4%

LAB 54.22, -9.99, -38.12

 

CMYK 0 / 53 / 78 / 2

HEX #FA7537

RGB 250 117 55

HSL 19.08, 0.95%, 0.6%

LAB 64.42, 47.27, 56.32

 

CMYK 0 / 47 / 71 / 0

HEX #FF874A

RGB 255 135 74

HSL 20.22, 1%, 0.65%

LAB 68.81, 41.11, 52.16

 

CMYK 0 / 40 / 64 / 0

HEX #FF995D

RGB 255 153 93

HSL 22.22, 1%, 0.68%

LAB 72.78, 32.98, 47.24

 

CMYK 0 / 33 / 56 / 0

HEX #FFAB70

RGB 255 171 112

HSL 24.76, 1%, 0.72%

LAB 77.01, 24.94, 42.68

 

CMYK 0 / 26 / 49 / 0

HEX #FFBD83

RGB 255 189 131

HSL 28.06, 1%, 0.76%

LAB 81.45, 17.12, 38.51

 

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

CMYK 0 / 57 / 82 / 11

HEX #E46329

RGB 228 99 41

HSL 18.61, 0.78%, 0.53%

LAB 57.63, 47.22, 54.9

 

CMYK 0 / 62 / 90 / 17

HEX #D35116

RGB 211 81 22

HSL 18.73, 0.81%, 0.46%

LAB 51.6, 48.86, 56.14

 

CMYK 0 / 68 / 98 / 24

HEX #C23F03

RGB 194 63 3

HSL 18.85, 0.97%, 0.39%

LAB 45.68, 50.37, 56.15

 

CMYK 0 / 75 / 100 / 31

HEX #B12D00

RGB 177 45 0

HSL 15.25, 1%, 0.35%

LAB 39.96, 51.53, 52.45

 

CMYK 0 / 52 / 75 / 4

HEX #F4753D

RGB 244 117 61

HSL 18.36, 0.89%, 0.6%

LAB 63.58, 45.25, 52.41

 

CMYK 0 / 72 / 75 / 4

HEX #F4443D

RGB 244 68 61

HSL 2.3, 0.89%, 0.6%

LAB 55.79, 65.93, 44.15

 

CMYK 0 / 75 / 75 / 4

HEX #F43D3D

RGB 244 61 61

HSL 0, 0.89%, 0.6%

LAB 54.98, 68.19, 43.27

 

CMYK 0 / 52 / 75 / 4

HEX #F4753D

RGB 244 117 61

HSL 18.36, 0.89%, 0.6%

LAB 63.58, 45.25, 52.41

 

CMYK 0 / 32 / 75 / 4

HEX #F4A73D

RGB 244 167 61

HSL 34.75, 0.89%, 0.6%

LAB 74.32, 19.54, 63.18

 

CMYK 0 / 11 / 75 / 4

HEX #F4D83D

RGB 244 216 61

HSL 50.82, 0.89%, 0.6%

LAB 86.35, -5.88, 74.64

 

CMYK 9 / 0 / 75 / 4

HEX #DFF43D

RGB 223 244 61

HSL 66.89, 0.89%, 0.6%

LAB 92.01, -28.17, 79.29

 

CMYK 29 / 0 / 75 / 4

HEX #ADF43D

RGB 173 244 61

HSL 83.28, 0.89%, 0.6%

LAB 88.89, -47.32, 75.24

 

CMYK 0 / 52 / 75 / 4

HEX #F4753D

RGB 244 117 61

HSL 18.36, 0.89%, 0.6%

LAB 63.58, 45.25, 52.41

 

CMYK 0 / 52 / 75 / 4

HEX #F4753D

RGB 244 117 61

HSL 18.36, 0.89%, 0.6%

LAB 63.58, 45.25, 52.41

 

CMYK 0 / 46 / 66 / 11

HEX #E47C4D

RGB 228 124 77

HSL 18.68, 0.74%, 0.6%

LAB 62.88, 36.37, 42.98

 

CMYK 0 / 38 / 55 / 17

HEX #D3825E

RGB 211 130 94

HSL 18.46, 0.57%, 0.6%

LAB 62.19, 27.63, 32.54

 

CMYK 0 / 30 / 44 / 24

HEX #C3886E

RGB 195 136 110

HSL 18.35, 0.41%, 0.6%

LAB 61.94, 19.41, 23

 

CMYK 0 / 20 / 29 / 30

HEX #B28F7F

RGB 178 143 127

HSL 18.82, 0.25%, 0.6%

LAB 62.2, 10.8, 13.51

 

CMYK 0 / 75 / 57 / 4

HEX #F43D68

RGB 244 61 104

HSL 345.9, 0.89%, 0.6%

LAB 55.65, 70.39, 19.2

 

CMYK 0 / 73 / 75 / 4

HEX #F4433D

RGB 244 67 61

HSL 1.97, 0.89%, 0.6%

LAB 55.67, 66.27, 44.02

 

CMYK 0 / 52 / 75 / 4

HEX #F4743D

RGB 244 116 61

HSL 18.03, 0.89%, 0.6%

LAB 63.39, 45.73, 52.21

 

CMYK 0 / 32 / 75 / 4

HEX #F4A53D

RGB 244 165 61

HSL 34.1, 0.89%, 0.6%

LAB 73.86, 20.59, 62.73

 

CMYK 0 / 12 / 75 / 4

HEX #F4D63D

RGB 244 214 61

HSL 50.16, 0.89%, 0.6%

LAB 85.84, -4.86, 74.17

 

CMYK 0 / 66 / 95 / 17

HEX #D4490B

RGB 212 73 11

HSL 18.51, 0.9%, 0.44%

LAB 50.44, 52.53, 58.6

 

CMYK 0 / 63 / 91 / 5

HEX #F25A16

RGB 242 90 22

HSL 18.55, 0.89%, 0.52%

LAB 58.27, 55.86, 63.3

 

CMYK 0 / 52 / 75 / 4

HEX #F4753D

RGB 244 117 61

HSL 18.36, 0.89%, 0.6%

LAB 63.58, 45.25, 52.41

 

CMYK 0 / 41 / 59 / 4

HEX #F69164

RGB 246 145 100

HSL 18.49, 0.89%, 0.68%

LAB 70.01, 34.05, 40.04

 

CMYK 0 / 30 / 44 / 3

HEX #F8AD8B

RGB 248 173 139

HSL 18.72, 0.89%, 0.76%

LAB 77.11, 23.55, 28.49

 

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

CMYK 37 / 0 / 75 / 4

HEX #99F43D

RGB 153 244 61

HSL 89.84, 0.89%, 0.6%

LAB 87.88, -54.25, 73.93

 

CMYK 75 / 68 / 0 / 4

HEX #3D4FF4

RGB 61 79 244

HSL 234.1, 0.89%, 0.6%

LAB 42.94, 48.47, -83.98

 

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

CMYK 75 / 0 / 52 / 4

HEX #3DF474

RGB 61 244 116

HSL 138.03, 0.89%, 0.6%

LAB 85.48, -70.93, 48.59

 

CMYK 52 / 75 / 0 / 4

HEX #743DF4

RGB 116 61 244

HSL 258.03, 0.89%, 0.6%

LAB 43.63, 64.2, -82.7

 

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

CMYK 37 / 0 / 75 / 4

HEX #99F43D

RGB 153 244 61

HSL 89.84, 0.89%, 0.6%

LAB 87.88, -54.25, 73.93

 

CMYK 75 / 23 / 0 / 4

HEX #3DBDF4

RGB 61 189 244

HSL 198.03, 0.89%, 0.6%

LAB 72.17, -16.79, -37.15

 

CMYK 37 / 75 / 0 / 4

HEX #993DF4

RGB 153 61 244

HSL 270.16, 0.89%, 0.6%

LAB 47.81, 69.65, -75.69

 

CMYK 0 / 52 / 76 / 4

HEX #F5753C

RGB 245 117 60

HSL 18.49, 0.9%, 0.6%

LAB 63.72, 45.58, 53.07

 

CMYK 60 / 0 / 75 / 4

HEX #61F43D

RGB 97 244 61

HSL 108.2, 0.89%, 0.6%

LAB 85.8, -70.04, 71.19

 

CMYK 75 / 23 / 0 / 4

HEX #3DBDF4

RGB 61 189 244

HSL 198.03, 0.89%, 0.6%

LAB 72.17, -16.79, -37.15

 

CMYK 15 / 75 / 0 / 4

HEX #D03DF4

RGB 208 61 244

HSL 288.2, 0.89%, 0.6%

LAB 55.36, 79.24, -63.1

 

Description

Color code: RGB 245 117 60 | qconv.com Color code: RGB 245 117 60 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 117 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 117 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 76% 4% C M Y K

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Provide designers and agencies with accurate color values.

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