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Color name
RGB 245 105 209

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 105 209 it is the complementary color RGB 10 150 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 105 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 105 209 shade: RGB 250 105 204, RGB 255 123 223, RGB 255 141 242, RGB 255 159 255 and RGB 255 177 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 105 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 105 209 shade: RGB 245 105 209, RGB 228 87 190, RGB 211 69 171, RGB 194 51 152 and RGB 177 33 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 105 209 shade: RGB 245 106 209, RGB 245 106 172, RGB 245 106 134 and RGB 245 106 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 105 209 shade: RGB 245 106 209, RGB 243 106 245, RGB 206 106 245, RGB 168 106 245 and RGB 131 106 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 105 209 shade matches the following richer shades: RGB 245 106 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 105 209 shade: RGB 245 106 209, RGB 232 119 203, RGB 219 131 197, RGB 207 144 191 and RGB 194 157 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 105 209 shade: RGB 206 106 245, RGB 243 106 245, RGB 245 106 210, RGB 245 106 173 and RGB 245 106 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 105 209 shade: RGB 240 28 186, RGB 243 67 197, RGB 245 106 209, RGB 247 145 221 and RGB 250 183 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 105 209 shade: RGB 245 105 209, RGB 245 168 106 and RGB 106 245 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 105 209 shade: RGB 245 105 209, RGB 210 245 106 and RGB 106 210 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 105 209 shade: RGB 245 105 209, RGB 245 168 106, RGB 106 245 141 and RGB 106 182 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 105 209 shade: RGB 245 105 209, RGB 245 210 106, RGB 106 245 141 and RGB 106 141 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

Complementary color

CMYK 93 / 0 / 69 / 41

HEX #0A962E

RGB 10 150 46

HSL 135.43, 0.88%, 0.31%

LAB 54.11, -54.7, 43.77

 

CMYK 0 / 58 / 18 / 2

HEX #FA69CC

RGB 250 105 204

HSL 319.03, 0.94%, 0.7%

LAB 65.58, 65.95, -24.15

 

CMYK 0 / 52 / 13 / 0

HEX #FF7BDF

RGB 255 123 223

HSL 314.55, 1%, 0.74%

LAB 70, 62.09, -27.9

 

CMYK 0 / 45 / 5 / 0

HEX #FF8DF2

RGB 255 141 242

HSL 306.84, 1%, 0.78%

LAB 74.01, 56.55, -32.16

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

CMYK 0 / 62 / 17 / 11

HEX #E457BE

RGB 228 87 190

HSL 316.17, 0.72%, 0.62%

LAB 59, 65.55, -26.59

 

CMYK 0 / 67 / 19 / 17

HEX #D345AB

RGB 211 69 171

HSL 316.9, 0.62%, 0.55%

LAB 53, 65.5, -25.08

 

CMYK 0 / 74 / 22 / 24

HEX #C23398

RGB 194 51 152

HSL 317.62, 0.58%, 0.48%

LAB 47.11, 64.96, -23.16

 

CMYK 0 / 81 / 25 / 31

HEX #B12185

RGB 177 33 133

HSL 318.33, 0.69%, 0.41%

LAB 41.42, 63.67, -20.67

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 0 / 57 / 30 / 4

HEX #F56AAC

RGB 245 106 172

HSL 331.51, 0.87%, 0.69%

LAB 63.92, 59.85, -8.6

 

CMYK 0 / 57 / 45 / 4

HEX #F56A86

RGB 245 106 134

HSL 347.91, 0.87%, 0.69%

LAB 62.88, 55.71, 11.7

 

CMYK 0 / 57 / 57 / 4

HEX #F56A6A

RGB 245 106 106

HSL 0, 0.87%, 0.69%

LAB 62.31, 53.36, 26.94

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 1 / 57 / 0 / 4

HEX #F36AF5

RGB 243 106 245

HSL 299.14, 0.87%, 0.69%

LAB 66.49, 70.01, -45.65

 

CMYK 16 / 57 / 0 / 4

HEX #CE6AF5

RGB 206 106 245

HSL 283.17, 0.87%, 0.69%

LAB 61.67, 60.84, -53.57

 

CMYK 31 / 57 / 0 / 4

HEX #A86AF5

RGB 168 106 245

HSL 266.76, 0.87%, 0.69%

LAB 57.29, 51.72, -60.81

 

CMYK 47 / 57 / 0 / 4

HEX #836AF5

RGB 131 106 245

HSL 250.79, 0.87%, 0.69%

LAB 53.74, 43.58, -66.73

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 0 / 49 / 13 / 9

HEX #E877CB

RGB 232 119 203

HSL 315.4, 0.71%, 0.69%

LAB 65.48, 54.16, -23.95

 

CMYK 0 / 40 / 10 / 14

HEX #DB83C5

RGB 219 131 197

HSL 315, 0.55%, 0.69%

LAB 66, 43.08, -19.94

 

CMYK 0 / 30 / 8 / 19

HEX #CF90BF

RGB 207 144 191

HSL 315.24, 0.4%, 0.69%

LAB 67.26, 31.15, -14.81

 

CMYK 0 / 19 / 5 / 24

HEX #C29DB8

RGB 194 157 184

HSL 316.22, 0.23%, 0.69%

LAB 68.78, 18.26, -8.76

 

CMYK 16 / 57 / 0 / 4

HEX #CE6AF5

RGB 206 106 245

HSL 283.17, 0.87%, 0.69%

LAB 61.67, 60.84, -53.57

 

CMYK 1 / 57 / 0 / 4

HEX #F36AF5

RGB 243 106 245

HSL 299.14, 0.87%, 0.69%

LAB 66.49, 70.01, -45.65

 

CMYK 0 / 57 / 14 / 4

HEX #F56AD2

RGB 245 106 210

HSL 315.11, 0.87%, 0.69%

LAB 65.26, 64.99, -28.08

 

CMYK 0 / 57 / 29 / 4

HEX #F56AAD

RGB 245 106 173

HSL 331.08, 0.87%, 0.69%

LAB 63.95, 59.97, -9.12

 

CMYK 0 / 57 / 44 / 4

HEX #F56A88

RGB 245 106 136

HSL 347.05, 0.87%, 0.69%

LAB 62.93, 55.9, 10.61

 

CMYK 0 / 88 / 23 / 6

HEX #F01CBA

RGB 240 28 186

HSL 315.28, 0.88%, 0.53%

LAB 54.97, 84.41, -30.37

 

CMYK 0 / 72 / 19 / 5

HEX #F343C5

RGB 243 67 197

HSL 315.68, 0.88%, 0.61%

LAB 59.07, 77.48, -30.31

 

CMYK 0 / 57 / 15 / 4

HEX #F56AD1

RGB 245 106 209

HSL 315.54, 0.87%, 0.69%

LAB 65.22, 64.85, -27.57

 

CMYK 0 / 41 / 11 / 3

HEX #F791DD

RGB 247 145 221

HSL 315.29, 0.86%, 0.77%

LAB 73.05, 48.69, -22.22

 

CMYK 0 / 27 / 7 / 2

HEX #FAB7E9

RGB 250 183 233

HSL 315.22, 0.87%, 0.85%

LAB 81.88, 31.92, -15.36

 

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

CMYK 0 / 31 / 57 / 4

HEX #F5A86A

RGB 245 168 106

HSL 26.76, 0.87%, 0.69%

LAB 75.11, 22.05, 43.16

 

CMYK 57 / 0 / 9 / 4

HEX #6AF5E0

RGB 106 245 224

HSL 170.94, 0.87%, 0.69%

LAB 88.8, -42.67, -1.27

 

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

CMYK 14 / 0 / 57 / 4

HEX #D2F56A

RGB 210 245 106

HSL 75.11, 0.87%, 0.69%

LAB 91.71, -31.01, 61.9

 

CMYK 57 / 14 / 0 / 4

HEX #6AD2F5

RGB 106 210 245

HSL 195.11, 0.87%, 0.69%

LAB 79.47, -20.46, -26.34

 

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

CMYK 0 / 31 / 57 / 4

HEX #F5A86A

RGB 245 168 106

HSL 26.76, 0.87%, 0.69%

LAB 75.11, 22.05, 43.16

 

CMYK 57 / 0 / 42 / 4

HEX #6AF58D

RGB 106 245 141

HSL 135.11, 0.87%, 0.69%

LAB 87.14, -59.53, 38.92

 

CMYK 57 / 26 / 0 / 4

HEX #6AB6F5

RGB 106 182 245

HSL 207.19, 0.87%, 0.69%

LAB 71.63, -5.69, -38.43

 

CMYK 0 / 57 / 15 / 4

HEX #F569D1

RGB 245 105 209

HSL 315.43, 0.88%, 0.69%

LAB 65.06, 65.28, -27.82

 

CMYK 0 / 14 / 57 / 4

HEX #F5D26A

RGB 245 210 106

HSL 44.89, 0.87%, 0.69%

LAB 85.27, 0.12, 55.25

 

CMYK 57 / 0 / 42 / 4

HEX #6AF58D

RGB 106 245 141

HSL 135.11, 0.87%, 0.69%

LAB 87.14, -59.53, 38.92

 

CMYK 57 / 42 / 0 / 4

HEX #6A8DF5

RGB 106 141 245

HSL 224.89, 0.87%, 0.69%

LAB 60.52, 17.82, -55.93

 

Description

Color code: RGB 245 105 209 | qconv.com Color code: RGB 245 105 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 105 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 105 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 15 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 15% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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