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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 87 190 it is the complementary color RGB 11 168 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 87 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 87 190 shade: RGB 249 87 185, RGB 255 105 204, RGB 255 123 223, RGB 255 141 242 and RGB 255 159 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 87 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 227 69 171, RGB 210 51 152, RGB 193 33 133 and RGB 176 15 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 244 87 147, RGB 244 87 105 and RGB 244 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 244 87 232, RGB 213 87 244, RGB 171 87 244 and RGB 128 87 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 87 190 shade matches the following richer shades: RGB 244 87 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 229 101 185, RGB 215 116 181, RGB 200 130 176 and RGB 186 144 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 87 190 shade: RGB 212 87 244, RGB 244 87 233, RGB 244 87 191, RGB 244 87 150 and RGB 244 87 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 87 190 shade: RGB 234 14 158, RGB 241 48 175, RGB 244 87 190, RGB 246 125 205 and RGB 249 164 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 244 170 87 and RGB 87 244 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 191 244 87 and RGB 87 191 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 244 170 87, RGB 87 244 139 and RGB 87 160 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 87 190 shade: RGB 244 87 190, RGB 244 218 87, RGB 87 244 139 and RGB 87 113 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

Complementary color

CMYK 93 / 0 / 61 / 34

HEX #0BA841

RGB 11 168 65

HSL 140.64, 0.88%, 0.35%

LAB 60.3, -58.11, 42.23

 

CMYK 0 / 65 / 26 / 2

HEX #F957B9

RGB 249 87 185

HSL 323.7, 0.93%, 0.66%

LAB 62.05, 70.5, -18.78

 

CMYK 0 / 59 / 20 / 0

HEX #FF69CC

RGB 255 105 204

HSL 320.4, 1%, 0.71%

LAB 66.31, 67.34, -22.97

 

CMYK 0 / 52 / 13 / 0

HEX #FF7BDF

RGB 255 123 223

HSL 314.55, 1%, 0.74%

LAB 70, 62.09, -27.9

 

CMYK 0 / 45 / 5 / 0

HEX #FF8DF2

RGB 255 141 242

HSL 306.84, 1%, 0.78%

LAB 74.01, 56.55, -32.16

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 70 / 25 / 11

HEX #E345AB

RGB 227 69 171

HSL 321.27, 0.74%, 0.58%

LAB 55.61, 69.6, -20.84

 

CMYK 0 / 76 / 28 / 18

HEX #D23398

RGB 210 51 152

HSL 321.89, 0.64%, 0.51%

LAB 49.9, 68.88, -18.63

 

CMYK 0 / 83 / 31 / 24

HEX #C12185

RGB 193 33 133

HSL 322.5, 0.71%, 0.44%

LAB 44.4, 67.39, -15.83

 

CMYK 0 / 91 / 35 / 31

HEX #B00F72

RGB 176 15 114

HSL 323.11, 0.84%, 0.37%

LAB 39.22, 64.8, -12.25

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 64 / 40 / 4

HEX #F45793

RGB 244 87 147

HSL 337.07, 0.88%, 0.65%

LAB 60.03, 64.8, 0.06

 

CMYK 0 / 64 / 57 / 4

HEX #F45769

RGB 244 87 105

HSL 353.12, 0.88%, 0.65%

LAB 59.04, 61.19, 23.16

 

CMYK 0 / 64 / 64 / 4

HEX #F45757

RGB 244 87 87

HSL 0, 0.88%, 0.65%

LAB 58.73, 60.04, 33.11

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 64 / 5 / 4

HEX #F457E8

RGB 244 87 232

HSL 304.59, 0.88%, 0.65%

LAB 63.24, 75.82, -43.54

 

CMYK 13 / 64 / 0 / 4

HEX #D557F4

RGB 213 87 244

HSL 288.15, 0.88%, 0.65%

LAB 59.43, 70.76, -56.53

 

CMYK 30 / 64 / 0 / 4

HEX #AB57F4

RGB 171 87 244

HSL 272.1, 0.88%, 0.65%

LAB 54.03, 61.67, -65.49

 

CMYK 48 / 64 / 0 / 4

HEX #8057F4

RGB 128 87 244

HSL 255.67, 0.88%, 0.65%

LAB 49.42, 53.22, -73.18

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 56 / 19 / 10

HEX #E565B9

RGB 229 101 185

HSL 320.63, 0.71%, 0.65%

LAB 61.19, 59.05, -20.36

 

CMYK 0 / 46 / 16 / 16

HEX #D774B5

RGB 215 116 181

HSL 320.61, 0.55%, 0.65%

LAB 61.89, 46.94, -17.19

 

CMYK 0 / 35 / 12 / 22

HEX #C882B0

RGB 200 130 176

HSL 320.57, 0.39%, 0.65%

LAB 62.83, 33.79, -13.11

 

CMYK 0 / 23 / 8 / 27

HEX #BA90AC

RGB 186 144 172

HSL 320, 0.23%, 0.65%

LAB 64.45, 20.48, -8.57

 

CMYK 13 / 64 / 0 / 4

HEX #D457F4

RGB 212 87 244

HSL 287.77, 0.88%, 0.65%

LAB 59.29, 70.54, -56.76

 

CMYK 0 / 64 / 5 / 4

HEX #F457E9

RGB 244 87 233

HSL 304.2, 0.88%, 0.65%

LAB 63.29, 75.97, -44.02

 

CMYK 0 / 64 / 22 / 4

HEX #F457BF

RGB 244 87 191

HSL 320.25, 0.88%, 0.65%

LAB 61.49, 69.94, -23.13

 

CMYK 0 / 64 / 39 / 4

HEX #F45796

RGB 244 87 150

HSL 335.92, 0.88%, 0.65%

LAB 60.12, 65.11, -1.56

 

CMYK 0 / 64 / 56 / 4

HEX #F4576C

RGB 244 87 108

HSL 351.97, 0.88%, 0.65%

LAB 59.1, 61.4, 21.5

 

CMYK 0 / 94 / 32 / 8

HEX #EA0E9E

RGB 234 14 158

HSL 320.73, 0.89%, 0.49%

LAB 52.15, 81.77, -18.38

 

CMYK 0 / 80 / 27 / 5

HEX #F130AF

RGB 241 48 175

HSL 320.52, 0.87%, 0.57%

LAB 56, 79.57, -22.37

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 49 / 17 / 4

HEX #F67DCD

RGB 246 125 205

HSL 320.33, 0.87%, 0.73%

LAB 68.51, 55.79, -20.29

 

CMYK 0 / 34 / 12 / 2

HEX #F9A4DC

RGB 249 164 220

HSL 320.47, 0.88%, 0.81%

LAB 77.2, 39.4, -15.38

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 30 / 64 / 4

HEX #F4AA57

RGB 244 170 87

HSL 31.72, 0.88%, 0.65%

LAB 75.25, 19.28, 52.68

 

CMYK 64 / 0 / 5 / 4

HEX #57F4E9

RGB 87 244 233

HSL 175.8, 0.88%, 0.65%

LAB 88.26, -43.13, -6.83

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 22 / 0 / 64 / 4

HEX #BFF457

RGB 191 244 87

HSL 80.25, 0.88%, 0.65%

LAB 90.08, -39.16, 67.61

 

CMYK 64 / 22 / 0 / 4

HEX #57BFF4

RGB 87 191 244

HSL 200.25, 0.88%, 0.65%

LAB 73.43, -14.27, -35.15

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 30 / 64 / 4

HEX #F4AA57

RGB 244 170 87

HSL 31.72, 0.88%, 0.65%

LAB 75.25, 19.28, 52.68

 

CMYK 64 / 0 / 43 / 4

HEX #57F48B

RGB 87 244 139

HSL 139.87, 0.88%, 0.65%

LAB 86.3, -63.34, 38.72

 

CMYK 64 / 34 / 0 / 4

HEX #57A0F4

RGB 87 160 244

HSL 212.1, 0.88%, 0.65%

LAB 64.72, 2.87, -48.77

 

CMYK 0 / 64 / 22 / 4

HEX #F457BE

RGB 244 87 190

HSL 320.64, 0.88%, 0.65%

LAB 61.45, 69.81, -22.62

 

CMYK 0 / 11 / 64 / 4

HEX #F4DA57

RGB 244 218 87

HSL 50.06, 0.88%, 0.65%

LAB 87.03, -5.61, 65.56

 

CMYK 64 / 0 / 43 / 4

HEX #57F48B

RGB 87 244 139

HSL 139.87, 0.88%, 0.65%

LAB 86.3, -63.34, 38.72

 

CMYK 64 / 54 / 0 / 4

HEX #5771F4

RGB 87 113 244

HSL 230.06, 0.88%, 0.65%

LAB 52.25, 31.07, -68.72

 

Description

Color code: RGB 244 87 190 | qconv.com Color code: RGB 244 87 190 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 87 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 87 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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