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Color name
RGB 244 82 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 82 57 it is the complementary color RGB 11 173 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 82 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 82 57 shade: RGB 249 82 52, RGB 255 100 71, RGB 255 118 90, RGB 255 136 109 and RGB 255 154 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 82 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 82 57 shade: RGB 244 82 57, RGB 227 64 38, RGB 210 46 19, RGB 193 28 0 and RGB 176 10 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 82 57 shade: RGB 243 82 57 and RGB 243 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 82 57 shade: RGB 243 82 57, RGB 243 132 57, RGB 243 182 57, RGB 243 232 57 and RGB 203 243 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 82 57 shade matches the following richer shades: RGB 243 82 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 82 57 shade: RGB 243 82 57, RGB 226 94 74, RGB 209 107 91, RGB 192 119 108 and RGB 175 131 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 82 57 shade: RGB 243 57 131, RGB 243 57 82, RGB 243 82 57, RGB 243 131 57 and RGB 243 181 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 82 57 shade: RGB 206 37 12, RGB 241 48 18, RGB 243 82 57, RGB 245 116 96 and RGB 248 150 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 82 57 shade: RGB 244 82 57, RGB 181 243 57 and RGB 57 107 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 82 57 shade: RGB 244 82 57, RGB 57 243 82 and RGB 82 57 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 82 57 shade: RGB 244 82 57, RGB 181 243 57, RGB 57 218 243 and RGB 119 57 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 82 57 shade: RGB 244 82 57, RGB 125 243 57, RGB 57 218 243 and RGB 175 57 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

Complementary color

CMYK 94 / 13 / 0 / 22

HEX #0BADC6

RGB 11 173 198

HSL 188.02, 0.89%, 0.41%

LAB 64.99, -27.57, -23.1

 

CMYK 0 / 67 / 79 / 2

HEX #F95234

RGB 249 82 52

HSL 9.14, 0.94%, 0.59%

LAB 58.44, 62.11, 51.82

 

CMYK 0 / 61 / 72 / 0

HEX #FF6447

RGB 255 100 71

HSL 9.46, 1%, 0.64%

LAB 62.36, 57.43, 46.6

 

CMYK 0 / 54 / 65 / 0

HEX #FF765A

RGB 255 118 90

HSL 10.18, 1%, 0.68%

LAB 65.71, 50.24, 40.41

 

CMYK 0 / 47 / 57 / 0

HEX #FF886D

RGB 255 136 109

HSL 11.1, 1%, 0.71%

LAB 69.45, 42.72, 34.79

 

CMYK 0 / 40 / 50 / 0

HEX #FF9A80

RGB 255 154 128

HSL 12.28, 1%, 0.75%

LAB 73.5, 35.11, 29.76

 

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

CMYK 0 / 72 / 83 / 11

HEX #E34026

RGB 227 64 38

HSL 8.25, 0.77%, 0.52%

LAB 51.99, 61.38, 51.1

 

CMYK 0 / 78 / 91 / 18

HEX #D22E13

RGB 210 46 19

HSL 8.48, 0.83%, 0.45%

LAB 46.58, 61.64, 53.52

 

CMYK 0 / 85 / 100 / 24

HEX #C11C00

RGB 193 28 0

HSL 8.7, 1%, 0.38%

LAB 41.48, 61.11, 55

 

CMYK 0 / 94 / 100 / 31

HEX #B00A00

RGB 176 10 0

HSL 3.41, 1%, 0.35%

LAB 36.83, 59.48, 51

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 46 / 77 / 5

HEX #F38439

RGB 243 132 57

HSL 24.19, 0.89%, 0.59%

LAB 66.41, 37.22, 57.04

 

CMYK 0 / 25 / 77 / 5

HEX #F3B639

RGB 243 182 57

HSL 40.32, 0.89%, 0.59%

LAB 77.76, 11.07, 67.96

 

CMYK 0 / 5 / 77 / 5

HEX #F3E839

RGB 243 232 57

HSL 56.45, 0.89%, 0.59%

LAB 90.35, -14.4, 79.53

 

CMYK 16 / 0 / 77 / 5

HEX #CBF339

RGB 203 243 57

HSL 72.9, 0.89%, 0.59%

LAB 90.36, -35.79, 78.45

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 58 / 67 / 11

HEX #E25E4A

RGB 226 94 74

HSL 7.89, 0.72%, 0.59%

LAB 56.75, 50.19, 37.32

 

CMYK 0 / 49 / 56 / 18

HEX #D16B5B

RGB 209 107 91

HSL 8.14, 0.56%, 0.59%

LAB 56.91, 38.73, 27.4

 

CMYK 0 / 38 / 44 / 25

HEX #C0776C

RGB 192 119 108

HSL 7.86, 0.4%, 0.59%

LAB 57.54, 27.33, 18.12

 

CMYK 0 / 25 / 29 / 31

HEX #AF837D

RGB 175 131 125

HSL 7.2, 0.24%, 0.59%

LAB 58.81, 16.05, 9.83

 

CMYK 0 / 77 / 46 / 5

HEX #F33983

RGB 243 57 131

HSL 336.13, 0.89%, 0.59%

LAB 55.7, 73.34, 3.17

 

CMYK 0 / 77 / 66 / 5

HEX #F33952

RGB 243 57 82

HSL 351.94, 0.89%, 0.59%

LAB 54.65, 70.02, 30.86

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 46 / 77 / 5

HEX #F38339

RGB 243 131 57

HSL 23.87, 0.89%, 0.59%

LAB 66.2, 37.73, 56.84

 

CMYK 0 / 26 / 77 / 5

HEX #F3B539

RGB 243 181 57

HSL 40, 0.89%, 0.59%

LAB 77.52, 11.59, 67.73

 

CMYK 0 / 82 / 94 / 19

HEX #CE250C

RGB 206 37 12

HSL 7.73, 0.89%, 0.43%

LAB 44.9, 62.82, 54.42

 

CMYK 0 / 80 / 93 / 5

HEX #F13012

RGB 241 48 18

HSL 8.07, 0.89%, 0.51%

LAB 52.79, 70, 60.83

 

CMYK 0 / 66 / 77 / 5

HEX #F35239

RGB 243 82 57

HSL 8.06, 0.89%, 0.59%

LAB 57.45, 60.34, 47.97

 

CMYK 0 / 53 / 61 / 4

HEX #F57460

RGB 245 116 96

HSL 8.05, 0.88%, 0.67%

LAB 63.96, 47.96, 34.65

 

CMYK 0 / 40 / 46 / 3

HEX #F89687

RGB 248 150 135

HSL 7.96, 0.89%, 0.75%

LAB 71.91, 35.19, 23.66

 

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

CMYK 26 / 0 / 77 / 5

HEX #B5F339

RGB 181 243 57

HSL 80, 0.89%, 0.59%

LAB 89.03, -44.17, 76.73

 

CMYK 77 / 56 / 0 / 5

HEX #396BF3

RGB 57 107 243

HSL 223.87, 0.89%, 0.59%

LAB 49.32, 30.57, -72.98

 

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

CMYK 77 / 0 / 66 / 5

HEX #39F352

RGB 57 243 82

HSL 128.06, 0.89%, 0.59%

LAB 84.78, -75.13, 62.43

 

CMYK 66 / 77 / 0 / 5

HEX #5239F3

RGB 82 57 243

HSL 248.06, 0.89%, 0.59%

LAB 39.9, 61.9, -88.38

 

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

CMYK 26 / 0 / 77 / 5

HEX #B5F339

RGB 181 243 57

HSL 80, 0.89%, 0.59%

LAB 89.03, -44.17, 76.73

 

CMYK 77 / 10 / 0 / 5

HEX #39DAF3

RGB 57 218 243

HSL 188.06, 0.89%, 0.59%

LAB 80.45, -32.09, -23.89

 

CMYK 51 / 77 / 0 / 5

HEX #7739F3

RGB 119 57 243

HSL 260, 0.89%, 0.59%

LAB 43.24, 66.07, -82.76

 

CMYK 0 / 66 / 77 / 4

HEX #F45239

RGB 244 82 57

HSL 8.02, 0.89%, 0.59%

LAB 57.62, 60.66, 48.21

 

CMYK 49 / 0 / 77 / 5

HEX #7DF339

RGB 125 243 57

HSL 98.06, 0.89%, 0.59%

LAB 86.38, -62.76, 73.3

 

CMYK 77 / 10 / 0 / 5

HEX #39DAF3

RGB 57 218 243

HSL 188.06, 0.89%, 0.59%

LAB 80.45, -32.09, -23.89

 

CMYK 28 / 77 / 0 / 5

HEX #AF39F3

RGB 175 57 243

HSL 278.06, 0.89%, 0.59%

LAB 50.11, 74.51, -71.25

 

Description

Color code: RGB 244 82 57 | qconv.com Color code: RGB 244 82 57 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 82 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 82 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 77 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 77% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Express Booking @Lim...
Link: https://limo99.com.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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