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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 35 204 it is the complementary color RGB 11 220 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 35 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 35 204 shade: RGB 249 35 199, RGB 255 53 218, RGB 255 71 237, RGB 255 89 255 and RGB 255 107 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 35 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 35 204 shade: RGB 244 35 204, RGB 227 17 185, RGB 210 0 166, RGB 193 0 147 and RGB 176 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 35 204 shade: RGB 243 36 204, RGB 243 36 148, RGB 243 36 92 and RGB 243 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 35 204 shade: RGB 243 36 204, RGB 227 36 243, RGB 171 36 243, RGB 115 36 243 and RGB 60 36 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 35 204 shade matches the following richer shades: RGB 243 36 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 35 204 shade: RGB 243 36 204, RGB 224 55 192, RGB 206 74 181, RGB 187 92 169 and RGB 169 111 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 35 204 shade: RGB 171 36 243, RGB 226 36 243, RGB 243 36 205, RGB 243 36 150 and RGB 243 36 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 35 204 shade: RGB 188 9 153, RGB 227 11 186, RGB 243 36 204, RGB 245 76 213 and RGB 247 115 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 35 204 shade: RGB 244 35 204, RGB 243 116 36 and RGB 36 243 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 35 204 shade: RGB 244 35 204, RGB 205 243 36 and RGB 36 205 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 35 204 shade: RGB 244 35 204, RGB 243 116 36, RGB 36 243 74 and RGB 36 164 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 35 204 shade: RGB 244 35 204, RGB 243 178 36, RGB 36 243 74 and RGB 36 102 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

Complementary color

CMYK 95 / 0 / 77 / 14

HEX #0BDC33

RGB 11 220 51

HSL 131.48, 0.9%, 0.45%

LAB 76.98, -74.83, 65.27

 

CMYK 0 / 86 / 20 / 2

HEX #F923C7

RGB 249 35 199

HSL 314.02, 0.95%, 0.56%

LAB 57.53, 86.64, -33.77

 

CMYK 0 / 79 / 15 / 0

HEX #FF35DA

RGB 255 53 218

HSL 310.99, 1%, 0.6%

LAB 60.67, 86.63, -39.6

 

CMYK 0 / 72 / 7 / 0

HEX #FF47ED

RGB 255 71 237

HSL 305.87, 1%, 0.64%

LAB 63.24, 84.42, -46.2

 

CMYK 0 / 65 / 0 / 0

HEX #FF59FF

RGB 255 89 255

HSL 300, 1%, 0.67%

LAB 66.23, 81.18, -51.43

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

CMYK 0 / 93 / 19 / 11

HEX #E311B9

RGB 227 17 185

HSL 312, 0.86%, 0.48%

LAB 52.1, 83.13, -34.44

 

CMYK 0 / 100 / 21 / 18

HEX #D200A6

RGB 210 0 166

HSL 312.57, 1%, 0.41%

LAB 47.57, 79.06, -30.58

 

CMYK 0 / 100 / 24 / 24

HEX #C10093

RGB 193 0 147

HSL 314.3, 1%, 0.38%

LAB 43.42, 73.59, -25.87

 

CMYK 0 / 100 / 27 / 31

HEX #B00080

RGB 176 0 128

HSL 316.36, 1%, 0.35%

LAB 39.22, 68.04, -20.99

 

CMYK 0 / 85 / 16 / 5

HEX #F324CC

RGB 243 36 204

HSL 311.3, 0.9%, 0.55%

LAB 56.76, 85.91, -37.91

 

CMYK 0 / 85 / 39 / 5

HEX #F32494

RGB 243 36 148

HSL 327.54, 0.9%, 0.55%

LAB 54.51, 79.75, -8.71

 

CMYK 0 / 85 / 62 / 5

HEX #F3245C

RGB 243 36 92

HSL 343.77, 0.9%, 0.55%

LAB 53.05, 75.59, 22.86

 

CMYK 0 / 85 / 85 / 5

HEX #F32424

RGB 243 36 36

HSL 0, 0.9%, 0.55%

LAB 52.34, 73.51, 53.53

 

CMYK 0 / 85 / 16 / 5

HEX #F324CC

RGB 243 36 204

HSL 311.3, 0.9%, 0.55%

LAB 56.76, 85.91, -37.91

 

CMYK 7 / 85 / 0 / 5

HEX #E324F3

RGB 227 36 243

HSL 295.36, 0.9%, 0.55%

LAB 56.15, 88.52, -61.11

 

CMYK 30 / 85 / 0 / 5

HEX #AB24F3

RGB 171 36 243

HSL 279.13, 0.9%, 0.55%

LAB 47.48, 79.92, -75.55

 

CMYK 53 / 85 / 0 / 5

HEX #7324F3

RGB 115 36 243

HSL 262.9, 0.9%, 0.55%

LAB 40.21, 73.21, -87.77

 

CMYK 75 / 85 / 0 / 5

HEX #3C24F3

RGB 60 36 243

HSL 246.96, 0.9%, 0.55%

LAB 35.39, 69.16, -95.91

 

CMYK 0 / 85 / 16 / 5

HEX #F324CC

RGB 243 36 204

HSL 311.3, 0.9%, 0.55%

LAB 56.76, 85.91, -37.91

 

CMYK 0 / 85 / 16 / 5

HEX #F324CC

RGB 243 36 204

HSL 311.3, 0.9%, 0.55%

LAB 56.76, 85.91, -37.91

 

CMYK 0 / 75 / 14 / 12

HEX #E037C0

RGB 224 55 192

HSL 311.36, 0.73%, 0.55%

LAB 54.43, 76.1, -34.89

 

CMYK 0 / 64 / 12 / 19

HEX #CE4AB5

RGB 206 74 181

HSL 311.36, 0.57%, 0.55%

LAB 53.34, 63.71, -30.45

 

CMYK 0 / 51 / 10 / 27

HEX #BB5CA9

RGB 187 92 169

HSL 311.37, 0.41%, 0.55%

LAB 53.04, 48.36, -24.14

 

CMYK 0 / 34 / 7 / 34

HEX #A96F9E

RGB 169 111 158

HSL 311.38, 0.25%, 0.55%

LAB 54.31, 30.47, -15.98

 

CMYK 30 / 85 / 0 / 5

HEX #AB24F3

RGB 171 36 243

HSL 279.13, 0.9%, 0.55%

LAB 47.48, 79.92, -75.55

 

CMYK 7 / 85 / 0 / 5

HEX #E224F3

RGB 226 36 243

HSL 295.07, 0.9%, 0.55%

LAB 55.99, 88.35, -61.38

 

CMYK 0 / 85 / 16 / 5

HEX #F324CD

RGB 243 36 205

HSL 311.01, 0.9%, 0.55%

LAB 56.81, 86.04, -38.41

 

CMYK 0 / 85 / 38 / 5

HEX #F32496

RGB 243 36 150

HSL 326.96, 0.9%, 0.55%

LAB 54.57, 79.94, -9.79

 

CMYK 0 / 85 / 61 / 5

HEX #F3245F

RGB 243 36 95

HSL 342.9, 0.9%, 0.55%

LAB 53.11, 75.76, 21.13

 

CMYK 0 / 95 / 19 / 26

HEX #BC0999

RGB 188 9 153

HSL 311.73, 0.91%, 0.39%

LAB 43.04, 72.5, -30.17

 

CMYK 0 / 95 / 18 / 11

HEX #E30BBA

RGB 227 11 186

HSL 311.39, 0.91%, 0.47%

LAB 51.97, 83.78, -35.23

 

CMYK 0 / 85 / 16 / 5

HEX #F324CC

RGB 243 36 204

HSL 311.3, 0.9%, 0.55%

LAB 56.76, 85.91, -37.91

 

CMYK 0 / 69 / 13 / 4

HEX #F54CD5

RGB 245 76 213

HSL 311.36, 0.89%, 0.63%

LAB 61.12, 77.18, -36.18

 

CMYK 0 / 53 / 10 / 3

HEX #F773DE

RGB 247 115 222

HSL 311.36, 0.89%, 0.71%

LAB 67.51, 63.35, -31.28

 

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

CMYK 0 / 52 / 85 / 5

HEX #F37424

RGB 243 116 36

HSL 23.19, 0.9%, 0.55%

LAB 63.07, 44.57, 62.45

 

CMYK 85 / 0 / 19 / 5

HEX #24F3C6

RGB 36 243 198

HSL 166.96, 0.9%, 0.55%

LAB 86.28, -57.12, 8.47

 

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

CMYK 16 / 0 / 85 / 5

HEX #CDF324

RGB 205 243 36

HSL 71.01, 0.9%, 0.55%

LAB 90.42, -35.71, 83.65

 

CMYK 85 / 16 / 0 / 5

HEX #24CDF3

RGB 36 205 243

HSL 191.01, 0.9%, 0.55%

LAB 76.38, -27.48, -30.14

 

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

CMYK 0 / 52 / 85 / 5

HEX #F37424

RGB 243 116 36

HSL 23.19, 0.9%, 0.55%

LAB 63.07, 44.57, 62.45

 

CMYK 85 / 0 / 70 / 5

HEX #24F34A

RGB 36 243 74

HSL 131.01, 0.9%, 0.55%

LAB 84.47, -78.07, 65.05

 

CMYK 85 / 33 / 0 / 5

HEX #24A4F3

RGB 36 164 243

HSL 202.9, 0.9%, 0.55%

LAB 64.48, -5.79, -48.69

 

CMYK 0 / 86 / 16 / 4

HEX #F423CC

RGB 244 35 204

HSL 311.48, 0.9%, 0.55%

LAB 56.87, 86.28, -37.72

 

CMYK 0 / 27 / 85 / 5

HEX #F3B224

RGB 243 178 36

HSL 41.16, 0.9%, 0.55%

LAB 76.69, 12.52, 73.63

 

CMYK 85 / 0 / 70 / 5

HEX #24F34A

RGB 36 243 74

HSL 131.01, 0.9%, 0.55%

LAB 84.47, -78.07, 65.05

 

CMYK 85 / 58 / 0 / 5

HEX #2466F3

RGB 36 102 243

HSL 220.87, 0.9%, 0.55%

LAB 47.43, 31.99, -76.09

 

Description

Color code: RGB 244 35 204 | qconv.com Color code: RGB 244 35 204 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 35 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 35 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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