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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 27 16 it is the complementary color RGB 11 228 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 27 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 27 16 shade: RGB 249 27 11, RGB 255 45 30, RGB 255 63 49, RGB 255 81 68 and RGB 255 99 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 27 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 27 16 shade: RGB 244 27 16, RGB 227 9 0, RGB 210 0 0, RGB 193 0 0 and RGB 176 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 27 16 shade: RGB 243 27 16 and RGB 243 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 27 16 shade: RGB 243 27 16, RGB 243 88 16, RGB 243 149 16, RGB 243 211 16 and RGB 214 243 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 27 16 shade matches the following richer shades: RGB 243 27 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 27 16 shade: RGB 243 27 16, RGB 223 45 36, RGB 203 63 56, RGB 183 82 76 and RGB 162 100 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 27 16 shade: RGB 243 16 130, RGB 243 16 69, RGB 243 23 16, RGB 243 84 16 and RGB 243 145 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 27 16 shade: RGB 169 15 7, RGB 208 19 9, RGB 243 27 16, RGB 245 64 55 and RGB 247 102 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 27 16 shade: RGB 244 27 16, RGB 190 243 16 and RGB 16 99 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 27 16 shade: RGB 244 27 16, RGB 16 243 23 and RGB 23 16 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 27 16 shade: RGB 244 27 16, RGB 190 243 16, RGB 16 236 243 and RGB 69 16 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 27 16 shade: RGB 244 27 16, RGB 122 243 16, RGB 16 236 243 and RGB 137 16 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

Complementary color

CMYK 95 / 5 / 0 / 6

HEX #0BE4EF

RGB 11 228 239

HSL 182.89, 0.91%, 0.49%

LAB 82.8, -40.66, -18.25

 

CMYK 0 / 89 / 96 / 2

HEX #F91B0B

RGB 249 27 11

HSL 4.03, 0.95%, 0.51%

LAB 52.89, 76.24, 63.68

 

CMYK 0 / 82 / 88 / 0

HEX #FF2D1E

RGB 255 45 30

HSL 4, 1%, 0.56%

LAB 55.31, 74.72, 59.5

 

CMYK 0 / 75 / 81 / 0

HEX #FF3F31

RGB 255 63 49

HSL 4.08, 1%, 0.6%

LAB 57.11, 70.4, 52.38

 

CMYK 0 / 68 / 73 / 0

HEX #FF5144

RGB 255 81 68

HSL 4.17, 1%, 0.63%

LAB 59.49, 64.96, 45

 

CMYK 0 / 61 / 66 / 0

HEX #FF6357

RGB 255 99 87

HSL 4.29, 1%, 0.67%

LAB 62.4, 58.64, 38.03

 

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

CMYK 0 / 96 / 100 / 11

HEX #E30900

RGB 227 9 0

HSL 2.38, 1%, 0.45%

LAB 47.66, 72.64, 61.65

 

CMYK 0 / 100 / 100 / 18

HEX #D20000

RGB 210 0 0

HSL 0, 1%, 0.41%

LAB 43.8, 69.2, 58.06

 

CMYK 0 / 100 / 100 / 24

HEX #C10000

RGB 193 0 0

HSL 0, 1%, 0.38%

LAB 40.14, 64.96, 54.51

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 89 / 93 / 5

HEX #F31B10

RGB 243 27 16

HSL 2.91, 0.9%, 0.51%

LAB 51.7, 74.75, 61.01

 

CMYK 0 / 93 / 93 / 5

HEX #F31010

RGB 243 16 16

HSL 0, 0.9%, 0.51%

LAB 51.22, 76.11, 60.75

 

CMYK 0 / 89 / 93 / 5

HEX #F31B10

RGB 243 27 16

HSL 2.91, 0.9%, 0.51%

LAB 51.7, 74.75, 61.01

 

CMYK 0 / 64 / 93 / 5

HEX #F35810

RGB 243 88 16

HSL 19.03, 0.9%, 0.51%

LAB 58.1, 56.97, 64.88

 

CMYK 0 / 39 / 93 / 5

HEX #F39510

RGB 243 149 16

HSL 35.15, 0.9%, 0.51%

LAB 69.89, 27.43, 72.81

 

CMYK 0 / 13 / 93 / 5

HEX #F3D310

RGB 243 211 16

HSL 51.54, 0.9%, 0.51%

LAB 84.83, -4.88, 83.65

 

CMYK 12 / 0 / 93 / 5

HEX #D6F310

RGB 214 243 16

HSL 67.67, 0.9%, 0.51%

LAB 90.98, -32.49, 87.31

 

CMYK 0 / 89 / 93 / 5

HEX #F31B10

RGB 243 27 16

HSL 2.91, 0.9%, 0.51%

LAB 51.7, 74.75, 61.01

 

CMYK 0 / 89 / 93 / 5

HEX #F31B10

RGB 243 27 16

HSL 2.91, 0.9%, 0.51%

LAB 51.7, 74.75, 61.01

 

CMYK 0 / 80 / 84 / 13

HEX #DF2D24

RGB 223 45 36

HSL 2.89, 0.75%, 0.51%

LAB 49.12, 66.01, 49.21

 

CMYK 0 / 69 / 72 / 20

HEX #CB3F38

RGB 203 63 56

HSL 2.86, 0.59%, 0.51%

LAB 47.67, 54.72, 35.83

 

CMYK 0 / 55 / 58 / 28

HEX #B7524C

RGB 183 82 76

HSL 3.36, 0.43%, 0.51%

LAB 47.78, 40.45, 23.53

 

CMYK 0 / 38 / 40 / 36

HEX #A26461

RGB 162 100 97

HSL 2.77, 0.26%, 0.51%

LAB 49.08, 24.68, 12.28

 

CMYK 0 / 93 / 47 / 5

HEX #F31082

RGB 243 16 130

HSL 329.87, 0.9%, 0.51%

LAB 52.99, 80.96, -0.18

 

CMYK 0 / 93 / 72 / 5

HEX #F31045

RGB 243 16 69

HSL 345.99, 0.9%, 0.51%

LAB 51.67, 77.36, 34.88

 

CMYK 0 / 91 / 93 / 5

HEX #F31710

RGB 243 23 16

HSL 1.85, 0.9%, 0.51%

LAB 51.5, 75.31, 60.9

 

CMYK 0 / 65 / 93 / 5

HEX #F35410

RGB 243 84 16

HSL 17.97, 0.9%, 0.51%

LAB 57.49, 58.61, 64.49

 

CMYK 0 / 40 / 93 / 5

HEX #F39110

RGB 243 145 16

HSL 34.1, 0.9%, 0.51%

LAB 69, 29.52, 72.18

 

CMYK 0 / 91 / 96 / 34

HEX #A90F07

RGB 169 15 7

HSL 2.96, 0.92%, 0.35%

LAB 35.58, 56.99, 46.71

 

CMYK 0 / 91 / 96 / 18

HEX #D01309

RGB 208 19 9

HSL 3.02, 0.92%, 0.43%

LAB 44.08, 66.82, 55.07

 

CMYK 0 / 89 / 93 / 5

HEX #F31B10

RGB 243 27 16

HSL 2.91, 0.9%, 0.51%

LAB 51.7, 74.75, 61.01

 

CMYK 0 / 74 / 78 / 4

HEX #F54037

RGB 245 64 55

HSL 2.84, 0.9%, 0.59%

LAB 55.44, 67.34, 47.04

 

CMYK 0 / 59 / 62 / 3

HEX #F7665F

RGB 247 102 95

HSL 2.76, 0.9%, 0.67%

LAB 61.74, 55.1, 32.48

 

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

CMYK 22 / 0 / 93 / 5

HEX #BEF310

RGB 190 243 16

HSL 74.01, 0.9%, 0.51%

LAB 89.43, -41.93, 85.44

 

CMYK 93 / 59 / 0 / 5

HEX #1063F3

RGB 16 99 243

HSL 218.06, 0.9%, 0.51%

LAB 46.32, 32.95, -77.92

 

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

CMYK 93 / 0 / 91 / 5

HEX #10F317

RGB 16 243 23

HSL 121.85, 0.9%, 0.51%

LAB 84.11, -82.15, 78.04

 

CMYK 91 / 93 / 0 / 5

HEX #1710F3

RGB 23 16 243

HSL 241.85, 0.9%, 0.51%

LAB 31.86, 73.84, -101.83

 

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

CMYK 22 / 0 / 93 / 5

HEX #BEF310

RGB 190 243 16

HSL 74.01, 0.9%, 0.51%

LAB 89.43, -41.93, 85.44

 

CMYK 93 / 3 / 0 / 5

HEX #10ECF3

RGB 16 236 243

HSL 181.85, 0.9%, 0.51%

LAB 85.29, -42.92, -16.61

 

CMYK 72 / 93 / 0 / 5

HEX #4510F3

RGB 69 16 243

HSL 254.01, 0.9%, 0.51%

LAB 34.2, 75.01, -97.86

 

CMYK 0 / 89 / 93 / 4

HEX #F41B10

RGB 244 27 16

HSL 2.89, 0.91%, 0.51%

LAB 51.9, 75.01, 61.23

 

CMYK 50 / 0 / 93 / 5

HEX #7AF310

RGB 122 243 16

HSL 91.98, 0.9%, 0.51%

LAB 86.14, -65.05, 81.43

 

CMYK 93 / 3 / 0 / 5

HEX #10ECF3

RGB 16 236 243

HSL 181.85, 0.9%, 0.51%

LAB 85.29, -42.92, -16.61

 

CMYK 44 / 93 / 0 / 5

HEX #8910F3

RGB 137 16 243

HSL 271.98, 0.9%, 0.51%

LAB 41.47, 79.67, -85.6

 

Description

Color code: RGB 244 27 16 | qconv.com Color code: RGB 244 27 16 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 27 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 27 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 93 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 93% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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