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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 178 225 it is the complementary color RGB 11 77 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 178 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 178 225 shade: RGB 249 178 220, RGB 255 196 239, RGB 255 214 255, RGB 255 232 255 and RGB 255 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 178 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 178 225 shade: RGB 244 178 225, RGB 227 160 206, RGB 210 142 187, RGB 193 124 168 and RGB 176 106 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 178 225 shade: RGB 244 179 225, RGB 244 179 207, RGB 244 179 190 and RGB 244 179 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 178 225 shade: RGB 244 179 225, RGB 244 179 242, RGB 227 179 244, RGB 210 179 244 and RGB 192 179 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 178 225 shade matches the following richer shades: RGB 244 179 225 and RGB 251 172 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 178 225 shade: RGB 244 179 225, RGB 237 186 222, RGB 230 193 219, RGB 223 200 216 and RGB 216 207 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 178 225 shade: RGB 227 179 244, RGB 244 179 243, RGB 244 179 225, RGB 244 179 208 and RGB 244 179 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 178 225 shade: RGB 233 106 197, RGB 239 143 211, RGB 244 179 225, RGB 249 215 239 and RGB 254 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 178 225 shade: RGB 244 178 225, RGB 244 210 179 and RGB 179 244 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 178 225 shade: RGB 244 178 225, RGB 225 244 179 and RGB 179 225 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 178 225 shade: RGB 244 178 225, RGB 244 210 179, RGB 179 244 197 and RGB 179 212 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 178 225 shade: RGB 244 178 225, RGB 244 230 179, RGB 179 244 197 and RGB 179 193 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

Complementary color

CMYK 86 / 0 / 61 / 70

HEX #0B4D1E

RGB 11 77 30

HSL 137.27, 0.75%, 0.17%

LAB 28.04, -31.36, 22.08

 

CMYK 0 / 29 / 12 / 2

HEX #F9B2DC

RGB 249 178 220

HSL 324.51, 0.86%, 0.84%

LAB 80.26, 32.06, -10.79

 

CMYK 0 / 23 / 6 / 0

HEX #FFC4EF

RGB 255 196 239

HSL 316.27, 1%, 0.88%

LAB 85.49, 27.76, -13.1

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

CMYK 0 / 30 / 9 / 11

HEX #E3A0CE

RGB 227 160 206

HSL 318.81, 0.54%, 0.76%

LAB 73.5, 31.87, -13.52

 

CMYK 0 / 32 / 11 / 18

HEX #D28EBB

RGB 210 142 187

HSL 320.29, 0.43%, 0.69%

LAB 67, 32.56, -12.92

 

CMYK 0 / 36 / 13 / 24

HEX #C17CA8

RGB 193 124 168

HSL 321.74, 0.36%, 0.62%

LAB 60.41, 33.31, -12.27

 

CMYK 0 / 40 / 15 / 31

HEX #B06A95

RGB 176 106 149

HSL 323.14, 0.31%, 0.55%

LAB 53.72, 34.1, -11.55

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 27 / 15 / 4

HEX #F4B3CF

RGB 244 179 207

HSL 334.15, 0.75%, 0.83%

LAB 79.6, 27.74, -4.8

 

CMYK 0 / 27 / 22 / 4

HEX #F4B3BE

RGB 244 179 190

HSL 349.85, 0.75%, 0.83%

LAB 79.15, 25.18, 3.75

 

CMYK 0 / 27 / 27 / 4

HEX #F4B3B3

RGB 244 179 179

HSL 0, 0.75%, 0.83%

LAB 78.88, 23.63, 9.33

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 27 / 1 / 4

HEX #F4B3F2

RGB 244 179 242

HSL 301.85, 0.75%, 0.83%

LAB 80.67, 33.66, -22.07

 

CMYK 7 / 27 / 0 / 4

HEX #E3B3F4

RGB 227 179 244

HSL 284.31, 0.75%, 0.83%

LAB 79.1, 28.62, -25.69

 

CMYK 14 / 27 / 0 / 4

HEX #D2B3F4

RGB 210 179 244

HSL 268.62, 0.75%, 0.83%

LAB 77.56, 23.3, -28.18

 

CMYK 21 / 27 / 0 / 4

HEX #C0B3F4

RGB 192 179 244

HSL 252, 0.75%, 0.83%

LAB 76.06, 17.8, -30.62

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 31 / 9 / 2

HEX #FBACE4

RGB 251 172 228

HSL 317.47, 0.91%, 0.83%

LAB 79.39, 37.19, -16.39

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 22 / 6 / 7

HEX #EDBADE

RGB 237 186 222

HSL 317.65, 0.59%, 0.83%

LAB 80.96, 24.1, -10.95

 

CMYK 0 / 16 / 5 / 10

HEX #E6C1DB

RGB 230 193 219

HSL 317.84, 0.43%, 0.83%

LAB 81.88, 17.46, -8.04

 

CMYK 0 / 10 / 3 / 13

HEX #DFC8D8

RGB 223 200 216

HSL 318.26, 0.26%, 0.83%

LAB 82.89, 10.81, -5.01

 

CMYK 0 / 4 / 1 / 15

HEX #D8CFD5

RGB 216 207 213

HSL 320, 0.1%, 0.83%

LAB 83.98, 4.17, -1.87

 

CMYK 7 / 27 / 0 / 4

HEX #E3B3F4

RGB 227 179 244

HSL 284.31, 0.75%, 0.83%

LAB 79.1, 28.62, -25.69

 

CMYK 0 / 27 / 0 / 4

HEX #F4B3F3

RGB 244 179 243

HSL 300.92, 0.75%, 0.83%

LAB 80.71, 33.84, -22.55

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 27 / 15 / 4

HEX #F4B3D0

RGB 244 179 208

HSL 333.23, 0.75%, 0.83%

LAB 79.63, 27.9, -5.3

 

CMYK 0 / 27 / 22 / 4

HEX #F4B3BF

RGB 244 179 191

HSL 348.92, 0.75%, 0.83%

LAB 79.18, 25.32, 3.25

 

CMYK 0 / 55 / 15 / 9

HEX #E96AC5

RGB 233 106 197

HSL 317.01, 0.74%, 0.66%

LAB 63.06, 59.68, -24.27

 

CMYK 0 / 40 / 12 / 6

HEX #EF8FD3

RGB 239 143 211

HSL 317.5, 0.75%, 0.75%

LAB 71.35, 45.57, -19.39

 

CMYK 0 / 27 / 8 / 4

HEX #F4B3E1

RGB 244 179 225

HSL 317.54, 0.75%, 0.83%

LAB 80.13, 30.68, -13.74

 

CMYK 0 / 14 / 4 / 2

HEX #F9D7EF

RGB 249 215 239

HSL 317.65, 0.74%, 0.91%

LAB 89.38, 15.78, -7.37

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

CMYK 0 / 14 / 27 / 4

HEX #F4D2B3

RGB 244 210 179

HSL 28.62, 0.75%, 0.83%

LAB 86.3, 7.33, 19.77

 

CMYK 27 / 0 / 3 / 4

HEX #B3F4EC

RGB 179 244 236

HSL 172.62, 0.75%, 0.83%

LAB 91.84, -21.87, -2.73

 

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

CMYK 8 / 0 / 27 / 4

HEX #E1F4B3

RGB 225 244 179

HSL 77.54, 0.75%, 0.83%

LAB 93.43, -16.88, 29.32

 

CMYK 27 / 8 / 0 / 4

HEX #B3E1F4

RGB 179 225 244

HSL 197.54, 0.75%, 0.83%

LAB 86.98, -10.61, -14.12

 

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

CMYK 0 / 14 / 27 / 4

HEX #F4D2B3

RGB 244 210 179

HSL 28.62, 0.75%, 0.83%

LAB 86.3, 7.33, 19.77

 

CMYK 27 / 0 / 19 / 4

HEX #B3F4C5

RGB 179 244 197

HSL 136.62, 0.75%, 0.83%

LAB 90.92, -29.55, 16.19

 

CMYK 27 / 13 / 0 / 4

HEX #B3D4F4

RGB 179 212 244

HSL 209.54, 0.75%, 0.83%

LAB 83.55, -3.87, -19.28

 

CMYK 0 / 27 / 8 / 4

HEX #F4B2E1

RGB 244 178 225

HSL 317.27, 0.75%, 0.83%

LAB 79.9, 31.21, -14.08

 

CMYK 0 / 6 / 27 / 4

HEX #F4E6B3

RGB 244 230 179

HSL 47.08, 0.75%, 0.83%

LAB 91.27, -2.94, 26.62

 

CMYK 27 / 0 / 19 / 4

HEX #B3F4C5

RGB 179 244 197

HSL 136.62, 0.75%, 0.83%

LAB 90.92, -29.55, 16.19

 

CMYK 27 / 21 / 0 / 4

HEX #B3C1F4

RGB 179 193 244

HSL 227.08, 0.75%, 0.83%

LAB 78.61, 6.29, -26.78

 

Description

Color code: RGB 244 178 225 | qconv.com Color code: RGB 244 178 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 178 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 178 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 8 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 8% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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