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Color name
RGB 244 174 41

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 174 41 it is the complementary color RGB 11 81 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 174 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 174 41 shade: RGB 249 174 36, RGB 255 192 55, RGB 255 210 74, RGB 255 228 93 and RGB 255 246 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 174 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 174 41 shade: RGB 244 174 41, RGB 227 156 22, RGB 210 138 3, RGB 193 120 0 and RGB 176 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 174 41 shade: RGB 243 174 41, RGB 243 119 41, RGB 243 65 41 and RGB 243 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 174 41 shade: RGB 243 174 41, RGB 243 228 41, RGB 204 243 41, RGB 150 243 41 and RGB 95 243 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 174 41 shade matches the following richer shades: RGB 243 174 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 174 41 shade: RGB 243 174 41, RGB 225 168 59, RGB 207 162 78, RGB 189 157 96 and RGB 171 151 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 174 41 shade: RGB 243 65 41, RGB 243 119 41, RGB 243 173 41, RGB 243 226 41 and RGB 206 243 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 174 41 shade: RGB 192 129 10, RGB 232 156 12, RGB 243 174 41, RGB 245 189 81 and RGB 247 203 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 174 41 shade: RGB 244 174 41, RGB 72 243 41 and RGB 92 41 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 174 41 shade: RGB 244 174 41, RGB 41 243 173 and RGB 173 41 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 174 41 shade: RGB 244 174 41, RGB 72 243 41, RGB 41 112 243 and RGB 213 41 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 174 41 shade: RGB 244 174 41, RGB 41 243 72, RGB 41 112 243 and RGB 243 41 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

Complementary color

CMYK 95 / 62 / 0 / 16

HEX #0B51D6

RGB 11 81 214

HSL 219.31, 0.9%, 0.44%

LAB 39.26, 33.31, -73.04

 

CMYK 0 / 30 / 86 / 2

HEX #F9AE24

RGB 249 174 36

HSL 38.87, 0.95%, 0.56%

LAB 76.4, 17.17, 73.66

 

CMYK 0 / 25 / 78 / 0

HEX #FFC037

RGB 255 192 55

HSL 41.1, 1%, 0.61%

LAB 81.42, 10.85, 72.49

 

CMYK 0 / 18 / 71 / 0

HEX #FFD24A

RGB 255 210 74

HSL 45.08, 1%, 0.65%

LAB 85.93, 2.34, 69.94

 

CMYK 0 / 11 / 64 / 0

HEX #FFE45D

RGB 255 228 93

HSL 50, 1%, 0.68%

LAB 90.57, -5.76, 67.13

 

CMYK 0 / 4 / 56 / 0

HEX #FFF670

RGB 255 246 112

HSL 56.22, 1%, 0.72%

LAB 95.3, -13.41, 64.24

 

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

CMYK 0 / 31 / 90 / 11

HEX #E39C16

RGB 227 156 22

HSL 39.22, 0.82%, 0.49%

LAB 69.59, 17.03, 70.59

 

CMYK 0 / 34 / 99 / 18

HEX #D28A03

RGB 210 138 3

HSL 39.13, 0.97%, 0.42%

LAB 63.25, 19.11, 68.21

 

CMYK 0 / 38 / 100 / 24

HEX #C17800

RGB 193 120 0

HSL 37.31, 1%, 0.38%

LAB 56.85, 21.46, 63.45

 

CMYK 0 / 42 / 100 / 31

HEX #B06600

RGB 176 102 0

HSL 34.77, 1%, 0.35%

LAB 50.37, 23.92, 58.19

 

CMYK 0 / 28 / 83 / 5

HEX #F3AE29

RGB 243 174 41

HSL 39.5, 0.89%, 0.56%

LAB 75.75, 14.75, 71.45

 

CMYK 0 / 51 / 83 / 5

HEX #F37729

RGB 243 119 41

HSL 23.17, 0.89%, 0.56%

LAB 63.68, 43.23, 61.12

 

CMYK 0 / 73 / 83 / 5

HEX #F34129

RGB 243 65 41

HSL 7.13, 0.89%, 0.56%

LAB 55.07, 66.02, 53.55

 

CMYK 0 / 83 / 83 / 5

HEX #F32929

RGB 243 41 41

HSL 0, 0.89%, 0.56%

LAB 52.73, 72.59, 51.46

 

CMYK 0 / 28 / 83 / 5

HEX #F3AE29

RGB 243 174 41

HSL 39.5, 0.89%, 0.56%

LAB 75.75, 14.75, 71.45

 

CMYK 0 / 6 / 83 / 5

HEX #F3E429

RGB 243 228 41

HSL 55.54, 0.89%, 0.56%

LAB 89.25, -12.92, 82.77

 

CMYK 16 / 0 / 83 / 5

HEX #CCF329

RGB 204 243 41

HSL 71.58, 0.89%, 0.56%

LAB 90.37, -35.96, 82.55

 

CMYK 38 / 0 / 83 / 5

HEX #96F329

RGB 150 243 41

HSL 87.62, 0.89%, 0.56%

LAB 87.36, -55.74, 78.78

 

CMYK 61 / 0 / 83 / 5

HEX #5FF329

RGB 95 243 41

HSL 103.96, 0.89%, 0.56%

LAB 85.35, -71.21, 76.23

 

CMYK 0 / 28 / 83 / 5

HEX #F3AE29

RGB 243 174 41

HSL 39.5, 0.89%, 0.56%

LAB 75.75, 14.75, 71.45

 

CMYK 0 / 28 / 83 / 5

HEX #F3AE29

RGB 243 174 41

HSL 39.5, 0.89%, 0.56%

LAB 75.75, 14.75, 71.45

 

CMYK 0 / 25 / 74 / 12

HEX #E1A83B

RGB 225 168 59

HSL 39.4, 0.73%, 0.56%

LAB 72.45, 10.88, 61.43

 

CMYK 0 / 22 / 62 / 19

HEX #CFA24E

RGB 207 162 78

HSL 39.07, 0.57%, 0.56%

LAB 69.22, 7.44, 49.08

 

CMYK 0 / 17 / 49 / 26

HEX #BD9D60

RGB 189 157 96

HSL 39.35, 0.41%, 0.56%

LAB 66.35, 3.95, 36.18

 

CMYK 0 / 12 / 33 / 33

HEX #AB9772

RGB 171 151 114

HSL 38.95, 0.25%, 0.56%

LAB 63.35, 1.78, 22.24

 

CMYK 0 / 73 / 83 / 5

HEX #F34129

RGB 243 65 41

HSL 7.13, 0.89%, 0.56%

LAB 55.07, 66.02, 53.55

 

CMYK 0 / 51 / 83 / 5

HEX #F37729

RGB 243 119 41

HSL 23.17, 0.89%, 0.56%

LAB 63.68, 43.23, 61.12

 

CMYK 0 / 29 / 83 / 5

HEX #F3AD29

RGB 243 173 41

HSL 39.21, 0.89%, 0.56%

LAB 75.51, 15.28, 71.25

 

CMYK 0 / 7 / 83 / 5

HEX #F3E229

RGB 243 226 41

HSL 54.95, 0.89%, 0.56%

LAB 88.74, -11.93, 82.34

 

CMYK 15 / 0 / 83 / 5

HEX #CEF329

RGB 206 243 41

HSL 70.99, 0.89%, 0.56%

LAB 90.5, -35.18, 82.71

 

CMYK 0 / 33 / 95 / 25

HEX #C0810A

RGB 192 129 10

HSL 39.23, 0.9%, 0.4%

LAB 58.91, 16.2, 63.1

 

CMYK 0 / 33 / 95 / 9

HEX #E89C0C

RGB 232 156 12

HSL 39.27, 0.9%, 0.48%

LAB 70.15, 19.05, 72.98

 

CMYK 0 / 28 / 83 / 5

HEX #F3AE29

RGB 243 174 41

HSL 39.5, 0.89%, 0.56%

LAB 75.75, 14.75, 71.45

 

CMYK 0 / 23 / 67 / 4

HEX #F5BD51

RGB 245 189 81

HSL 39.51, 0.89%, 0.64%

LAB 79.84, 9.37, 60.48

 

CMYK 0 / 18 / 51 / 3

HEX #F7CB78

RGB 247 203 120

HSL 39.21, 0.89%, 0.72%

LAB 83.88, 5.66, 46.93

 

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

CMYK 70 / 0 / 83 / 5

HEX #48F329

RGB 72 243 41

HSL 110.79, 0.89%, 0.56%

LAB 84.81, -75.73, 75.54

 

CMYK 62 / 83 / 0 / 5

HEX #5C29F3

RGB 92 41 243

HSL 255.15, 0.89%, 0.56%

LAB 38.43, 69.48, -90.78

 

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

CMYK 83 / 0 / 29 / 5

HEX #29F3AD

RGB 41 243 173

HSL 159.21, 0.89%, 0.56%

LAB 85.8, -62.52, 20.76

 

CMYK 29 / 83 / 0 / 5

HEX #AD29F3

RGB 173 41 243

HSL 279.21, 0.89%, 0.56%

LAB 48.19, 78.98, -74.4

 

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

CMYK 70 / 0 / 83 / 5

HEX #48F329

RGB 72 243 41

HSL 110.79, 0.89%, 0.56%

LAB 84.81, -75.73, 75.54

 

CMYK 83 / 54 / 0 / 5

HEX #2970F3

RGB 41 112 243

HSL 218.91, 0.89%, 0.56%

LAB 50.13, 26, -71.68

 

CMYK 12 / 83 / 0 / 5

HEX #D529F3

RGB 213 41 243

HSL 291.09, 0.89%, 0.56%

LAB 54.24, 85.22, -64.3

 

CMYK 0 / 29 / 83 / 4

HEX #F4AE29

RGB 244 174 41

HSL 39.31, 0.9%, 0.56%

LAB 75.86, 15.18, 71.59

 

CMYK 83 / 0 / 70 / 5

HEX #29F348

RGB 41 243 72

HSL 129.21, 0.89%, 0.56%

LAB 84.5, -77.81, 65.83

 

CMYK 83 / 54 / 0 / 5

HEX #2970F3

RGB 41 112 243

HSL 218.91, 0.89%, 0.56%

LAB 50.13, 26, -71.68

 

CMYK 0 / 83 / 12 / 5

HEX #F329D5

RGB 243 41 213

HSL 308.91, 0.89%, 0.56%

LAB 57.51, 86.16, -41.87

 

Description

Color code: RGB 244 174 41 | qconv.com Color code: RGB 244 174 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 174 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 174 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 83% 4% C M Y K

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Provide designers and agencies with accurate color values.

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