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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 146 235 it is the complementary color RGB 11 109 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 146 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 146 235 shade: RGB 249 146 230, RGB 255 164 249, RGB 255 182 255, RGB 255 200 255 and RGB 255 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 146 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 146 235 shade: RGB 244 146 235, RGB 227 128 216, RGB 210 110 197, RGB 193 92 178 and RGB 176 74 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 146 235 shade: RGB 243 143 234, RGB 243 143 207, RGB 243 143 180, RGB 243 143 153 and RGB 243 143 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 146 235 shade: RGB 243 143 234, RGB 226 143 243, RGB 199 143 243, RGB 172 143 243 and RGB 144 143 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 146 235 shade matches the following richer shades: RGB 243 143 234 and RGB 253 133 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 146 235 shade: RGB 243 143 234, RGB 234 153 226, RGB 224 163 218, RGB 214 173 210 and RGB 204 183 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 146 235 shade: RGB 198 143 243, RGB 225 143 243, RGB 243 143 235, RGB 243 143 208 and RGB 243 143 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 146 235 shade: RGB 236 68 221, RGB 240 106 227, RGB 243 143 234, RGB 247 181 241 and RGB 251 218 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 146 235 shade: RGB 244 146 235, RGB 243 172 143 and RGB 143 243 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 146 235 shade: RGB 244 146 235, RGB 235 243 143 and RGB 143 235 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 146 235 shade: RGB 244 146 235, RGB 243 172 143, RGB 143 243 151 and RGB 143 215 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 146 235 shade: RGB 244 146 235, RGB 243 202 143, RGB 143 243 151 and RGB 143 185 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

Complementary color

CMYK 90 / 0 / 82 / 57

HEX #0B6D14

RGB 11 109 20

HSL 125.51, 0.82%, 0.24%

LAB 39.68, -43.91, 39.2

 

CMYK 0 / 41 / 8 / 2

HEX #F992E6

RGB 249 146 230

HSL 311.07, 0.9%, 0.77%

LAB 73.81, 50.28, -25.97

 

CMYK 0 / 36 / 2 / 0

HEX #FFA4F9

RGB 255 164 249

HSL 303.96, 1%, 0.82%

LAB 78.84, 46.19, -28.53

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

CMYK 0 / 44 / 5 / 11

HEX #E380D8

RGB 227 128 216

HSL 306.67, 0.64%, 0.7%

LAB 67.07, 50.33, -28.83

 

CMYK 0 / 48 / 6 / 18

HEX #D26EC5

RGB 210 110 197

HSL 307.8, 0.53%, 0.63%

LAB 60.68, 51.02, -28.2

 

CMYK 0 / 52 / 8 / 24

HEX #C15CB2

RGB 193 92 178

HSL 308.91, 0.45%, 0.56%

LAB 54.25, 51.65, -27.44

 

CMYK 0 / 58 / 10 / 31

HEX #B04A9F

RGB 176 74 159

HSL 310, 0.41%, 0.49%

LAB 47.79, 52.14, -26.51

 

CMYK 0 / 41 / 4 / 5

HEX #F38FEA

RGB 243 143 234

HSL 305.4, 0.81%, 0.76%

LAB 72.65, 50.65, -30

 

CMYK 0 / 41 / 15 / 5

HEX #F38FCF

RGB 243 143 207

HSL 321.6, 0.81%, 0.76%

LAB 71.69, 46.22, -16.61

 

CMYK 0 / 41 / 26 / 5

HEX #F38FB4

RGB 243 143 180

HSL 337.8, 0.81%, 0.76%

LAB 70.87, 42.29, -2.85

 

CMYK 0 / 41 / 37 / 5

HEX #F38F99

RGB 243 143 153

HSL 354, 0.81%, 0.76%

LAB 70.18, 38.89, 11.21

 

CMYK 0 / 41 / 41 / 5

HEX #F38F8F

RGB 243 143 143

HSL 0, 0.81%, 0.76%

LAB 69.95, 37.78, 16.46

 

CMYK 0 / 41 / 4 / 5

HEX #F38FEA

RGB 243 143 234

HSL 305.4, 0.81%, 0.76%

LAB 72.65, 50.65, -30

 

CMYK 7 / 41 / 0 / 5

HEX #E28FF3

RGB 226 143 243

HSL 289.8, 0.81%, 0.76%

LAB 71.07, 47.25, -37.53

 

CMYK 18 / 41 / 0 / 5

HEX #C78FF3

RGB 199 143 243

HSL 273.6, 0.81%, 0.76%

LAB 68.21, 39.45, -42.21

 

CMYK 29 / 41 / 0 / 5

HEX #AC8FF3

RGB 172 143 243

HSL 257.4, 0.81%, 0.76%

LAB 65.66, 31.89, -46.39

 

CMYK 41 / 41 / 0 / 5

HEX #908FF3

RGB 144 143 243

HSL 240.6, 0.81%, 0.76%

LAB 63.38, 24.57, -50.14

 

CMYK 0 / 41 / 4 / 5

HEX #F38FEA

RGB 243 143 234

HSL 305.4, 0.81%, 0.76%

LAB 72.65, 50.65, -30

 

CMYK 0 / 47 / 4 / 1

HEX #FD85F2

RGB 253 133 242

HSL 305.5, 0.97%, 0.76%

LAB 72.27, 59.85, -34.86

 

CMYK 0 / 41 / 4 / 5

HEX #F38FEA

RGB 243 143 234

HSL 305.4, 0.81%, 0.76%

LAB 72.65, 50.65, -30

 

CMYK 0 / 35 / 3 / 8

HEX #EA99E2

RGB 234 153 226

HSL 305.93, 0.66%, 0.76%

LAB 73.39, 41.33, -24.58

 

CMYK 0 / 27 / 3 / 12

HEX #E0A3DA

RGB 224 163 218

HSL 305.9, 0.5%, 0.76%

LAB 74.26, 31.36, -18.99

 

CMYK 0 / 19 / 2 / 16

HEX #D6ADD2

RGB 214 173 210

HSL 305.85, 0.33%, 0.76%

LAB 75.35, 21.15, -13.07

 

CMYK 0 / 10 / 1 / 20

HEX #CCB7CA

RGB 204 183 202

HSL 305.71, 0.17%, 0.76%

LAB 76.66, 10.84, -6.85

 

CMYK 19 / 41 / 0 / 5

HEX #C68FF3

RGB 198 143 243

HSL 273, 0.81%, 0.76%

LAB 68.11, 39.16, -42.37

 

CMYK 7 / 41 / 0 / 5

HEX #E18FF3

RGB 225 143 243

HSL 289.2, 0.81%, 0.76%

LAB 70.96, 46.96, -37.72

 

CMYK 0 / 41 / 3 / 5

HEX #F38FEB

RGB 243 143 235

HSL 304.8, 0.81%, 0.76%

LAB 72.69, 50.82, -30.49

 

CMYK 0 / 41 / 14 / 5

HEX #F38FD0

RGB 243 143 208

HSL 321, 0.81%, 0.76%

LAB 71.73, 46.38, -17.11

 

CMYK 0 / 41 / 25 / 5

HEX #F38FB6

RGB 243 143 182

HSL 336.6, 0.81%, 0.76%

LAB 70.92, 42.56, -3.88

 

CMYK 0 / 71 / 6 / 7

HEX #EC44DD

RGB 236 68 221

HSL 305.36, 0.82%, 0.6%

LAB 59.15, 78.93, -43.9

 

CMYK 0 / 56 / 5 / 6

HEX #F06AE3

RGB 240 106 227

HSL 305.82, 0.82%, 0.68%

LAB 65.26, 66.27, -37.62

 

CMYK 0 / 41 / 4 / 5

HEX #F38FEA

RGB 243 143 234

HSL 305.4, 0.81%, 0.76%

LAB 72.65, 50.65, -30

 

CMYK 0 / 27 / 2 / 3

HEX #F7B5F1

RGB 247 181 241

HSL 305.45, 0.8%, 0.84%

LAB 81.39, 33.39, -20.42

 

CMYK 0 / 13 / 1 / 2

HEX #FBDAF8

RGB 251 218 248

HSL 305.45, 0.8%, 0.92%

LAB 90.52, 16.46, -10.39

 

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

CMYK 0 / 29 / 41 / 5

HEX #F3AC8F

RGB 243 172 143

HSL 17.4, 0.81%, 0.76%

LAB 76.4, 22.56, 25.3

 

CMYK 41 / 0 / 13 / 5

HEX #8FF3D4

RGB 143 243 212

HSL 161.4, 0.81%, 0.76%

LAB 89.25, -36.35, 5.79

 

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

CMYK 3 / 0 / 41 / 5

HEX #EBF38F

RGB 235 243 143

HSL 64.8, 0.81%, 0.76%

LAB 93.34, -17.05, 47.22

 

CMYK 41 / 3 / 0 / 5

HEX #8FEBF3

RGB 143 235 243

HSL 184.8, 0.81%, 0.76%

LAB 87.84, -25.4, -12.5

 

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

CMYK 0 / 29 / 41 / 5

HEX #F3AC8F

RGB 243 172 143

HSL 17.4, 0.81%, 0.76%

LAB 76.4, 22.56, 25.3

 

CMYK 41 / 0 / 38 / 5

HEX #8FF397

RGB 143 243 151

HSL 124.8, 0.81%, 0.76%

LAB 88.05, -47.68, 35.42

 

CMYK 41 / 12 / 0 / 5

HEX #8FD7F3

RGB 143 215 243

HSL 196.8, 0.81%, 0.76%

LAB 82.33, -15.41, -20.78

 

CMYK 0 / 40 / 4 / 4

HEX #F492EB

RGB 244 146 235

HSL 305.51, 0.82%, 0.76%

LAB 73.41, 49.6, -29.38

 

CMYK 0 / 17 / 41 / 5

HEX #F3CA8F

RGB 243 202 143

HSL 35.4, 0.81%, 0.76%

LAB 83.59, 6.78, 34.86

 

CMYK 41 / 0 / 38 / 5

HEX #8FF397

RGB 143 243 151

HSL 124.8, 0.81%, 0.76%

LAB 88.05, -47.68, 35.42

 

CMYK 41 / 24 / 0 / 5

HEX #8FB9F3

RGB 143 185 243

HSL 214.8, 0.81%, 0.76%

LAB 74.2, 0.5, -33.23

 

Description

Color code: RGB 244 146 235 | qconv.com Color code: RGB 244 146 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 146 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 146 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 4 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 4% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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