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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 12 72 it is the complementary color RGB 11 243 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 12 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 12 72 shade: RGB 249 12 67, RGB 255 30 86, RGB 255 48 105, RGB 255 66 124 and RGB 255 84 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 12 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 12 72 shade: RGB 244 12 72, RGB 227 0 53, RGB 210 0 34, RGB 193 0 15 and RGB 176 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 12 72 shade: RGB 243 11 71 and RGB 243 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 12 72 shade: RGB 243 11 71, RGB 243 11 134, RGB 243 11 196, RGB 227 11 243 and RGB 165 11 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 12 72 shade matches the following richer shades: RGB 243 11 71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 12 72 shade: RGB 243 11 71, RGB 222 32 81, RGB 202 52 91, RGB 181 73 101 and RGB 161 93 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 12 72 shade: RGB 243 11 197, RGB 243 11 135, RGB 243 11 73, RGB 243 11 11 and RGB 243 73 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 12 72 shade: RGB 164 7 48, RGB 204 9 59, RGB 243 11 71, RGB 245 50 101 and RGB 247 90 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 12 72 shade: RGB 244 12 72, RGB 243 228 11 and RGB 11 166 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 12 72 shade: RGB 244 12 72, RGB 73 243 11 and RGB 11 73 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 12 72 shade: RGB 244 12 72, RGB 243 228 11, RGB 11 243 181 and RGB 11 26 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 12 72 shade: RGB 244 12 72, RGB 189 243 11, RGB 11 243 181 and RGB 65 11 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

Complementary color

CMYK 95 / 0 / 25 / 5

HEX #0BF3B7

RGB 11 243 183

HSL 164.48, 0.91%, 0.5%

LAB 85.8, -61.82, 15.57

 

CMYK 0 / 95 / 73 / 2

HEX #F90C43

RGB 249 12 67

HSL 346.08, 0.95%, 0.51%

LAB 52.74, 79.07, 37.61

 

CMYK 0 / 88 / 66 / 0

HEX #FF1E56

RGB 255 30 86

HSL 345.07, 1%, 0.56%

LAB 54.93, 79.25, 29.34

 

CMYK 0 / 81 / 59 / 0

HEX #FF3069

RGB 255 48 105

HSL 343.48, 1%, 0.59%

LAB 56.48, 76.84, 20.07

 

CMYK 0 / 74 / 51 / 0

HEX #FF427C

RGB 255 66 124

HSL 341.59, 1%, 0.63%

LAB 58.61, 73.29, 11.75

 

CMYK 0 / 67 / 44 / 0

HEX #FF548F

RGB 255 84 143

HSL 339.3, 1%, 0.66%

LAB 61.29, 68.76, 4.44

 

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

CMYK 0 / 100 / 77 / 11

HEX #E30035

RGB 227 0 53

HSL 345.99, 1%, 0.45%

LAB 47.74, 74.27, 38.91

 

CMYK 0 / 100 / 84 / 18

HEX #D20022

RGB 210 0 34

HSL 350.29, 1%, 0.41%

LAB 43.97, 69.65, 44.61

 

CMYK 0 / 100 / 92 / 24

HEX #C1000F

RGB 193 0 15

HSL 355.34, 1%, 0.38%

LAB 40.2, 65.12, 49.13

 

CMYK 0 / 100 / 100 / 31

HEX #B00000

RGB 176 0 0

HSL 0, 1%, 0.35%

LAB 36.42, 60.66, 50.81

 

CMYK 0 / 95 / 71 / 5

HEX #F30B47

RGB 243 11 71

HSL 344.48, 0.91%, 0.5%

LAB 51.55, 77.88, 33.55

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 95 / 71 / 5

HEX #F30B47

RGB 243 11 71

HSL 344.48, 0.91%, 0.5%

LAB 51.55, 77.88, 33.55

 

CMYK 0 / 95 / 45 / 5

HEX #F30B86

RGB 243 11 134

HSL 328.19, 0.91%, 0.5%

LAB 52.97, 81.7, -2.62

 

CMYK 0 / 95 / 19 / 5

HEX #F30BC4

RGB 243 11 196

HSL 312.16, 0.91%, 0.5%

LAB 55.36, 87.93, -35.51

 

CMYK 7 / 95 / 0 / 5

HEX #E30BF3

RGB 227 11 243

HSL 295.86, 0.91%, 0.5%

LAB 55.11, 91.58, -62.77

 

CMYK 32 / 95 / 0 / 5

HEX #A50BF3

RGB 165 11 243

HSL 279.83, 0.91%, 0.5%

LAB 45.23, 83.22, -79.27

 

CMYK 0 / 95 / 71 / 5

HEX #F30B47

RGB 243 11 71

HSL 344.48, 0.91%, 0.5%

LAB 51.55, 77.88, 33.55

 

CMYK 0 / 95 / 71 / 5

HEX #F30B47

RGB 243 11 71

HSL 344.48, 0.91%, 0.5%

LAB 51.55, 77.88, 33.55

 

CMYK 0 / 86 / 64 / 13

HEX #DE2051

RGB 222 32 81

HSL 344.53, 0.75%, 0.5%

LAB 48.46, 70.46, 22.73

 

CMYK 0 / 74 / 55 / 21

HEX #CA345B

RGB 202 52 91

HSL 344.4, 0.59%, 0.5%

LAB 46.67, 60.47, 13.53

 

CMYK 0 / 60 / 44 / 29

HEX #B54965

RGB 181 73 101

HSL 344.44, 0.43%, 0.5%

LAB 46.35, 46.35, 6.42

 

CMYK 0 / 42 / 31 / 37

HEX #A15D6F

RGB 161 93 111

HSL 344.12, 0.27%, 0.5%

LAB 47.69, 30.03, 1.91

 

CMYK 0 / 95 / 19 / 5

HEX #F30BC5

RGB 243 11 197

HSL 311.9, 0.91%, 0.5%

LAB 55.41, 88.05, -36.01

 

CMYK 0 / 95 / 44 / 5

HEX #F30B87

RGB 243 11 135

HSL 327.93, 0.91%, 0.5%

LAB 53, 81.78, -3.18

 

CMYK 0 / 95 / 70 / 5

HEX #F30B49

RGB 243 11 73

HSL 343.97, 0.91%, 0.5%

LAB 51.58, 77.96, 32.4

 

CMYK 0 / 95 / 95 / 5

HEX #F30B0B

RGB 243 11 11

HSL 0, 0.91%, 0.5%

LAB 51.06, 76.51, 62.09

 

CMYK 0 / 70 / 95 / 5

HEX #F3490B

RGB 243 73 11

HSL 16.03, 0.91%, 0.5%

LAB 55.93, 62.78, 64.69

 

CMYK 0 / 96 / 71 / 36

HEX #A40730

RGB 164 7 48

HSL 344.33, 0.92%, 0.34%

LAB 34.51, 57.88, 23.19

 

CMYK 0 / 96 / 71 / 20

HEX #CC093B

RGB 204 9 59

HSL 344.62, 0.92%, 0.42%

LAB 43.28, 68.16, 28.94

 

CMYK 0 / 95 / 71 / 5

HEX #F30B47

RGB 243 11 71

HSL 344.48, 0.91%, 0.5%

LAB 51.55, 77.88, 33.55

 

CMYK 0 / 80 / 59 / 4

HEX #F53265

RGB 245 50 101

HSL 344.31, 0.91%, 0.58%

LAB 54.69, 73.53, 19.72

 

CMYK 0 / 64 / 47 / 3

HEX #F75A82

RGB 247 90 130

HSL 344.71, 0.91%, 0.66%

LAB 60.51, 62.88, 10.72

 

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

CMYK 0 / 6 / 95 / 5

HEX #F3E40B

RGB 243 228 11

HSL 56.12, 0.91%, 0.5%

LAB 89.19, -13.41, 87.39

 

CMYK 95 / 32 / 0 / 5

HEX #0BA6F3

RGB 11 166 243

HSL 199.91, 0.91%, 0.5%

LAB 64.82, -8.09, -48.18

 

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

CMYK 70 / 0 / 95 / 5

HEX #49F30B

RGB 73 243 11

HSL 103.97, 0.91%, 0.5%

LAB 84.76, -76.42, 80.21

 

CMYK 95 / 70 / 0 / 5

HEX #0B49F3

RGB 11 73 243

HSL 223.97, 0.91%, 0.5%

LAB 40.09, 49.02, -88.16

 

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

CMYK 0 / 6 / 95 / 5

HEX #F3E40B

RGB 243 228 11

HSL 56.12, 0.91%, 0.5%

LAB 89.19, -13.41, 87.39

 

CMYK 95 / 0 / 26 / 5

HEX #0BF3B5

RGB 11 243 181

HSL 163.97, 0.91%, 0.5%

LAB 85.76, -62.28, 16.54

 

CMYK 95 / 89 / 0 / 5

HEX #0B1AF3

RGB 11 26 243

HSL 236.12, 0.91%, 0.5%

LAB 32.44, 71.18, -100.87

 

CMYK 0 / 95 / 70 / 4

HEX #F40C48

RGB 244 12 72

HSL 344.48, 0.91%, 0.5%

LAB 51.8, 78.08, 33.3

 

CMYK 22 / 0 / 95 / 5

HEX #BDF30B

RGB 189 243 11

HSL 73.97, 0.91%, 0.5%

LAB 89.37, -42.37, 85.82

 

CMYK 95 / 0 / 26 / 5

HEX #0BF3B5

RGB 11 243 181

HSL 163.97, 0.91%, 0.5%

LAB 85.76, -62.28, 16.54

 

CMYK 73 / 95 / 0 / 5

HEX #410BF3

RGB 65 11 243

HSL 253.97, 0.91%, 0.5%

LAB 33.64, 75.7, -98.82

 

Description

Color code: RGB 244 12 72 | qconv.com Color code: RGB 244 12 72 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 12 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 12 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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