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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 112 40 it is the complementary color RGB 11 143 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 112 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 112 40 shade: RGB 249 112 35, RGB 255 130 54, RGB 255 148 73, RGB 255 166 92 and RGB 255 184 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 112 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 112 40 shade: RGB 244 112 40, RGB 227 94 21, RGB 210 76 2, RGB 193 58 0 and RGB 176 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 112 40 shade: RGB 243 113 41, RGB 243 58 41 and RGB 243 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 112 40 shade: RGB 243 113 41, RGB 243 167 41, RGB 243 222 41, RGB 211 243 41 and RGB 156 243 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 112 40 shade matches the following richer shades: RGB 243 113 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 112 40 shade: RGB 243 113 41, RGB 225 118 59, RGB 207 123 78, RGB 189 129 96 and RGB 171 134 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 112 40 shade: RGB 243 41 78, RGB 243 58 41, RGB 243 112 41, RGB 243 166 41 and RGB 243 220 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 112 40 shade: RGB 192 74 10, RGB 232 89 12, RGB 243 113 41, RGB 245 139 81 and RGB 247 165 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 112 40 shade: RGB 244 112 40, RGB 132 243 41 and RGB 41 51 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 112 40 shade: RGB 244 112 40, RGB 41 243 112 and RGB 112 41 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 112 40 shade: RGB 244 112 40, RGB 132 243 41, RGB 41 173 243 and RGB 152 41 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 112 40 shade: RGB 244 112 40, RGB 72 243 41, RGB 41 173 243 and RGB 213 41 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

Complementary color

CMYK 95 / 33 / 0 / 16

HEX #0B8FD7

RGB 11 143 215

HSL 201.18, 0.9%, 0.44%

LAB 56.71, -5.34, -45.49

 

CMYK 0 / 55 / 86 / 2

HEX #F97023

RGB 249 112 35

HSL 21.59, 0.95%, 0.56%

LAB 63.22, 48.71, 63.3

 

CMYK 0 / 49 / 79 / 0

HEX #FF8236

RGB 255 130 54

HSL 22.69, 1%, 0.61%

LAB 67.64, 42.79, 60.11

 

CMYK 0 / 42 / 71 / 0

HEX #FF9449

RGB 255 148 73

HSL 24.73, 1%, 0.64%

LAB 71.5, 34.47, 55.53

 

CMYK 0 / 35 / 64 / 0

HEX #FFA65C

RGB 255 166 92

HSL 27.24, 1%, 0.68%

LAB 75.64, 26.17, 51.06

 

CMYK 0 / 28 / 56 / 0

HEX #FFB86F

RGB 255 184 111

HSL 30.42, 1%, 0.72%

LAB 80, 18.06, 46.84

 

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

CMYK 0 / 59 / 91 / 11

HEX #E35E15

RGB 227 94 21

HSL 21.26, 0.83%, 0.49%

LAB 56.48, 48.75, 61.19

 

CMYK 0 / 64 / 99 / 18

HEX #D24C02

RGB 210 76 2

HSL 21.35, 0.98%, 0.42%

LAB 50.54, 50.47, 60.56

 

CMYK 0 / 70 / 100 / 24

HEX #C13A00

RGB 193 58 0

HSL 18.03, 1%, 0.38%

LAB 44.75, 51.99, 56.44

 

CMYK 0 / 77 / 100 / 31

HEX #B02800

RGB 176 40 0

HSL 13.64, 1%, 0.35%

LAB 39.15, 52.89, 51.97

 

CMYK 0 / 53 / 83 / 5

HEX #F37129

RGB 243 113 41

HSL 21.39, 0.89%, 0.56%

LAB 62.53, 46.15, 60.12

 

CMYK 0 / 76 / 83 / 5

HEX #F33A29

RGB 243 58 41

HSL 5.05, 0.89%, 0.56%

LAB 54.28, 68.21, 52.85

 

CMYK 0 / 83 / 83 / 5

HEX #F32929

RGB 243 41 41

HSL 0, 0.89%, 0.56%

LAB 52.73, 72.59, 51.46

 

CMYK 0 / 53 / 83 / 5

HEX #F37129

RGB 243 113 41

HSL 21.39, 0.89%, 0.56%

LAB 62.53, 46.15, 60.12

 

CMYK 0 / 31 / 83 / 5

HEX #F3A729

RGB 243 167 41

HSL 37.43, 0.89%, 0.56%

LAB 74.1, 18.44, 70.05

 

CMYK 0 / 9 / 83 / 5

HEX #F3DE29

RGB 243 222 41

HSL 53.76, 0.89%, 0.56%

LAB 87.71, -9.95, 81.49

 

CMYK 13 / 0 / 83 / 5

HEX #D3F329

RGB 211 243 41

HSL 69.5, 0.89%, 0.56%

LAB 90.83, -33.2, 83.13

 

CMYK 36 / 0 / 83 / 5

HEX #9CF329

RGB 156 243 41

HSL 85.84, 0.89%, 0.56%

LAB 87.64, -53.72, 79.13

 

CMYK 0 / 53 / 83 / 5

HEX #F37129

RGB 243 113 41

HSL 21.39, 0.89%, 0.56%

LAB 62.53, 46.15, 60.12

 

CMYK 0 / 53 / 83 / 5

HEX #F37129

RGB 243 113 41

HSL 21.39, 0.89%, 0.56%

LAB 62.53, 46.15, 60.12

 

CMYK 0 / 48 / 74 / 12

HEX #E1763B

RGB 225 118 59

HSL 21.33, 0.73%, 0.56%

LAB 61.03, 37.35, 49.85

 

CMYK 0 / 41 / 62 / 19

HEX #CF7B4E

RGB 207 123 78

HSL 20.93, 0.57%, 0.56%

LAB 59.87, 28.56, 38.21

 

CMYK 0 / 32 / 49 / 26

HEX #BD8160

RGB 189 129 96

HSL 21.29, 0.41%, 0.56%

LAB 59.31, 19.37, 27.2

 

CMYK 0 / 22 / 33 / 33

HEX #AB8672

RGB 171 134 114

HSL 21.05, 0.25%, 0.56%

LAB 58.9, 11.24, 16.18

 

CMYK 0 / 83 / 68 / 5

HEX #F3294E

RGB 243 41 78

HSL 349.01, 0.89%, 0.56%

LAB 53.16, 73.87, 31.36

 

CMYK 0 / 76 / 83 / 5

HEX #F33A29

RGB 243 58 41

HSL 5.05, 0.89%, 0.56%

LAB 54.28, 68.21, 52.85

 

CMYK 0 / 54 / 83 / 5

HEX #F37029

RGB 243 112 41

HSL 21.09, 0.89%, 0.56%

LAB 62.34, 46.63, 59.95

 

CMYK 0 / 32 / 83 / 5

HEX #F3A629

RGB 243 166 41

HSL 37.13, 0.89%, 0.56%

LAB 73.86, 18.97, 69.85

 

CMYK 0 / 9 / 83 / 5

HEX #F3DC29

RGB 243 220 41

HSL 53.17, 0.89%, 0.56%

LAB 87.19, -8.95, 81.06

 

CMYK 0 / 61 / 95 / 25

HEX #C04A0A

RGB 192 74 10

HSL 21.1, 0.9%, 0.4%

LAB 47.14, 44.94, 55.04

 

CMYK 0 / 62 / 95 / 9

HEX #E8590C

RGB 232 89 12

HSL 21, 0.9%, 0.48%

LAB 56.41, 52.68, 63.8

 

CMYK 0 / 53 / 83 / 5

HEX #F37129

RGB 243 113 41

HSL 21.39, 0.89%, 0.56%

LAB 62.53, 46.15, 60.12

 

CMYK 0 / 43 / 67 / 4

HEX #F58B51

RGB 245 139 81

HSL 21.22, 0.89%, 0.64%

LAB 68.37, 35.55, 47.84

 

CMYK 0 / 33 / 51 / 3

HEX #F7A578

RGB 247 165 120

HSL 21.26, 0.89%, 0.72%

LAB 74.85, 25.57, 35.6

 

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

CMYK 46 / 0 / 83 / 5

HEX #84F329

RGB 132 243 41

HSL 92.97, 0.89%, 0.56%

LAB 86.59, -61.45, 77.8

 

CMYK 83 / 79 / 0 / 5

HEX #2933F3

RGB 41 51 243

HSL 237.03, 0.89%, 0.56%

LAB 36.57, 61.98, -93.96

 

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

CMYK 83 / 0 / 54 / 5

HEX #29F370

RGB 41 243 112

HSL 141.09, 0.89%, 0.56%

LAB 84.86, -73.37, 49.62

 

CMYK 54 / 83 / 0 / 5

HEX #7029F3

RGB 112 41 243

HSL 261.09, 0.89%, 0.56%

LAB 40.41, 71.34, -87.44

 

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

CMYK 46 / 0 / 83 / 5

HEX #84F329

RGB 132 243 41

HSL 92.97, 0.89%, 0.56%

LAB 86.59, -61.45, 77.8

 

CMYK 83 / 29 / 0 / 5

HEX #29ADF3

RGB 41 173 243

HSL 200.79, 0.89%, 0.56%

LAB 67.15, -10.44, -44.49

 

CMYK 37 / 83 / 0 / 5

HEX #9829F3

RGB 152 41 243

HSL 272.97, 0.89%, 0.56%

LAB 45.27, 76.05, -79.29

 

CMYK 0 / 54 / 84 / 4

HEX #F47028

RGB 244 112 40

HSL 21.18, 0.9%, 0.56%

LAB 62.49, 46.97, 60.53

 

CMYK 70 / 0 / 83 / 5

HEX #48F329

RGB 72 243 41

HSL 110.79, 0.89%, 0.56%

LAB 84.81, -75.73, 75.54

 

CMYK 83 / 29 / 0 / 5

HEX #29ADF3

RGB 41 173 243

HSL 200.79, 0.89%, 0.56%

LAB 67.15, -10.44, -44.49

 

CMYK 12 / 83 / 0 / 5

HEX #D529F3

RGB 213 41 243

HSL 291.09, 0.89%, 0.56%

LAB 54.24, 85.22, -64.3

 

Description

Color code: RGB 244 112 40 | qconv.com Color code: RGB 244 112 40 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 112 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 112 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 84% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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