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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 115 238 it is the complementary color RGB 11 140 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 115 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 115 238 shade: RGB 249 115 233, RGB 255 133 252, RGB 255 151 255, RGB 255 169 255 and RGB 255 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 115 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 115 238 shade: RGB 244 115 238, RGB 227 97 219, RGB 210 79 200, RGB 193 61 181 and RGB 176 43 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 115 238 shade: RGB 243 113 237, RGB 243 113 202, RGB 243 113 167, RGB 243 113 132 and RGB 243 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 115 238 shade: RGB 243 113 237, RGB 214 113 243, RGB 179 113 243, RGB 144 113 243 and RGB 113 113 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 115 238 shade matches the following richer shades: RGB 243 113 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 115 238 shade: RGB 243 113 237, RGB 231 125 226, RGB 218 138 215, RGB 206 150 203 and RGB 194 162 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 115 238 shade: RGB 178 113 243, RGB 213 113 243, RGB 243 113 239, RGB 243 113 204 and RGB 243 113 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 115 238 shade: RGB 237 37 228, RGB 240 75 232, RGB 243 113 237, RGB 246 151 242 and RGB 249 189 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 115 238 shade: RGB 244 115 238, RGB 243 143 113 and RGB 113 243 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 115 238 shade: RGB 244 115 238, RGB 239 243 113 and RGB 113 239 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 115 238 shade: RGB 244 115 238, RGB 243 143 113, RGB 113 243 117 and RGB 113 213 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 115 238 shade: RGB 244 115 238, RGB 243 182 113, RGB 113 243 117 and RGB 113 174 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

Complementary color

CMYK 92 / 0 / 88 / 45

HEX #0B8C11

RGB 11 140 17

HSL 122.79, 0.85%, 0.3%

LAB 50.53, -53.78, 50.13

 

CMYK 0 / 54 / 6 / 2

HEX #F973E9

RGB 249 115 233

HSL 307.16, 0.92%, 0.71%

LAB 68.23, 65.63, -36.24

 

CMYK 0 / 48 / 1 / 0

HEX #FF85FC

RGB 255 133 252

HSL 301.48, 1%, 0.76%

LAB 72.93, 62.09, -39.27

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

CMYK 0 / 57 / 4 / 11

HEX #E361DB

RGB 227 97 219

HSL 303.69, 0.7%, 0.64%

LAB 61.65, 65.51, -38.93

 

CMYK 0 / 62 / 5 / 18

HEX #D24FC8

RGB 210 79 200

HSL 304.58, 0.59%, 0.57%

LAB 55.55, 65.68, -37.9

 

CMYK 0 / 68 / 6 / 24

HEX #C13DB5

RGB 193 61 181

HSL 305.45, 0.52%, 0.5%

LAB 49.51, 65.47, -36.58

 

CMYK 0 / 76 / 8 / 31

HEX #B02BA2

RGB 176 43 162

HSL 306.32, 0.61%, 0.43%

LAB 43.6, 64.68, -34.85

 

CMYK 0 / 53 / 2 / 5

HEX #F371ED

RGB 243 113 237

HSL 302.77, 0.84%, 0.7%

LAB 67.26, 65.59, -40.02

 

CMYK 0 / 53 / 17 / 5

HEX #F371CA

RGB 243 113 202

HSL 318.92, 0.84%, 0.7%

LAB 65.85, 60.11, -22.7

 

CMYK 0 / 53 / 31 / 5

HEX #F371A7

RGB 243 113 167

HSL 335.08, 0.84%, 0.7%

LAB 64.69, 55.41, -4.63

 

CMYK 0 / 53 / 46 / 5

HEX #F37184

RGB 243 113 132

HSL 351.23, 0.84%, 0.7%

LAB 63.78, 51.6, 14.06

 

CMYK 0 / 53 / 53 / 5

HEX #F37171

RGB 243 113 113

HSL 0, 0.84%, 0.7%

LAB 63.39, 49.93, 24.35

 

CMYK 0 / 53 / 2 / 5

HEX #F371ED

RGB 243 113 237

HSL 302.77, 0.84%, 0.7%

LAB 67.26, 65.59, -40.02

 

CMYK 12 / 53 / 0 / 5

HEX #D671F3

RGB 214 113 243

HSL 286.62, 0.84%, 0.7%

LAB 63.82, 59.09, -49

 

CMYK 26 / 53 / 0 / 5

HEX #B371F3

RGB 179 113 243

HSL 270.46, 0.84%, 0.7%

LAB 59.77, 50.2, -55.68

 

CMYK 41 / 53 / 0 / 5

HEX #9071F3

RGB 144 113 243

HSL 254.31, 0.84%, 0.7%

LAB 56.3, 41.85, -61.43

 

CMYK 53 / 53 / 0 / 5

HEX #7171F3

RGB 113 113 243

HSL 240, 0.84%, 0.7%

LAB 53.81, 35.31, -65.57

 

CMYK 0 / 53 / 2 / 5

HEX #F371ED

RGB 243 113 237

HSL 302.77, 0.84%, 0.7%

LAB 67.26, 65.59, -40.02

 

CMYK 0 / 53 / 2 / 5

HEX #F371ED

RGB 243 113 237

HSL 302.77, 0.84%, 0.7%

LAB 67.26, 65.59, -40.02

 

CMYK 0 / 46 / 2 / 9

HEX #E77DE2

RGB 231 125 226

HSL 302.83, 0.69%, 0.7%

LAB 67.39, 54.73, -33.85

 

CMYK 0 / 37 / 1 / 15

HEX #DA8AD7

RGB 218 138 215

HSL 302.25, 0.52%, 0.7%

LAB 68.01, 42.22, -26.92

 

CMYK 0 / 27 / 1 / 19

HEX #CE96CB

RGB 206 150 203

HSL 303.21, 0.36%, 0.7%

LAB 68.93, 29.7, -18.98

 

CMYK 0 / 16 / 1 / 24

HEX #C2A2C0

RGB 194 162 192

HSL 303.75, 0.21%, 0.7%

LAB 70.26, 16.98, -11

 

CMYK 27 / 53 / 0 / 5

HEX #B271F3

RGB 178 113 243

HSL 270, 0.84%, 0.7%

LAB 59.66, 49.96, -55.86

 

CMYK 12 / 53 / 0 / 5

HEX #D571F3

RGB 213 113 243

HSL 286.15, 0.84%, 0.7%

LAB 63.69, 58.83, -49.2

 

CMYK 0 / 53 / 2 / 5

HEX #F371EF

RGB 243 113 239

HSL 301.85, 0.84%, 0.7%

LAB 67.35, 65.92, -40.98

 

CMYK 0 / 53 / 16 / 5

HEX #F371CC

RGB 243 113 204

HSL 318, 0.84%, 0.7%

LAB 65.92, 60.4, -23.71

 

CMYK 0 / 53 / 30 / 5

HEX #F371A9

RGB 243 113 169

HSL 334.15, 0.84%, 0.7%

LAB 64.75, 55.66, -5.68

 

CMYK 0 / 84 / 4 / 7

HEX #ED25E4

RGB 237 37 228

HSL 302.7, 0.85%, 0.54%

LAB 57.01, 87.84, -51.22

 

CMYK 0 / 69 / 3 / 6

HEX #F04BE8

RGB 240 75 232

HSL 302.91, 0.85%, 0.62%

LAB 61.12, 79.18, -46.92

 

CMYK 0 / 53 / 2 / 5

HEX #F371ED

RGB 243 113 237

HSL 302.77, 0.84%, 0.7%

LAB 67.26, 65.59, -40.02

 

CMYK 0 / 39 / 2 / 4

HEX #F697F2

RGB 246 151 242

HSL 302.53, 0.84%, 0.78%

LAB 74.91, 48.88, -30.86

 

CMYK 0 / 24 / 1 / 2

HEX #F9BDF6

RGB 249 189 246

HSL 303, 0.83%, 0.86%

LAB 83.54, 30.71, -19.82

 

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

CMYK 0 / 41 / 53 / 5

HEX #F38F71

RGB 243 143 113

HSL 13.85, 0.84%, 0.7%

LAB 69.39, 34.92, 32.23

 

CMYK 53 / 0 / 20 / 5

HEX #71F3C3

RGB 113 243 195

HSL 157.85, 0.84%, 0.7%

LAB 87.75, -47.08, 12.34

 

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

CMYK 2 / 0 / 53 / 5

HEX #EFF371

RGB 239 243 113

HSL 61.85, 0.84%, 0.7%

LAB 93.3, -18.22, 61.19

 

CMYK 53 / 2 / 0 / 5

HEX #71EFF3

RGB 113 239 243

HSL 181.85, 0.84%, 0.7%

LAB 87.83, -33.81, -12.62

 

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

CMYK 0 / 41 / 53 / 5

HEX #F38F71

RGB 243 143 113

HSL 13.85, 0.84%, 0.7%

LAB 69.39, 34.92, 32.23

 

CMYK 53 / 0 / 52 / 5

HEX #71F375

RGB 113 243 117

HSL 121.85, 0.84%, 0.7%

LAB 86.45, -60.55, 49.6

 

CMYK 53 / 12 / 0 / 5

HEX #71D5F3

RGB 113 213 243

HSL 193.85, 0.84%, 0.7%

LAB 80.5, -21.17, -23.68

 

CMYK 0 / 53 / 2 / 4

HEX #F473EE

RGB 244 115 238

HSL 302.79, 0.85%, 0.7%

LAB 67.77, 65.11, -39.76

 

CMYK 0 / 25 / 53 / 5

HEX #F3B671

RGB 243 182 113

HSL 31.85, 0.84%, 0.7%

LAB 78.29, 14.42, 43.45

 

CMYK 53 / 0 / 52 / 5

HEX #71F375

RGB 113 243 117

HSL 121.85, 0.84%, 0.7%

LAB 86.45, -60.55, 49.6

 

CMYK 53 / 28 / 0 / 5

HEX #71AEF3

RGB 113 174 243

HSL 211.85, 0.84%, 0.7%

LAB 69.65, -0.44, -40.41

 

Description

Color code: RGB 244 115 238 | qconv.com Color code: RGB 244 115 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 115 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 115 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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