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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 62 236 it is the complementary color RGB 12 193 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 62 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 62 236 shade: RGB 248 62 231, RGB 255 80 250, RGB 255 98 255, RGB 255 116 255 and RGB 255 134 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 62 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 62 236 shade: RGB 243 62 236, RGB 226 44 217, RGB 209 26 198, RGB 192 8 179 and RGB 175 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 62 236 shade: RGB 242 63 235, RGB 242 63 187, RGB 242 63 138, RGB 242 63 90 and RGB 242 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 62 236 shade: RGB 242 63 235, RGB 201 63 242, RGB 152 63 242, RGB 104 63 242 and RGB 63 63 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 62 236 shade matches the following richer shades: RGB 242 63 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 62 236 shade: RGB 242 63 235, RGB 226 79 220, RGB 209 96 205, RGB 193 112 190 and RGB 176 129 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 62 236 shade: RGB 153 63 242, RGB 200 63 242, RGB 242 63 236, RGB 242 63 188 and RGB 242 63 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 62 236 shade: RGB 210 13 202, RGB 240 24 231, RGB 242 63 235, RGB 245 102 239 and RGB 247 140 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 62 236 shade: RGB 243 62 236, RGB 242 105 63 and RGB 63 242 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 62 236 shade: RGB 243 62 236, RGB 236 242 63 and RGB 63 236 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 62 236 shade: RGB 243 62 236, RGB 242 105 63, RGB 63 242 69 and RGB 63 200 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 62 236 shade: RGB 243 62 236, RGB 242 158 63, RGB 63 242 69 and RGB 63 147 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

Complementary color

CMYK 94 / 0 / 90 / 24

HEX #0CC113

RGB 12 193 19

HSL 122.32, 0.88%, 0.4%

LAB 68.22, -68.92, 65.14

 

CMYK 0 / 75 / 7 / 3

HEX #F83EE7

RGB 248 62 231

HSL 305.48, 0.93%, 0.61%

LAB 60.93, 84.69, -46.57

 

CMYK 0 / 69 / 2 / 0

HEX #FF50FA

RGB 255 80 250

HSL 301.71, 1%, 0.66%

LAB 64.88, 83.51, -50.82

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

CMYK 0 / 81 / 4 / 11

HEX #E22CD9

RGB 226 44 217

HSL 302.97, 0.76%, 0.53%

LAB 55.05, 82.83, -48.22

 

CMYK 0 / 88 / 5 / 18

HEX #D11AC6

RGB 209 26 198

HSL 303.61, 0.78%, 0.46%

LAB 49.94, 80.37, -45.61

 

CMYK 0 / 96 / 7 / 25

HEX #C008B3

RGB 192 8 179

HSL 304.24, 0.92%, 0.39%

LAB 45.13, 76.8, -42.35

 

CMYK 0 / 100 / 9 / 31

HEX #AF00A0

RGB 175 0 160

HSL 305.14, 1%, 0.34%

LAB 40.66, 71.92, -38.32

 

CMYK 0 / 74 / 3 / 5

HEX #F23FEB

RGB 242 63 235

HSL 302.35, 0.87%, 0.6%

LAB 60.28, 83.78, -49.91

 

CMYK 0 / 74 / 23 / 5

HEX #F23FBB

RGB 242 63 187

HSL 318.44, 0.87%, 0.6%

LAB 58.06, 77.2, -26.14

 

CMYK 0 / 74 / 43 / 5

HEX #F23F8A

RGB 242 63 138

HSL 334.86, 0.87%, 0.6%

LAB 56.35, 71.91, -0.06

 

CMYK 0 / 74 / 63 / 5

HEX #F23F5A

RGB 242 63 90

HSL 350.95, 0.87%, 0.6%

LAB 55.25, 68.34, 26.89

 

CMYK 0 / 74 / 74 / 5

HEX #F23F3F

RGB 242 63 63

HSL 0, 0.87%, 0.6%

LAB 54.86, 67.06, 41.93

 

CMYK 0 / 74 / 3 / 5

HEX #F23FEB

RGB 242 63 235

HSL 302.35, 0.87%, 0.6%

LAB 60.28, 83.78, -49.91

 

CMYK 17 / 74 / 0 / 5

HEX #C93FF2

RGB 201 63 242

HSL 286.26, 0.87%, 0.6%

LAB 54.43, 76.93, -63.52

 

CMYK 37 / 74 / 0 / 5

HEX #983FF2

RGB 152 63 242

HSL 269.83, 0.87%, 0.6%

LAB 47.8, 68.24, -74.58

 

CMYK 57 / 74 / 0 / 5

HEX #683FF2

RGB 104 63 242

HSL 253.74, 0.87%, 0.6%

LAB 42.63, 61.18, -83.26

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 0 / 74 / 3 / 5

HEX #F23FEB

RGB 242 63 235

HSL 302.35, 0.87%, 0.6%

LAB 60.28, 83.78, -49.91

 

CMYK 0 / 74 / 3 / 5

HEX #F23FEB

RGB 242 63 235

HSL 302.35, 0.87%, 0.6%

LAB 60.28, 83.78, -49.91

 

CMYK 0 / 65 / 3 / 11

HEX #E24FDC

RGB 226 79 220

HSL 302.45, 0.72%, 0.6%

LAB 58.91, 72.73, -43.81

 

CMYK 0 / 54 / 2 / 18

HEX #D160CD

RGB 209 96 205

HSL 302.12, 0.55%, 0.6%

LAB 58.35, 58.85, -36.37

 

CMYK 0 / 42 / 2 / 24

HEX #C170BE

RGB 193 112 190

HSL 302.22, 0.4%, 0.6%

LAB 58.64, 43.61, -27.54

 

CMYK 0 / 27 / 1 / 31

HEX #B081AE

RGB 176 129 174

HSL 302.55, 0.23%, 0.6%

LAB 59.88, 25.76, -16.69

 

CMYK 37 / 74 / 0 / 5

HEX #993FF2

RGB 153 63 242

HSL 270.17, 0.87%, 0.6%

LAB 47.93, 68.4, -74.37

 

CMYK 17 / 74 / 0 / 5

HEX #C83FF2

RGB 200 63 242

HSL 285.92, 0.87%, 0.6%

LAB 54.29, 76.74, -63.77

 

CMYK 0 / 74 / 2 / 5

HEX #F23FEC

RGB 242 63 236

HSL 302.01, 0.87%, 0.6%

LAB 60.33, 83.93, -50.39

 

CMYK 0 / 74 / 22 / 5

HEX #F23FBC

RGB 242 63 188

HSL 318.1, 0.87%, 0.6%

LAB 58.1, 77.33, -26.66

 

CMYK 0 / 74 / 42 / 5

HEX #F23F8D

RGB 242 63 141

HSL 333.85, 0.87%, 0.6%

LAB 56.44, 72.19, -1.71

 

CMYK 0 / 94 / 4 / 18

HEX #D20DCA

RGB 210 13 202

HSL 302.44, 0.88%, 0.44%

LAB 49.8, 82.71, -48.14

 

CMYK 0 / 90 / 4 / 6

HEX #F018E7

RGB 240 24 231

HSL 302.5, 0.88%, 0.52%

LAB 57.02, 90.7, -52.85

 

CMYK 0 / 74 / 3 / 5

HEX #F23FEB

RGB 242 63 235

HSL 302.35, 0.87%, 0.6%

LAB 60.28, 83.78, -49.91

 

CMYK 0 / 58 / 2 / 4

HEX #F566EF

RGB 245 102 239

HSL 302.52, 0.88%, 0.68%

LAB 65.86, 71.21, -43.29

 

CMYK 0 / 43 / 2 / 3

HEX #F78CF3

RGB 247 140 243

HSL 302.24, 0.87%, 0.76%

LAB 72.89, 54.89, -34.51

 

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

CMYK 0 / 57 / 74 / 5

HEX #F2693F

RGB 242 105 63

HSL 14.08, 0.87%, 0.6%

LAB 61.08, 50.3, 48.71

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B0

RGB 63 242 176

HSL 157.88, 0.87%, 0.6%

LAB 85.85, -59.28, 19.33

 

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

CMYK 2 / 0 / 74 / 5

HEX #ECF23F

RGB 236 242 63

HSL 62.01, 0.87%, 0.6%

LAB 92.44, -21.89, 79.43

 

CMYK 74 / 2 / 0 / 5

HEX #3FECF2

RGB 63 236 242

HSL 182.01, 0.87%, 0.6%

LAB 85.73, -40.14, -15.36

 

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

CMYK 0 / 57 / 74 / 5

HEX #F2693F

RGB 242 105 63

HSL 14.08, 0.87%, 0.6%

LAB 61.08, 50.3, 48.71

 

CMYK 74 / 0 / 71 / 5

HEX #3FF245

RGB 63 242 69

HSL 122.01, 0.87%, 0.6%

LAB 84.48, -75.14, 66.96

 

CMYK 74 / 17 / 0 / 5

HEX #3FC8F2

RGB 63 200 242

HSL 194.08, 0.87%, 0.6%

LAB 75.31, -22.9, -31.22

 

CMYK 0 / 74 / 3 / 5

HEX #F33EEC

RGB 243 62 236

HSL 302.32, 0.88%, 0.6%

LAB 60.39, 84.41, -50.28

 

CMYK 0 / 35 / 74 / 5

HEX #F29E3F

RGB 242 158 63

HSL 31.84, 0.87%, 0.6%

LAB 72.02, 23.53, 60

 

CMYK 74 / 0 / 71 / 5

HEX #3FF245

RGB 63 242 69

HSL 122.01, 0.87%, 0.6%

LAB 84.48, -75.14, 66.96

 

CMYK 74 / 39 / 0 / 5

HEX #3F93F2

RGB 63 147 242

HSL 211.84, 0.87%, 0.6%

LAB 60.19, 6.3, -54.91

 

Description

Color code: RGB 243 62 236 | qconv.com Color code: RGB 243 62 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 62 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 62 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 3 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 3% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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