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Color name
RGB 243 57 171

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 57 171 it is the complementary color RGB 12 198 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 57 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 57 171 shade: RGB 248 57 166, RGB 255 75 185, RGB 255 93 204, RGB 255 111 223 and RGB 255 129 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 57 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 226 39 152, RGB 209 21 133, RGB 192 3 114 and RGB 175 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 243 57 121, RGB 243 57 71 and RGB 243 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 243 57 221, RGB 215 57 243, RGB 164 57 243 and RGB 114 57 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 57 171 shade matches the following richer shades: RGB 243 57 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 226 74 167, RGB 209 91 163, RGB 192 108 159 and RGB 175 125 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 57 171 shade: RGB 215 57 243, RGB 243 57 221, RGB 243 57 172, RGB 243 57 122 and RGB 243 57 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 57 171 shade: RGB 206 12 131, RGB 241 18 154, RGB 243 57 171, RGB 245 96 187 and RGB 248 135 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 243 165 57 and RGB 57 243 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 172 243 57 and RGB 57 172 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 243 165 57, RGB 57 243 128 and RGB 57 134 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 57 171 shade: RGB 243 57 171, RGB 243 221 57, RGB 57 243 128 and RGB 57 79 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

Complementary color

CMYK 94 / 0 / 58 / 22

HEX #0CC654

RGB 12 198 84

HSL 143.23, 0.89%, 0.41%

LAB 70.25, -65.03, 45.04

 

CMYK 0 / 77 / 33 / 3

HEX #F839A6

RGB 248 57 166

HSL 325.76, 0.93%, 0.6%

LAB 57.69, 77.92, -14.43

 

CMYK 0 / 71 / 27 / 0

HEX #FF4BB9

RGB 255 75 185

HSL 323.33, 1%, 0.65%

LAB 61.48, 76.33, -19.56

 

CMYK 0 / 64 / 20 / 0

HEX #FF5DCC

RGB 255 93 204

HSL 318.89, 1%, 0.68%

LAB 64.52, 72.22, -25.71

 

CMYK 0 / 56 / 13 / 0

HEX #FF6FDF

RGB 255 111 223

HSL 313.33, 1%, 0.72%

LAB 67.99, 67.48, -31

 

CMYK 0 / 49 / 5 / 0

HEX #FF81F2

RGB 255 129 242

HSL 306.19, 1%, 0.75%

LAB 71.81, 62.31, -35.57

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 83 / 33 / 11

HEX #E22798

RGB 226 39 152

HSL 323.74, 0.76%, 0.52%

LAB 51.71, 75.71, -15.61

 

CMYK 0 / 90 / 36 / 18

HEX #D11585

RGB 209 21 133

HSL 324.26, 0.82%, 0.45%

LAB 46.69, 73.2, -12.07

 

CMYK 0 / 98 / 41 / 25

HEX #C00372

RGB 192 3 114

HSL 324.76, 0.97%, 0.38%

LAB 41.98, 69.63, -7.78

 

CMYK 0 / 100 / 46 / 31

HEX #AF005F

RGB 175 0 95

HSL 327.43, 1%, 0.34%

LAB 37.73, 64.51, -2.45

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 77 / 50 / 5

HEX #F33979

RGB 243 57 121

HSL 339.35, 0.89%, 0.59%

LAB 55.44, 72.52, 8.75

 

CMYK 0 / 77 / 71 / 5

HEX #F33947

RGB 243 57 71

HSL 355.48, 0.89%, 0.59%

LAB 54.49, 69.5, 37.05

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 12 / 77 / 0 / 5

HEX #D739F3

RGB 215 57 243

HSL 290.97, 0.89%, 0.59%

LAB 55.93, 81.56, -61.56

 

CMYK 33 / 77 / 0 / 5

HEX #A439F3

RGB 164 57 243

HSL 274.52, 0.89%, 0.59%

LAB 48.62, 72.7, -73.74

 

CMYK 53 / 77 / 0 / 5

HEX #7239F3

RGB 114 57 243

HSL 258.39, 0.89%, 0.59%

LAB 42.73, 65.43, -83.63

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 67 / 26 / 11

HEX #E24AA7

RGB 226 74 167

HSL 323.29, 0.72%, 0.59%

LAB 55.94, 67.04, -18.01

 

CMYK 0 / 56 / 22 / 18

HEX #D15BA3

RGB 209 91 163

HSL 323.39, 0.56%, 0.59%

LAB 55.77, 54.57, -16.19

 

CMYK 0 / 44 / 17 / 25

HEX #C06C9F

RGB 192 108 159

HSL 323.57, 0.4%, 0.59%

LAB 56.52, 40.1, -12.95

 

CMYK 0 / 29 / 11 / 31

HEX #AF7D9C

RGB 175 125 156

HSL 322.8, 0.24%, 0.59%

LAB 58.21, 24.36, -8.89

 

CMYK 12 / 77 / 0 / 5

HEX #D739F3

RGB 215 57 243

HSL 290.97, 0.89%, 0.59%

LAB 55.93, 81.56, -61.56

 

CMYK 0 / 77 / 9 / 5

HEX #F339DD

RGB 243 57 221

HSL 307.1, 0.89%, 0.59%

LAB 59.16, 83.59, -43.8

 

CMYK 0 / 77 / 29 / 5

HEX #F339AC

RGB 243 57 172

HSL 322.9, 0.89%, 0.59%

LAB 57.04, 77.39, -19

 

CMYK 0 / 77 / 50 / 5

HEX #F3397A

RGB 243 57 122

HSL 339.03, 0.89%, 0.59%

LAB 55.47, 72.6, 8.19

 

CMYK 0 / 77 / 70 / 5

HEX #F33948

RGB 243 57 72

HSL 355.16, 0.89%, 0.59%

LAB 54.5, 69.55, 36.49

 

CMYK 0 / 94 / 36 / 19

HEX #CE0C83

RGB 206 12 131

HSL 323.2, 0.89%, 0.43%

LAB 45.67, 73.42, -12.46

 

CMYK 0 / 93 / 36 / 5

HEX #F1129A

RGB 241 18 154

HSL 323.41, 0.89%, 0.51%

LAB 53.46, 82.44, -13.89

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 61 / 24 / 4

HEX #F560BB

RGB 245 96 187

HSL 323.36, 0.88%, 0.67%

LAB 62.82, 66.07, -18.81

 

CMYK 0 / 46 / 18 / 3

HEX #F887CC

RGB 248 135 204

HSL 323.36, 0.89%, 0.75%

LAB 70.62, 51.38, -16.5

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 32 / 77 / 5

HEX #F3A539

RGB 243 165 57

HSL 34.84, 0.89%, 0.59%

LAB 73.71, 20.01, 64.13

 

CMYK 77 / 0 / 1 / 5

HEX #39F3F0

RGB 57 243 240

HSL 179.03, 0.89%, 0.59%

LAB 87.61, -44.42, -11.52

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 29 / 0 / 77 / 5

HEX #ACF339

RGB 172 243 57

HSL 82.9, 0.89%, 0.59%

LAB 88.53, -47.45, 76.09

 

CMYK 77 / 29 / 0 / 5

HEX #39ACF3

RGB 57 172 243

HSL 202.9, 0.89%, 0.59%

LAB 67.16, -8.4, -44.45

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 32 / 77 / 5

HEX #F3A539

RGB 243 165 57

HSL 34.84, 0.89%, 0.59%

LAB 73.71, 20.01, 64.13

 

CMYK 77 / 0 / 47 / 5

HEX #39F380

RGB 57 243 128

HSL 142.9, 0.89%, 0.59%

LAB 85.27, -69.33, 42.63

 

CMYK 77 / 45 / 0 / 5

HEX #3986F3

RGB 57 134 243

HSL 215.16, 0.89%, 0.59%

LAB 56.48, 13.79, -61.41

 

CMYK 0 / 77 / 30 / 5

HEX #F339AB

RGB 243 57 171

HSL 323.23, 0.89%, 0.59%

LAB 57, 77.28, -18.48

 

CMYK 0 / 9 / 77 / 5

HEX #F3DD39

RGB 243 221 57

HSL 52.9, 0.89%, 0.59%

LAB 87.52, -8.96, 76.96

 

CMYK 77 / 0 / 47 / 5

HEX #39F380

RGB 57 243 128

HSL 142.9, 0.89%, 0.59%

LAB 85.27, -69.33, 42.63

 

CMYK 77 / 67 / 0 / 5

HEX #394FF3

RGB 57 79 243

HSL 232.9, 0.89%, 0.59%

LAB 42.66, 47.78, -83.88

 

Description

Color code: RGB 243 57 171 | qconv.com Color code: RGB 243 57 171 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 57 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 57 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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