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Color name
RGB 243 231 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 231 126 it is the complementary color RGB 12 24 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 231 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 231 126 shade: RGB 248 231 121, RGB 255 249 140, RGB 255 255 159, RGB 255 255 178 and RGB 255 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 231 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 231 126 shade: RGB 243 231 126, RGB 226 213 107, RGB 209 195 88, RGB 192 177 69 and RGB 175 159 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 231 126 shade: RGB 242 230 124, RGB 242 198 124, RGB 242 166 124, RGB 242 134 124 and RGB 242 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 231 126 shade: RGB 242 230 124, RGB 223 242 124, RGB 191 242 124, RGB 159 242 124 and RGB 127 242 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 231 126 shade matches the following richer shades: RGB 242 230 124 and RGB 254 239 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 231 126 shade: RGB 242 230 124, RGB 231 221 135, RGB 219 212 147, RGB 208 203 158 and RGB 196 193 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 231 126 shade: RGB 242 165 124, RGB 242 197 124, RGB 242 229 124, RGB 225 242 124 and RGB 193 242 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 231 126 shade: RGB 235 216 48, RGB 239 223 86, RGB 242 230 124, RGB 246 237 162 and RGB 249 244 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 231 126 shade: RGB 243 231 126, RGB 124 242 134 and RGB 181 124 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 231 126 shade: RGB 243 231 126, RGB 124 242 229 and RGB 229 124 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 231 126 shade: RGB 243 231 126, RGB 124 242 134, RGB 124 138 242 and RGB 242 124 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 231 126 shade: RGB 243 231 126, RGB 124 242 169, RGB 124 138 242 and RGB 242 124 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

Complementary color

CMYK 91 / 81 / 0 / 49

HEX #0C1881

RGB 12 24 129

HSL 233.85, 0.83%, 0.28%

LAB 17.07, 37.55, -58.51

 

CMYK 0 / 7 / 51 / 3

HEX #F8E779

RGB 248 231 121

HSL 51.97, 0.9%, 0.72%

LAB 91, -8.1, 55.06

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98C

RGB 255 249 140

HSL 56.87, 1%, 0.77%

LAB 96.37, -12.57, 52.75

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

CMYK 0 / 6 / 53 / 11

HEX #E2D56B

RGB 226 213 107

HSL 53.45, 0.67%, 0.65%

LAB 84.39, -9.08, 53.33

 

CMYK 0 / 7 / 58 / 18

HEX #D1C358

RGB 209 195 88

HSL 53.06, 0.57%, 0.58%

LAB 78.05, -8.39, 54.43

 

CMYK 0 / 8 / 64 / 25

HEX #C0B145

RGB 192 177 69

HSL 52.68, 0.49%, 0.51%

LAB 71.61, -7.57, 55.39

 

CMYK 0 / 9 / 71 / 31

HEX #AF9F32

RGB 175 159 50

HSL 52.32, 0.56%, 0.44%

LAB 65.07, -6.57, 56.04

 

CMYK 0 / 5 / 49 / 5

HEX #F2E67C

RGB 242 230 124

HSL 53.9, 0.82%, 0.72%

LAB 90.29, -9.74, 52.67

 

CMYK 0 / 18 / 49 / 5

HEX #F2C67C

RGB 242 198 124

HSL 37.63, 0.82%, 0.72%

LAB 82.23, 6.59, 42.78

 

CMYK 0 / 31 / 49 / 5

HEX #F2A67C

RGB 242 166 124

HSL 21.36, 0.82%, 0.72%

LAB 74.58, 23.43, 33.02

 

CMYK 0 / 45 / 49 / 5

HEX #F2867C

RGB 242 134 124

HSL 5.08, 0.82%, 0.72%

LAB 67.56, 40.13, 23.74

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 5 / 49 / 5

HEX #F2E67C

RGB 242 230 124

HSL 53.9, 0.82%, 0.72%

LAB 90.29, -9.74, 52.67

 

CMYK 8 / 0 / 49 / 5

HEX #DFF27C

RGB 223 242 124

HSL 69.66, 0.82%, 0.72%

LAB 91.97, -23.04, 54.36

 

CMYK 21 / 0 / 49 / 5

HEX #BFF27C

RGB 191 242 124

HSL 85.93, 0.82%, 0.72%

LAB 89.88, -35.02, 51.33

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 48 / 0 / 49 / 5

HEX #7FF27C

RGB 127 242 124

HSL 118.47, 0.82%, 0.72%

LAB 86.74, -55.62, 46.77

 

CMYK 0 / 5 / 49 / 5

HEX #F2E67C

RGB 242 230 124

HSL 53.9, 0.82%, 0.72%

LAB 90.29, -9.74, 52.67

 

CMYK 0 / 6 / 56 / 0

HEX #FEEF70

RGB 254 239 112

HSL 53.66, 0.99%, 0.72%

LAB 93.44, -10.37, 62.11

 

CMYK 0 / 5 / 49 / 5

HEX #F2E67C

RGB 242 230 124

HSL 53.9, 0.82%, 0.72%

LAB 90.29, -9.74, 52.67

 

CMYK 0 / 4 / 42 / 9

HEX #E7DD87

RGB 231 221 135

HSL 53.75, 0.67%, 0.72%

LAB 87.22, -8.53, 43.36

 

CMYK 0 / 3 / 33 / 14

HEX #DBD493

RGB 219 212 147

HSL 54.17, 0.5%, 0.72%

LAB 84.1, -7.3, 33.08

 

CMYK 0 / 2 / 24 / 18

HEX #D0CB9E

RGB 208 203 158

HSL 54, 0.35%, 0.72%

LAB 81.07, -5.45, 23.13

 

CMYK 0 / 2 / 13 / 23

HEX #C4C1AA

RGB 196 193 170

HSL 53.08, 0.18%, 0.72%

LAB 77.74, -2.9, 11.96

 

CMYK 0 / 32 / 49 / 5

HEX #F2A57C

RGB 242 165 124

HSL 20.85, 0.82%, 0.72%

LAB 74.34, 23.96, 32.72

 

CMYK 0 / 19 / 49 / 5

HEX #F2C57C

RGB 242 197 124

HSL 37.12, 0.82%, 0.72%

LAB 81.98, 7.11, 42.47

 

CMYK 0 / 5 / 49 / 5

HEX #F2E57C

RGB 242 229 124

HSL 53.39, 0.82%, 0.72%

LAB 90.03, -9.24, 52.37

 

CMYK 7 / 0 / 49 / 5

HEX #E1F27C

RGB 225 242 124

HSL 68.64, 0.82%, 0.72%

LAB 92.12, -22.27, 54.56

 

CMYK 20 / 0 / 49 / 5

HEX #C1F27C

RGB 193 242 124

HSL 84.92, 0.82%, 0.72%

LAB 90, -34.3, 51.51

 

CMYK 0 / 8 / 80 / 8

HEX #EBD830

RGB 235 216 48

HSL 53.9, 0.82%, 0.55%

LAB 85.5, -10.13, 77.54

 

CMYK 0 / 7 / 64 / 6

HEX #EFDF56

RGB 239 223 86

HSL 53.73, 0.83%, 0.64%

LAB 87.87, -10.24, 66.73

 

CMYK 0 / 5 / 49 / 5

HEX #F2E67C

RGB 242 230 124

HSL 53.9, 0.82%, 0.72%

LAB 90.29, -9.74, 52.67

 

CMYK 0 / 4 / 34 / 4

HEX #F6EDA2

RGB 246 237 162

HSL 53.57, 0.82%, 0.8%

LAB 92.91, -7.8, 37.48

 

CMYK 0 / 2 / 20 / 2

HEX #F9F4C7

RGB 249 244 199

HSL 54, 0.81%, 0.88%

LAB 95.57, -5.43, 22.33

 

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

CMYK 49 / 0 / 45 / 5

HEX #7CF286

RGB 124 242 134

HSL 125.08, 0.82%, 0.72%

LAB 86.76, -55.05, 41.97

 

CMYK 25 / 49 / 0 / 5

HEX #B57CF2

RGB 181 124 242

HSL 268.98, 0.82%, 0.72%

LAB 62.21, 44.6, -51.23

 

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

CMYK 49 / 0 / 5 / 5

HEX #7CF2E5

RGB 124 242 229

HSL 173.39, 0.82%, 0.72%

LAB 88.66, -36.48, -4.03

 

CMYK 5 / 49 / 0 / 5

HEX #E57CF2

RGB 229 124 242

HSL 293.39, 0.82%, 0.72%

LAB 67.64, 57.52, -42.31

 

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

CMYK 49 / 0 / 45 / 5

HEX #7CF286

RGB 124 242 134

HSL 125.08, 0.82%, 0.72%

LAB 86.76, -55.05, 41.97

 

CMYK 49 / 43 / 0 / 5

HEX #7C8AF2

RGB 124 138 242

HSL 232.88, 0.82%, 0.72%

LAB 60.67, 22.46, -53.98

 

CMYK 0 / 49 / 4 / 5

HEX #F27CE8

RGB 242 124 232

HSL 305.08, 0.82%, 0.72%

LAB 68.84, 59.37, -34.81

 

CMYK 0 / 5 / 48 / 5

HEX #F3E77E

RGB 243 231 126

HSL 53.85, 0.83%, 0.72%

LAB 90.65, -9.66, 52.18

 

CMYK 49 / 0 / 30 / 5

HEX #7CF2A9

RGB 124 242 169

HSL 142.88, 0.82%, 0.72%

LAB 87.32, -49.31, 25.2

 

CMYK 49 / 43 / 0 / 5

HEX #7C8AF2

RGB 124 138 242

HSL 232.88, 0.82%, 0.72%

LAB 60.67, 22.46, -53.98

 

CMYK 0 / 49 / 19 / 5

HEX #F27CC5

RGB 242 124 197

HSL 322.88, 0.82%, 0.72%

LAB 67.52, 53.87, -17.37

 

Description

Color code: RGB 243 231 126 | qconv.com Color code: RGB 243 231 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 231 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 231 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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