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Color name
RGB 243 179 225

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 179 225 it is the complementary color RGB 12 76 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 179 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 179 225 shade: RGB 248 179 220, RGB 255 197 239, RGB 255 215 255, RGB 255 233 255 and RGB 255 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 179 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 179 225 shade: RGB 243 179 225, RGB 226 161 206, RGB 209 143 187, RGB 192 125 168 and RGB 175 107 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 179 225 shade: RGB 243 180 225, RGB 243 180 208, RGB 243 180 191 and RGB 243 180 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 179 225 shade: RGB 243 180 225, RGB 243 180 242, RGB 226 180 243, RGB 209 180 243 and RGB 192 180 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 179 225 shade matches the following richer shades: RGB 243 180 225 and RGB 250 172 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 179 225 shade: RGB 243 180 225, RGB 236 187 222, RGB 229 194 219, RGB 222 201 216 and RGB 215 208 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 179 225 shade: RGB 226 180 243, RGB 243 180 243, RGB 243 180 226, RGB 243 180 209 and RGB 243 180 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 179 225 shade: RGB 232 108 197, RGB 237 144 211, RGB 243 180 225, RGB 248 215 239 and RGB 254 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 179 225 shade: RGB 243 179 225, RGB 243 209 180 and RGB 180 243 234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 179 225 shade: RGB 243 179 225, RGB 226 243 180 and RGB 180 226 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 179 225 shade: RGB 243 179 225, RGB 243 209 180, RGB 180 243 196 and RGB 180 213 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 179 225 shade: RGB 243 179 225, RGB 243 228 180, RGB 180 243 196 and RGB 180 194 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

Complementary color

CMYK 84 / 0 / 61 / 70

HEX #0C4C1E

RGB 12 76 30

HSL 136.88, 0.73%, 0.17%

LAB 27.68, -30.8, 21.66

 

CMYK 0 / 28 / 11 / 3

HEX #F8B3DC

RGB 248 179 220

HSL 324.35, 0.83%, 0.84%

LAB 80.38, 31.19, -10.62

 

CMYK 0 / 23 / 6 / 0

HEX #FFC5EF

RGB 255 197 239

HSL 316.55, 1%, 0.89%

LAB 85.72, 27.24, -12.76

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

CMYK 0 / 29 / 9 / 11

HEX #E2A1CE

RGB 226 161 206

HSL 318.46, 0.53%, 0.76%

LAB 73.62, 30.99, -13.35

 

CMYK 0 / 32 / 11 / 18

HEX #D18FBB

RGB 209 143 187

HSL 320, 0.42%, 0.69%

LAB 67.12, 31.68, -12.76

 

CMYK 0 / 35 / 13 / 25

HEX #C07DA8

RGB 192 125 168

HSL 321.49, 0.35%, 0.62%

LAB 60.52, 32.42, -12.12

 

CMYK 0 / 39 / 15 / 31

HEX #AF6B95

RGB 175 107 149

HSL 322.94, 0.3%, 0.55%

LAB 53.81, 33.2, -11.41

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 26 / 14 / 5

HEX #F3B4D0

RGB 243 180 208

HSL 333.33, 0.72%, 0.83%

LAB 79.76, 27.02, -5.12

 

CMYK 0 / 26 / 21 / 5

HEX #F3B4BF

RGB 243 180 191

HSL 349.52, 0.72%, 0.83%

LAB 79.3, 24.43, 3.42

 

CMYK 0 / 26 / 26 / 5

HEX #F3B4B4

RGB 243 180 180

HSL 0, 0.72%, 0.83%

LAB 79.04, 22.87, 8.99

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 26 / 0 / 5

HEX #F3B4F2

RGB 243 180 242

HSL 300.95, 0.72%, 0.83%

LAB 80.8, 32.81, -21.89

 

CMYK 7 / 26 / 0 / 5

HEX #E2B4F3

RGB 226 180 243

HSL 283.81, 0.72%, 0.83%

LAB 79.2, 27.57, -25

 

CMYK 14 / 26 / 0 / 5

HEX #D1B4F3

RGB 209 180 243

HSL 267.62, 0.72%, 0.83%

LAB 77.68, 22.23, -27.47

 

CMYK 21 / 26 / 0 / 5

HEX #C0B4F3

RGB 192 180 243

HSL 251.43, 0.72%, 0.83%

LAB 76.27, 17.03, -29.76

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 31 / 9 / 2

HEX #FAACE4

RGB 250 172 228

HSL 316.92, 0.89%, 0.83%

LAB 79.29, 36.86, -16.56

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 21 / 6 / 7

HEX #ECBBDE

RGB 236 187 222

HSL 317.14, 0.56%, 0.83%

LAB 81.1, 23.23, -10.76

 

CMYK 0 / 15 / 4 / 10

HEX #E5C2DB

RGB 229 194 219

HSL 317.14, 0.4%, 0.83%

LAB 82.03, 16.59, -7.82

 

CMYK 0 / 9 / 3 / 13

HEX #DEC9D8

RGB 222 201 216

HSL 317.14, 0.24%, 0.83%

LAB 83.05, 9.94, -4.78

 

CMYK 0 / 3 / 1 / 16

HEX #D7D0D5

RGB 215 208 213

HSL 317.14, 0.08%, 0.83%

LAB 84.15, 3.3, -1.62

 

CMYK 7 / 26 / 0 / 5

HEX #E2B4F3

RGB 226 180 243

HSL 283.81, 0.72%, 0.83%

LAB 79.2, 27.57, -25

 

CMYK 0 / 26 / 0 / 5

HEX #F3B4F3

RGB 243 180 243

HSL 300, 0.72%, 0.83%

LAB 80.83, 32.99, -22.37

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E2

RGB 243 180 226

HSL 316.19, 0.72%, 0.83%

LAB 80.29, 29.99, -14.05

 

CMYK 0 / 26 / 14 / 5

HEX #F3B4D1

RGB 243 180 209

HSL 332.38, 0.72%, 0.83%

LAB 79.78, 27.18, -5.62

 

CMYK 0 / 26 / 21 / 5

HEX #F3B4C0

RGB 243 180 192

HSL 348.57, 0.72%, 0.83%

LAB 79.33, 24.58, 2.92

 

CMYK 0 / 53 / 15 / 9

HEX #E86CC5

RGB 232 108 197

HSL 316.94, 0.73%, 0.67%

LAB 63.27, 58.47, -23.96

 

CMYK 0 / 39 / 11 / 7

HEX #ED90D3

RGB 237 144 211

HSL 316.77, 0.72%, 0.75%

LAB 71.32, 44.42, -19.46

 

CMYK 0 / 26 / 7 / 5

HEX #F3B4E1

RGB 243 180 225

HSL 317.14, 0.72%, 0.83%

LAB 80.25, 29.82, -13.56

 

CMYK 0 / 13 / 4 / 3

HEX #F8D7EF

RGB 248 215 239

HSL 316.36, 0.7%, 0.91%

LAB 89.29, 15.44, -7.5

 

CMYK 0 / 1 / 0 / 0

HEX #FEFBFD

RGB 254 251 253

HSL 320, 0.6%, 0.99%

LAB 98.89, 1.35, -0.61

 

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

CMYK 0 / 14 / 26 / 5

HEX #F3D1B4

RGB 243 209 180

HSL 27.62, 0.72%, 0.83%

LAB 85.98, 7.62, 18.79

 

CMYK 26 / 0 / 4 / 5

HEX #B4F3EA

RGB 180 243 234

HSL 171.43, 0.72%, 0.83%

LAB 91.57, -21.52, -2.07

 

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

CMYK 7 / 0 / 26 / 5

HEX #E2F3B4

RGB 226 243 180

HSL 76.19, 0.72%, 0.83%

LAB 93.26, -15.89, 28.59

 

CMYK 26 / 7 / 0 / 5

HEX #B4E2F3

RGB 180 226 243

HSL 196.19, 0.72%, 0.83%

LAB 87.27, -11.06, -13.14

 

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

CMYK 0 / 14 / 26 / 5

HEX #F3D1B4

RGB 243 209 180

HSL 27.62, 0.72%, 0.83%

LAB 85.98, 7.62, 18.79

 

CMYK 26 / 0 / 19 / 5

HEX #B4F3C4

RGB 180 243 196

HSL 135.24, 0.72%, 0.83%

LAB 90.68, -28.94, 16.37

 

CMYK 26 / 12 / 0 / 5

HEX #B4D5F3

RGB 180 213 243

HSL 208.57, 0.72%, 0.83%

LAB 83.84, -4.33, -18.3

 

CMYK 0 / 26 / 7 / 5

HEX #F3B3E1

RGB 243 179 225

HSL 316.88, 0.73%, 0.83%

LAB 80.03, 30.35, -13.9

 

CMYK 0 / 6 / 26 / 5

HEX #F3E4B4

RGB 243 228 180

HSL 45.71, 0.72%, 0.83%

LAB 90.71, -2.16, 25.31

 

CMYK 26 / 0 / 19 / 5

HEX #B4F3C4

RGB 180 243 196

HSL 135.24, 0.72%, 0.83%

LAB 90.68, -28.94, 16.37

 

CMYK 26 / 20 / 0 / 5

HEX #B4C2F3

RGB 180 194 243

HSL 226.67, 0.72%, 0.83%

LAB 78.9, 5.8, -25.8

 

Description

Color code: RGB 243 179 225 | qconv.com Color code: RGB 243 179 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 179 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 179 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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