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Color name
RGB 243 153 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 153 154 it is the complementary color RGB 12 102 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 153 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 153 154 shade: RGB 248 153 149, RGB 255 171 168, RGB 255 189 187, RGB 255 207 206 and RGB 255 225 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 153 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 153 154 shade: RGB 243 153 154, RGB 226 135 135, RGB 209 117 116, RGB 192 99 97 and RGB 175 81 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 153 154 shade: RGB 243 154 155 and RGB 243 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 153 154 shade: RGB 243 154 155, RGB 243 154 179, RGB 243 154 203, RGB 243 154 227 and RGB 235 154 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 153 154 shade matches the following richer shades: RGB 243 154 155 and RGB 252 145 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 153 154 shade: RGB 243 154 155, RGB 234 163 164, RGB 225 172 173, RGB 215 181 182 and RGB 206 190 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 153 154 shade: RGB 243 154 203, RGB 243 154 179, RGB 243 154 156, RGB 243 176 154 and RGB 243 200 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 153 154 shade: RGB 234 80 82, RGB 238 117 119, RGB 243 154 155, RGB 247 191 192 and RGB 251 228 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 153 154 shade: RGB 243 153 154, RGB 226 243 154 and RGB 154 191 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 153 154 shade: RGB 243 153 154, RGB 156 243 154 and RGB 154 156 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 153 154 shade: RGB 243 153 154, RGB 226 243 154, RGB 154 243 241 and RGB 170 154 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 153 154 shade: RGB 243 153 154, RGB 200 243 154, RGB 154 243 241 and RGB 197 154 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

Complementary color

CMYK 88 / 0 / 1 / 60

HEX #0C6665

RGB 12 102 101

HSL 179.33, 0.79%, 0.22%

LAB 38.76, -23.97, -6.43

 

CMYK 0 / 38 / 40 / 3

HEX #F89995

RGB 248 153 149

HSL 2.42, 0.88%, 0.78%

LAB 72.83, 35.09, 17.24

 

CMYK 0 / 33 / 34 / 0

HEX #FFABA8

RGB 255 171 168

HSL 2.07, 1%, 0.83%

LAB 78, 30.48, 14.2

 

CMYK 0 / 26 / 27 / 0

HEX #FFBDBB

RGB 255 189 187

HSL 1.76, 1%, 0.87%

LAB 82.51, 23.47, 10.34

 

CMYK 0 / 19 / 19 / 0

HEX #FFCFCE

RGB 255 207 206

HSL 1.22, 1%, 0.9%

LAB 87.16, 16.73, 6.89

 

CMYK 0 / 12 / 12 / 0

HEX #FFE1E1

RGB 255 225 225

HSL 0, 1%, 0.94%

LAB 91.93, 10.3, 3.77

 

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

CMYK 0 / 40 / 40 / 11

HEX #E28787

RGB 226 135 135

HSL 0, 0.61%, 0.71%

LAB 65.94, 34.77, 15.03

 

CMYK 0 / 44 / 44 / 18

HEX #D17574

RGB 209 117 116

HSL 0.65, 0.5%, 0.64%

LAB 59.47, 35.82, 16.52

 

CMYK 0 / 48 / 49 / 25

HEX #C06361

RGB 192 99 97

HSL 1.26, 0.43%, 0.57%

LAB 52.94, 36.94, 18.24

 

CMYK 0 / 54 / 55 / 31

HEX #AF514E

RGB 175 81 78

HSL 1.86, 0.38%, 0.5%

LAB 46.38, 38.11, 20.27

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9B

RGB 243 154 155

HSL 359.33, 0.79%, 0.78%

LAB 72.58, 33.4, 13.5

 

CMYK 0 / 37 / 37 / 5

HEX #F39A9A

RGB 243 154 154

HSL 0, 0.79%, 0.78%

LAB 72.56, 33.28, 14.02

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9B

RGB 243 154 155

HSL 359.33, 0.79%, 0.78%

LAB 72.58, 33.4, 13.5

 

CMYK 0 / 37 / 26 / 5

HEX #F39AB3

RGB 243 154 179

HSL 343.15, 0.79%, 0.78%

LAB 73.17, 36.45, 1.07

 

CMYK 0 / 37 / 16 / 5

HEX #F39ACB

RGB 243 154 203

HSL 326.97, 0.79%, 0.78%

LAB 73.85, 39.93, -11.16

 

CMYK 0 / 37 / 7 / 5

HEX #F39AE3

RGB 243 154 227

HSL 310.79, 0.79%, 0.78%

LAB 74.64, 43.82, -23.13

 

CMYK 3 / 37 / 0 / 5

HEX #EB9AF3

RGB 235 154 243

HSL 294.61, 0.79%, 0.78%

LAB 74.35, 44.2, -32.38

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9B

RGB 243 154 155

HSL 359.33, 0.79%, 0.78%

LAB 72.58, 33.4, 13.5

 

CMYK 0 / 42 / 42 / 1

HEX #FC9192

RGB 252 145 146

HSL 359.44, 0.95%, 0.78%

LAB 71.57, 40.36, 17.22

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9B

RGB 243 154 155

HSL 359.33, 0.79%, 0.78%

LAB 72.58, 33.4, 13.5

 

CMYK 0 / 30 / 30 / 8

HEX #EAA3A4

RGB 234 163 164

HSL 359.15, 0.63%, 0.78%

LAB 73.78, 26.43, 10.09

 

CMYK 0 / 24 / 23 / 12

HEX #E1ACAD

RGB 225 172 173

HSL 358.87, 0.47%, 0.78%

LAB 75.16, 19.52, 7

 

CMYK 0 / 16 / 15 / 16

HEX #D7B5B6

RGB 215 181 182

HSL 358.24, 0.3%, 0.78%

LAB 76.6, 12.38, 4.05

 

CMYK 0 / 8 / 7 / 19

HEX #CEBEBF

RGB 206 190 191

HSL 356.25, 0.14%, 0.78%

LAB 78.29, 5.81, 1.53

 

CMYK 0 / 37 / 16 / 5

HEX #F39ACB

RGB 243 154 203

HSL 326.97, 0.79%, 0.78%

LAB 73.85, 39.93, -11.16

 

CMYK 0 / 37 / 26 / 5

HEX #F39AB3

RGB 243 154 179

HSL 343.15, 0.79%, 0.78%

LAB 73.17, 36.45, 1.07

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9C

RGB 243 154 156

HSL 358.65, 0.79%, 0.78%

LAB 72.61, 33.52, 12.98

 

CMYK 0 / 28 / 37 / 5

HEX #F3B09A

RGB 243 176 154

HSL 14.83, 0.79%, 0.78%

LAB 77.54, 21.68, 20.94

 

CMYK 0 / 18 / 37 / 5

HEX #F3C89A

RGB 243 200 154

HSL 31.01, 0.79%, 0.78%

LAB 83.28, 9.04, 28.74

 

CMYK 0 / 66 / 65 / 8

HEX #EA5052

RGB 234 80 82

HSL 359.22, 0.79%, 0.62%

LAB 55.93, 59.36, 32.11

 

CMYK 0 / 51 / 50 / 7

HEX #EE7577

RGB 238 117 119

HSL 359.01, 0.78%, 0.7%

LAB 63.53, 46.74, 21.02

 

CMYK 0 / 37 / 36 / 5

HEX #F39A9B

RGB 243 154 155

HSL 359.33, 0.79%, 0.78%

LAB 72.58, 33.4, 13.5

 

CMYK 0 / 23 / 22 / 3

HEX #F7BFC0

RGB 247 191 192

HSL 358.93, 0.78%, 0.86%

LAB 82.29, 20.21, 7.25

 

CMYK 0 / 9 / 9 / 2

HEX #FBE4E4

RGB 251 228 228

HSL 0, 0.74%, 0.94%

LAB 92.4, 7.85, 2.84

 

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

CMYK 7 / 0 / 37 / 5

HEX #E2F39A

RGB 226 243 154

HSL 71.46, 0.79%, 0.78%

LAB 92.84, -19.23, 41.07

 

CMYK 37 / 21 / 0 / 5

HEX #9ABFF3

RGB 154 191 243

HSL 215.06, 0.79%, 0.78%

LAB 76.44, 0.11, -29.72

 

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

CMYK 36 / 0 / 37 / 5

HEX #9CF39A

RGB 156 243 154

HSL 118.65, 0.79%, 0.78%

LAB 88.69, -43.36, 34.86

 

CMYK 37 / 36 / 0 / 5

HEX #9A9CF3

RGB 154 156 243

HSL 238.65, 0.79%, 0.78%

LAB 67.37, 19.66, -43.81

 

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

CMYK 7 / 0 / 37 / 5

HEX #E2F39A

RGB 226 243 154

HSL 71.46, 0.79%, 0.78%

LAB 92.84, -19.23, 41.07

 

CMYK 37 / 0 / 1 / 5

HEX #9AF3F1

RGB 154 243 241

HSL 178.65, 0.79%, 0.78%

LAB 90.47, -27.03, -7.49

 

CMYK 30 / 37 / 0 / 5

HEX #AA9AF3

RGB 170 154 243

HSL 250.79, 0.79%, 0.78%

LAB 68.12, 25.13, -42.54

 

CMYK 0 / 37 / 37 / 5

HEX #F3999A

RGB 243 153 154

HSL 359.33, 0.79%, 0.78%

LAB 72.34, 33.81, 13.71

 

CMYK 18 / 0 / 37 / 5

HEX #C8F39A

RGB 200 243 154

HSL 88.99, 0.79%, 0.78%

LAB 91.1, -28.72, 38.48

 

CMYK 37 / 0 / 1 / 5

HEX #9AF3F1

RGB 154 243 241

HSL 178.65, 0.79%, 0.78%

LAB 90.47, -27.03, -7.49

 

CMYK 19 / 37 / 0 / 5

HEX #C59AF3

RGB 197 154 243

HSL 268.99, 0.79%, 0.78%

LAB 70.49, 32.85, -38.66

 

Description

Color code: RGB 243 153 154 | qconv.com Color code: RGB 243 153 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 153 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 153 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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