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Color name
RGB 243 149 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 149 200 it is the complementary color RGB 12 106 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 149 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 149 200 shade: RGB 248 149 195, RGB 255 167 214, RGB 255 185 233, RGB 255 203 252 and RGB 255 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 149 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 226 131 181, RGB 209 113 162, RGB 192 95 143 and RGB 175 77 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 243 149 175, RGB 243 149 149 and RGB 243 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 243 149 225, RGB 235 149 243, RGB 210 149 243 and RGB 184 149 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 149 200 shade matches the following richer shades: RGB 243 149 200 and RGB 252 139 201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 233 158 199, RGB 224 168 198, RGB 214 177 197 and RGB 205 187 197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 149 200 shade: RGB 235 149 243, RGB 243 149 226, RGB 243 149 201, RGB 243 149 176 and RGB 243 149 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 149 200 shade: RGB 235 75 161, RGB 239 112 181, RGB 243 149 200, RGB 247 186 219 and RGB 251 223 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 243 210 149 and RGB 149 238 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 201 243 149 and RGB 149 201 243

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 243 210 149, RGB 149 243 191 and RGB 149 182 243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 149 200 shade: RGB 243 149 200, RGB 243 238 149, RGB 149 243 191 and RGB 149 154 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

Complementary color

CMYK 89 / 0 / 48 / 58

HEX #0C6A37

RGB 12 106 55

HSL 147.45, 0.8%, 0.23%

LAB 39.01, -38.06, 21.55

 

CMYK 0 / 40 / 21 / 3

HEX #F895C3

RGB 248 149 195

HSL 332.12, 0.88%, 0.78%

LAB 73.15, 43, -7.73

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D6

RGB 255 167 214

HSL 327.95, 1%, 0.83%

LAB 78.32, 38.88, -10.37

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E9

RGB 255 185 233

HSL 318.86, 1%, 0.86%

LAB 82.83, 32.53, -13.88

 

CMYK 0 / 20 / 1 / 0

HEX #FFCBFC

RGB 255 203 252

HSL 303.46, 1%, 0.9%

LAB 87.49, 26.36, -17

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 42 / 20 / 11

HEX #E283B5

RGB 226 131 181

HSL 328.42, 0.62%, 0.7%

LAB 66.32, 42.85, -10.38

 

CMYK 0 / 46 / 22 / 18

HEX #D171A2

RGB 209 113 162

HSL 329.38, 0.51%, 0.63%

LAB 59.87, 43.65, -9.44

 

CMYK 0 / 51 / 26 / 25

HEX #C05F8F

RGB 192 95 143

HSL 330.31, 0.43%, 0.56%

LAB 53.36, 44.44, -8.34

 

CMYK 0 / 56 / 29 / 31

HEX #AF4D7C

RGB 175 77 124

HSL 331.22, 0.39%, 0.49%

LAB 46.81, 45.16, -7.02

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 39 / 28 / 5

HEX #F395AF

RGB 243 149 175

HSL 343.4, 0.8%, 0.77%

LAB 71.99, 38.51, 1.57

 

CMYK 0 / 39 / 39 / 5

HEX #F39595

RGB 243 149 149

HSL 0, 0.8%, 0.77%

LAB 71.36, 35.32, 15.1

 

CMYK 0 / 39 / 39 / 5

HEX #F39595

RGB 243 149 149

HSL 0, 0.8%, 0.77%

LAB 71.36, 35.32, 15.1

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 39 / 7 / 5

HEX #F395E1

RGB 243 149 225

HSL 311.49, 0.8%, 0.77%

LAB 73.54, 46.06, -23.72

 

CMYK 3 / 39 / 0 / 5

HEX #EB95F3

RGB 235 149 243

HSL 294.89, 0.8%, 0.77%

LAB 73.3, 46.8, -33.99

 

CMYK 14 / 39 / 0 / 5

HEX #D295F3

RGB 210 149 243

HSL 278.94, 0.8%, 0.77%

LAB 70.64, 39.39, -38.33

 

CMYK 24 / 39 / 0 / 5

HEX #B895F3

RGB 184 149 243

HSL 262.34, 0.8%, 0.77%

LAB 68.14, 31.87, -42.43

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 45 / 20 / 1

HEX #FC8BC9

RGB 252 139 201

HSL 327.08, 0.95%, 0.77%

LAB 71.81, 50.23, -13

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 32 / 15 / 9

HEX #E99EC7

RGB 233 158 199

HSL 327.2, 0.63%, 0.77%

LAB 73.48, 33.82, -9.63

 

CMYK 0 / 25 / 12 / 12

HEX #E0A8C6

RGB 224 168 198

HSL 327.86, 0.47%, 0.77%

LAB 74.78, 25.2, -7.25

 

CMYK 0 / 17 / 8 / 16

HEX #D6B1C5

RGB 214 177 197

HSL 327.57, 0.31%, 0.77%

LAB 75.93, 16.67, -5.11

 

CMYK 0 / 9 / 4 / 20

HEX #CDBBC5

RGB 205 187 197

HSL 326.67, 0.15%, 0.77%

LAB 77.61, 8.12, -2.73

 

CMYK 3 / 39 / 0 / 5

HEX #EB95F3

RGB 235 149 243

HSL 294.89, 0.8%, 0.77%

LAB 73.3, 46.8, -33.99

 

CMYK 0 / 39 / 7 / 5

HEX #F395E2

RGB 243 149 226

HSL 310.85, 0.8%, 0.77%

LAB 73.57, 46.23, -24.21

 

CMYK 0 / 39 / 17 / 5

HEX #F395C9

RGB 243 149 201

HSL 326.81, 0.8%, 0.77%

LAB 72.74, 42.22, -11.72

 

CMYK 0 / 39 / 28 / 5

HEX #F395B0

RGB 243 149 176

HSL 342.77, 0.8%, 0.77%

LAB 72.02, 38.65, 1.06

 

CMYK 0 / 39 / 38 / 5

HEX #F39596

RGB 243 149 150

HSL 359.36, 0.8%, 0.77%

LAB 71.39, 35.43, 14.58

 

CMYK 0 / 68 / 31 / 8

HEX #EB4BA1

RGB 235 75 161

HSL 327.75, 0.8%, 0.61%

LAB 57.34, 68.36, -12.26

 

CMYK 0 / 53 / 24 / 6

HEX #EF70B5

RGB 239 112 181

HSL 327.4, 0.8%, 0.69%

LAB 64.38, 56.42, -13.11

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 25 / 11 / 3

HEX #F7BADB

RGB 247 186 219

HSL 327.54, 0.79%, 0.85%

LAB 81.84, 27, -7.92

 

CMYK 0 / 11 / 5 / 2

HEX #FBDFEE

RGB 251 223 238

HSL 327.86, 0.78%, 0.93%

LAB 91.44, 12.11, -3.78

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 14 / 39 / 5

HEX #F3D295

RGB 243 210 149

HSL 38.94, 0.8%, 0.77%

LAB 85.66, 3.29, 34.5

 

CMYK 39 / 2 / 0 / 5

HEX #95EEF3

RGB 149 238 243

HSL 183.19, 0.8%, 0.77%

LAB 88.93, -25.4, -10.84

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 17 / 0 / 39 / 5

HEX #C9F395

RGB 201 243 149

HSL 86.81, 0.8%, 0.77%

LAB 91.09, -29, 40.95

 

CMYK 39 / 17 / 0 / 5

HEX #95C9F3

RGB 149 201 243

HSL 206.81, 0.8%, 0.77%

LAB 78.83, -6.58, -26.08

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 14 / 39 / 5

HEX #F3D295

RGB 243 210 149

HSL 38.94, 0.8%, 0.77%

LAB 85.66, 3.29, 34.5

 

CMYK 39 / 0 / 21 / 5

HEX #95F3BF

RGB 149 243 191

HSL 146.81, 0.8%, 0.77%

LAB 89.04, -39.04, 16.43

 

CMYK 39 / 25 / 0 / 5

HEX #95B6F3

RGB 149 182 243

HSL 218.94, 0.8%, 0.77%

LAB 73.75, 3.71, -33.89

 

CMYK 0 / 39 / 18 / 5

HEX #F395C8

RGB 243 149 200

HSL 327.45, 0.8%, 0.77%

LAB 72.71, 42.07, -11.22

 

CMYK 0 / 2 / 39 / 5

HEX #F3EE95

RGB 243 238 149

HSL 56.81, 0.8%, 0.77%

LAB 92.74, -10.89, 43.66

 

CMYK 39 / 0 / 21 / 5

HEX #95F3BF

RGB 149 243 191

HSL 146.81, 0.8%, 0.77%

LAB 89.04, -39.04, 16.43

 

CMYK 39 / 37 / 0 / 5

HEX #959AF3

RGB 149 154 243

HSL 236.81, 0.8%, 0.77%

LAB 66.5, 19.5, -45.2

 

Description

Color code: RGB 243 149 200 | qconv.com Color code: RGB 243 149 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 149 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 149 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 18 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 18% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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