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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 121 103 it is the complementary color RGB 12 134 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 121 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 121 103 shade: RGB 248 121 98, RGB 255 139 117, RGB 255 157 136, RGB 255 175 155 and RGB 255 193 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 121 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 121 103 shade: RGB 243 121 103, RGB 226 103 84, RGB 209 85 65, RGB 192 67 46 and RGB 175 49 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 121 103 shade: RGB 242 121 104 and RGB 242 104 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 121 103 shade: RGB 242 121 104, RGB 242 159 104, RGB 242 196 104, RGB 242 234 104 and RGB 214 242 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 121 103 shade matches the following richer shades: RGB 242 121 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 121 103 shade: RGB 242 121 104, RGB 229 131 117, RGB 216 141 130, RGB 203 151 143 and RGB 189 161 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 121 103 shade: RGB 242 104 161, RGB 242 104 124, RGB 242 120 104, RGB 242 157 104 and RGB 242 194 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 121 103 shade: RGB 236 54 27, RGB 239 88 65, RGB 242 121 104, RGB 245 155 142 and RGB 248 189 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 121 103 shade: RGB 243 121 103, RGB 198 242 104 and RGB 104 143 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 121 103 shade: RGB 243 121 103, RGB 104 242 120 and RGB 120 104 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 121 103 shade: RGB 243 121 103, RGB 198 242 104, RGB 104 226 242 and RGB 147 104 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 121 103 shade: RGB 243 121 103, RGB 157 242 104, RGB 104 226 242 and RGB 189 104 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

Complementary color

CMYK 92 / 12 / 0 / 40

HEX #0C8698

RGB 12 134 152

HSL 187.71, 0.85%, 0.32%

LAB 51.15, -23.22, -18.16

 

CMYK 0 / 51 / 60 / 3

HEX #F87962

RGB 248 121 98

HSL 9.2, 0.91%, 0.68%

LAB 65.37, 46.77, 35.41

 

CMYK 0 / 45 / 54 / 0

HEX #FF8B75

RGB 255 139 117

HSL 9.57, 1%, 0.73%

LAB 70.18, 41.83, 31.38

 

CMYK 0 / 38 / 47 / 0

HEX #FF9D88

RGB 255 157 136

HSL 10.59, 1%, 0.77%

LAB 74.29, 34.3, 26.47

 

CMYK 0 / 31 / 39 / 0

HEX #FFAF9B

RGB 255 175 155

HSL 12, 1%, 0.8%

LAB 78.63, 26.88, 22.1

 

CMYK 0 / 24 / 32 / 0

HEX #FFC1AE

RGB 255 193 174

HSL 14.07, 1%, 0.84%

LAB 83.16, 19.69, 18.2

 

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

CMYK 0 / 54 / 63 / 11

HEX #E26754

RGB 226 103 84

HSL 8.03, 0.71%, 0.61%

LAB 58.52, 46.55, 33.91

 

CMYK 0 / 59 / 69 / 18

HEX #D15541

RGB 209 85 65

HSL 8.33, 0.61%, 0.54%

LAB 52.32, 47.8, 36.41

 

CMYK 0 / 65 / 76 / 25

HEX #C0432E

RGB 192 67 46

HSL 8.63, 0.61%, 0.47%

LAB 46.2, 48.96, 39.22

 

CMYK 0 / 72 / 85 / 31

HEX #AF311B

RGB 175 49 27

HSL 8.92, 0.73%, 0.4%

LAB 40.23, 49.86, 42.18

 

CMYK 0 / 50 / 57 / 5

HEX #F27968

RGB 242 121 104

HSL 7.39, 0.84%, 0.68%

LAB 64.6, 45, 30.96

 

CMYK 0 / 57 / 57 / 5

HEX #F26868

RGB 242 104 104

HSL 0, 0.84%, 0.68%

LAB 61.46, 53.1, 26.88

 

CMYK 0 / 50 / 57 / 5

HEX #F27968

RGB 242 121 104

HSL 7.39, 0.84%, 0.68%

LAB 64.6, 45, 30.96

 

CMYK 0 / 34 / 57 / 5

HEX #F29F68

RGB 242 159 104

HSL 23.91, 0.84%, 0.68%

LAB 72.68, 25.44, 41.12

 

CMYK 0 / 19 / 57 / 5

HEX #F2C468

RGB 242 196 104

HSL 40, 0.84%, 0.68%

LAB 81.49, 5.97, 51.71

 

CMYK 0 / 3 / 57 / 5

HEX #F2EA68

RGB 242 234 104

HSL 56.52, 0.84%, 0.68%

LAB 91.11, -13.3, 62.73

 

CMYK 12 / 0 / 57 / 5

HEX #D6F268

RGB 214 242 104

HSL 72.17, 0.84%, 0.68%

LAB 91.14, -28.24, 62.2

 

CMYK 0 / 50 / 57 / 5

HEX #F27968

RGB 242 121 104

HSL 7.39, 0.84%, 0.68%

LAB 64.6, 45, 30.96

 

CMYK 0 / 50 / 57 / 5

HEX #F27968

RGB 242 121 104

HSL 7.39, 0.84%, 0.68%

LAB 64.6, 45, 30.96

 

CMYK 0 / 43 / 49 / 10

HEX #E58375

RGB 229 131 117

HSL 7.5, 0.68%, 0.68%

LAB 65.1, 36.16, 24.05

 

CMYK 0 / 35 / 40 / 15

HEX #D88D82

RGB 216 141 130

HSL 7.67, 0.52%, 0.68%

LAB 65.95, 27.22, 17.66

 

CMYK 0 / 26 / 30 / 20

HEX #CB978F

RGB 203 151 143

HSL 8, 0.37%, 0.68%

LAB 67.14, 18.38, 11.84

 

CMYK 0 / 15 / 17 / 26

HEX #BDA19C

RGB 189 161 156

HSL 9.09, 0.2%, 0.68%

LAB 68.54, 9.46, 6.41

 

CMYK 0 / 57 / 33 / 5

HEX #F268A1

RGB 242 104 161

HSL 335.22, 0.84%, 0.68%

LAB 62.8, 58.51, -4

 

CMYK 0 / 57 / 49 / 5

HEX #F2687C

RGB 242 104 124

HSL 351.3, 0.84%, 0.68%

LAB 61.85, 54.71, 15.95

 

CMYK 0 / 50 / 57 / 5

HEX #F27868

RGB 242 120 104

HSL 6.96, 0.84%, 0.68%

LAB 64.41, 45.49, 30.71

 

CMYK 0 / 35 / 57 / 5

HEX #F29D68

RGB 242 157 104

HSL 23.04, 0.84%, 0.68%

LAB 72.22, 26.49, 40.56

 

CMYK 0 / 20 / 57 / 5

HEX #F2C268

RGB 242 194 104

HSL 39.13, 0.84%, 0.68%

LAB 80.99, 7.01, 51.13

 

CMYK 0 / 77 / 89 / 7

HEX #EC361B

RGB 236 54 27

HSL 7.75, 0.85%, 0.52%

LAB 52.45, 67.07, 56.95

 

CMYK 0 / 63 / 73 / 6

HEX #EF5841

RGB 239 88 65

HSL 7.93, 0.84%, 0.6%

LAB 57.76, 56.88, 43.92

 

CMYK 0 / 50 / 57 / 5

HEX #F27968

RGB 242 121 104

HSL 7.39, 0.84%, 0.68%

LAB 64.6, 45, 30.96

 

CMYK 0 / 37 / 42 / 4

HEX #F59B8E

RGB 245 155 142

HSL 7.57, 0.84%, 0.76%

LAB 72.77, 32.17, 20.94

 

CMYK 0 / 24 / 27 / 3

HEX #F8BDB4

RGB 248 189 180

HSL 7.94, 0.83%, 0.84%

LAB 81.65, 19.96, 12.77

 

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

CMYK 18 / 0 / 57 / 5

HEX #C6F268

RGB 198 242 104

HSL 79.13, 0.84%, 0.68%

LAB 90.1, -34.33, 60.73

 

CMYK 57 / 41 / 0 / 5

HEX #688FF2

RGB 104 143 242

HSL 223.04, 0.84%, 0.68%

LAB 60.78, 15.28, -53.87

 

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

CMYK 57 / 0 / 50 / 5

HEX #68F278

RGB 104 242 120

HSL 126.96, 0.84%, 0.68%

LAB 85.91, -61.93, 47.46

 

CMYK 50 / 57 / 0 / 5

HEX #7868F2

RGB 120 104 242

HSL 246.96, 0.84%, 0.68%

LAB 52.18, 41.65, -67.62

 

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

CMYK 18 / 0 / 57 / 5

HEX #C6F268

RGB 198 242 104

HSL 79.13, 0.84%, 0.68%

LAB 90.1, -34.33, 60.73

 

CMYK 57 / 7 / 0 / 5

HEX #68E2F2

RGB 104 226 242

HSL 186.96, 0.84%, 0.68%

LAB 83.83, -29.58, -18.13

 

CMYK 39 / 57 / 0 / 5

HEX #9368F2

RGB 147 104 242

HSL 258.7, 0.84%, 0.68%

LAB 54.57, 47.28, -63.64

 

CMYK 0 / 50 / 58 / 5

HEX #F37967

RGB 243 121 103

HSL 7.71, 0.85%, 0.68%

LAB 64.73, 45.29, 31.71

 

CMYK 35 / 0 / 57 / 5

HEX #9DF268

RGB 157 242 104

HSL 96.96, 0.84%, 0.68%

LAB 87.81, -48.86, 57.52

 

CMYK 57 / 7 / 0 / 5

HEX #68E2F2

RGB 104 226 242

HSL 186.96, 0.84%, 0.68%

LAB 83.83, -29.58, -18.13

 

CMYK 22 / 57 / 0 / 5

HEX #BD68F2

RGB 189 104 242

HSL 276.96, 0.84%, 0.68%

LAB 59.09, 57.04, -56.14

 

Description

Color code: RGB 243 121 103 | qconv.com Color code: RGB 243 121 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 121 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 121 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 58 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 58% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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