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Color name
RGB 243 124 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 243 124 215 it is the complementary color RGB 12 131 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 243 124 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 243 124 215 shade: RGB 248 124 210, RGB 255 142 229, RGB 255 160 248, RGB 255 178 255 and RGB 255 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 243 124 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 243 124 215 shade: RGB 243 124 215, RGB 226 106 196, RGB 209 88 177, RGB 192 70 158 and RGB 175 52 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 243 124 215 shade: RGB 242 124 214, RGB 242 124 183, RGB 242 124 151 and RGB 242 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 243 124 215 shade: RGB 242 124 214, RGB 238 124 242, RGB 206 124 242, RGB 174 124 242 and RGB 142 124 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 243 124 215 shade matches the following richer shades: RGB 242 124 214 and RGB 254 112 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 243 124 215 shade: RGB 242 124 214, RGB 231 135 208, RGB 219 147 202, RGB 208 158 196 and RGB 196 170 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 243 124 215 shade: RGB 207 124 242, RGB 238 124 242, RGB 242 124 215, RGB 242 124 183 and RGB 242 124 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 243 124 215 shade: RGB 235 48 191, RGB 239 86 203, RGB 242 124 214, RGB 246 162 226 and RGB 249 199 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 243 124 215 shade: RGB 243 124 215, RGB 242 175 124 and RGB 124 242 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 243 124 215 shade: RGB 243 124 215, RGB 215 242 124 and RGB 124 215 242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 243 124 215 shade: RGB 243 124 215, RGB 242 175 124, RGB 124 242 151 and RGB 124 191 242

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 243 124 215 shade: RGB 243 124 215, RGB 242 211 124, RGB 124 242 151 and RGB 124 155 242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

Complementary color

CMYK 91 / 0 / 69 / 49

HEX #0C8328

RGB 12 131 40

HSL 134.12, 0.83%, 0.28%

LAB 47.58, -49.13, 39.31

 

CMYK 0 / 50 / 15 / 3

HEX #F87CD2

RGB 248 124 210

HSL 318.39, 0.9%, 0.73%

LAB 68.77, 57.62, -22.65

 

CMYK 0 / 44 / 10 / 0

HEX #FF8EE5

RGB 255 142 229

HSL 313.81, 1%, 0.78%

LAB 73.72, 53.94, -25.51

 

CMYK 0 / 37 / 3 / 0

HEX #FFA0F8

RGB 255 160 248

HSL 304.42, 1%, 0.81%

LAB 77.98, 48.06, -29.3

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

CMYK 0 / 53 / 13 / 11

HEX #E26AC4

RGB 226 106 196

HSL 315, 0.67%, 0.65%

LAB 62.05, 57.5, -25.34

 

CMYK 0 / 58 / 15 / 18

HEX #D158B1

RGB 209 88 177

HSL 315.87, 0.57%, 0.58%

LAB 55.8, 57.97, -24.28

 

CMYK 0 / 64 / 18 / 25

HEX #C0469E

RGB 192 70 158

HSL 316.72, 0.49%, 0.51%

LAB 49.56, 58.21, -22.97

 

CMYK 0 / 70 / 21 / 31

HEX #AF348B

RGB 175 52 139

HSL 317.56, 0.54%, 0.45%

LAB 43.41, 58.04, -21.29

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD6

RGB 242 124 214

HSL 314.24, 0.82%, 0.72%

LAB 68.13, 56.45, -25.93

 

CMYK 0 / 49 / 24 / 5

HEX #F27CB7

RGB 242 124 183

HSL 330, 0.82%, 0.72%

LAB 67.06, 51.9, -10.19

 

CMYK 0 / 49 / 38 / 5

HEX #F27C97

RGB 242 124 151

HSL 346.27, 0.82%, 0.72%

LAB 66.16, 47.91, 6.59

 

CMYK 0 / 49 / 49 / 5

HEX #F27C7C

RGB 242 124 124

HSL 0, 0.82%, 0.72%

LAB 65.55, 45.17, 21.02

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD6

RGB 242 124 214

HSL 314.24, 0.82%, 0.72%

LAB 68.13, 56.45, -25.93

 

CMYK 2 / 49 / 0 / 5

HEX #EE7CF2

RGB 238 124 242

HSL 297.97, 0.82%, 0.72%

LAB 68.75, 59.98, -40.49

 

CMYK 15 / 49 / 0 / 5

HEX #CE7CF2

RGB 206 124 242

HSL 281.69, 0.82%, 0.72%

LAB 64.92, 51.27, -46.77

 

CMYK 28 / 49 / 0 / 5

HEX #AE7CF2

RGB 174 124 242

HSL 265.42, 0.82%, 0.72%

LAB 61.5, 42.77, -52.4

 

CMYK 41 / 49 / 0 / 5

HEX #8E7CF2

RGB 142 124 242

HSL 249.15, 0.82%, 0.72%

LAB 58.58, 34.82, -57.23

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD6

RGB 242 124 214

HSL 314.24, 0.82%, 0.72%

LAB 68.13, 56.45, -25.93

 

CMYK 0 / 56 / 13 / 0

HEX #FE70DD

RGB 254 112 221

HSL 313.94, 0.99%, 0.72%

LAB 67.93, 66.47, -29.99

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD6

RGB 242 124 214

HSL 314.24, 0.82%, 0.72%

LAB 68.13, 56.45, -25.93

 

CMYK 0 / 42 / 10 / 9

HEX #E787D0

RGB 231 135 208

HSL 314.38, 0.67%, 0.72%

LAB 68.66, 46.65, -21.91

 

CMYK 0 / 33 / 8 / 14

HEX #DB93CA

RGB 219 147 202

HSL 314.17, 0.5%, 0.72%

LAB 69.61, 35.46, -17.26

 

CMYK 0 / 24 / 6 / 18

HEX #D09EC4

RGB 208 158 196

HSL 314.4, 0.35%, 0.72%

LAB 70.77, 24.74, -12.31

 

CMYK 0 / 13 / 3 / 23

HEX #C4AABE

RGB 196 170 190

HSL 313.85, 0.18%, 0.72%

LAB 72.36, 12.91, -6.74

 

CMYK 14 / 49 / 0 / 5

HEX #CF7CF2

RGB 207 124 242

HSL 282.2, 0.82%, 0.72%

LAB 65.04, 51.54, -46.58

 

CMYK 2 / 49 / 0 / 5

HEX #EE7CF2

RGB 238 124 242

HSL 297.97, 0.82%, 0.72%

LAB 68.75, 59.98, -40.49

 

CMYK 0 / 49 / 11 / 5

HEX #F27CD7

RGB 242 124 215

HSL 313.73, 0.82%, 0.72%

LAB 68.17, 56.61, -26.43

 

CMYK 0 / 49 / 24 / 5

HEX #F27CB7

RGB 242 124 183

HSL 330, 0.82%, 0.72%

LAB 67.06, 51.9, -10.19

 

CMYK 0 / 49 / 38 / 5

HEX #F27C97

RGB 242 124 151

HSL 346.27, 0.82%, 0.72%

LAB 66.16, 47.91, 6.59

 

CMYK 0 / 80 / 19 / 8

HEX #EB30BF

RGB 235 48 191

HSL 314.12, 0.82%, 0.55%

LAB 55.62, 80.18, -32.32

 

CMYK 0 / 64 / 15 / 6

HEX #EF56CB

RGB 239 86 203

HSL 314.12, 0.83%, 0.64%

LAB 61.06, 70.67, -30.68

 

CMYK 0 / 49 / 12 / 5

HEX #F27CD6

RGB 242 124 214

HSL 314.24, 0.82%, 0.72%

LAB 68.13, 56.45, -25.93

 

CMYK 0 / 34 / 8 / 4

HEX #F6A2E2

RGB 246 162 226

HSL 314.29, 0.82%, 0.8%

LAB 76.63, 40.45, -19.53

 

CMYK 0 / 20 / 4 / 2

HEX #F9C7EE

RGB 249 199 238

HSL 313.2, 0.81%, 0.88%

LAB 85.58, 24.02, -12.48

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

CMYK 0 / 28 / 49 / 5

HEX #F2AF7C

RGB 242 175 124

HSL 25.93, 0.82%, 0.72%

LAB 76.67, 18.67, 35.73

 

CMYK 49 / 0 / 8 / 5

HEX #7CF2DF

RGB 124 242 223

HSL 170.34, 0.82%, 0.72%

LAB 88.5, -37.91, -1.12

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

CMYK 11 / 0 / 49 / 5

HEX #D7F27C

RGB 215 242 124

HSL 73.73, 0.82%, 0.72%

LAB 91.42, -26.1, 53.56

 

CMYK 49 / 11 / 0 / 5

HEX #7CD7F2

RGB 124 215 242

HSL 193.73, 0.82%, 0.72%

LAB 81.45, -20.13, -21.66

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

CMYK 0 / 28 / 49 / 5

HEX #F2AF7C

RGB 242 175 124

HSL 25.93, 0.82%, 0.72%

LAB 76.67, 18.67, 35.73

 

CMYK 49 / 0 / 38 / 5

HEX #7CF297

RGB 124 242 151

HSL 133.73, 0.82%, 0.72%

LAB 87.01, -52.44, 33.9

 

CMYK 49 / 21 / 0 / 5

HEX #7CBFF2

RGB 124 191 242

HSL 205.93, 0.82%, 0.72%

LAB 74.8, -7.62, -31.84

 

CMYK 0 / 49 / 12 / 5

HEX #F37CD7

RGB 243 124 215

HSL 314.12, 0.83%, 0.72%

LAB 68.3, 56.9, -26.22

 

CMYK 0 / 13 / 49 / 5

HEX #F2D37C

RGB 242 211 124

HSL 44.24, 0.82%, 0.72%

LAB 85.46, -0.13, 46.8

 

CMYK 49 / 0 / 38 / 5

HEX #7CF297

RGB 124 242 151

HSL 133.73, 0.82%, 0.72%

LAB 87.01, -52.44, 33.9

 

CMYK 49 / 36 / 0 / 5

HEX #7C9BF2

RGB 124 155 242

HSL 224.24, 0.82%, 0.72%

LAB 65.07, 12.52, -47

 

Description

Color code: RGB 243 124 215 | qconv.com Color code: RGB 243 124 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 124 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 124 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 12 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 12% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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